Helperduck - WoX Help

⇰ the pause. THE PAUSE. like “are we doing this? oh god we’re doing this.”

⇰ looking at each other’s mouths like it’s a life-or-death decision

⇰ someone whispering “can I?” or “just once” before going for it and RUINING ME EMOTIONALLY

⇰ hands. gripping shirts. cupping faces. hovering like “do I touch?? I WANNA TOUCH”

⇰ breath hitching?? yes. shakiness?? absolutely.

⇰ that stupid moment where one of them pulls back a few inches like “wait are you sure” and the other just goes for it again

⇰ kissing like they’re scared it’ll be the last time

⇰ kissing like they’ve been waiting ten goddamn years

⇰ teeth clashing awkwardly and both laughing about it but STILL FEELING IT

⇰ one of them freezing for a second mid-kiss because the feelings just hit

⇰ the post-kiss moment of “uh. so. yeah.” where neither knows what the hell just happened

⊹ standing too close. like just barely not touching. why are their shoulders breathing on each other??

⊹ conversations that sound normal but feel like foreplay. “pass the salt” has never been so loaded.

⊹ one of them says something flirty and the other freezes for 0.2 seconds like “oh.”

⊹ eyes dropping to lips and then—back up. with effort.

⊹ holding eye contact just a little too long. like... are they gonna kiss or duel??

⊹ unintentional physical contact that lasts one second too long and now they’re both broken

⊹ a hand on the small of the back. that’s it. that’s the tweet.

⊹ tension so thick that other characters start noticing like “hey are you two okay?” (they are not)

⊹ “accidental” sleepovers. “oh no there’s only one bed.” yeah. suuuure.

⊹ biting back a smile. biting back a moan. biting anything really.

⊹ one of them walks away and the other has to physically restrain themselves from watching the hips

↳ What lie do they tell themselves to sleep at night? Seriously. What’s the little piece of denial that keeps them functioning? Do they pretend they don’t care what people think? Tell themselves they’re over that one person? Convinced they’re not the villain of someone else’s story? We all lie to ourselves; your OC is no exception.

↳ What’s their emotional kryptonite? A specific thing that absolutely shatters them, like someone crying? Being ignored? Praise from a parent figure? The sound of an old song? The smell of something nostalgic? Find it and use it against them (lovingly, of course).

↳ When do they feel the most alive? Is it mid-battle, mid-baking, mid-breakup? Does adrenaline light them up, or do they find joy in the quiet, mundane things, like folding laundry while listening to sad girl music? This can reveal a LOT about what drives them.

↳ What would totally ruin their day? A bad haircut? Someone touching their stuff? Or is it something deeper, like being reminded of their failures, or seeing someone else succeed where they couldn’t?

↳ Who do they think they should be? And who are they really? This one’s juicy. Do they think they should be a hero, but keep acting like a villain?

↳ What’s the one thing they’d never admit out loud, even under duress? The shameful thought. The inappropriate desire. The thing they desperately want but don’t think they deserve. DONT FORGET: Characters are built on what they repress.

↳ What are they petty about? Don’t pretend your OC is above this, I mean everyone’s petty about something. Do they hold grudges over stolen pens? Get irrationally jealous of someone’s hair? Still mad about a game of Uno from 2007? Petty makes them fucking real.

↳ How do they act when they think no one’s watching? Do they let their mask slip? Dance around the kitchen? Talk to their cat in baby voice? Cry a little?

↳ What would make them snap? Where is the breaking point? What line has to be crossed for them to finally say “Enough”? Is it injustice? Betrayal? Feeling powerless? You’ll know you’ve found it when it scares you a little (Or a lot).

✦ People don’t always cry. shocking, I know. sometimes someone just sits there like a polite zombie, nodding and saying “okay” while their soul quietly packs a bag and moves out the back of their skull. They might want to cry, but also they might just go numb and stare at the salt shaker for ten minutes. Both are valid guys.

✦ Most breakups aren’t a single moment, they’re a slow unraveling that ends in a conversation, so even if your character feels blindsided, it should still carry that surreal “I should’ve seen this coming” haze. Because breakups rarely just drop out of the sky.

✦ The dumbest details stick, like seriously, no one remembers the whole speech, but they’ll remember the scratchy napkin, the weird buzz of a light, that their ex had mustard on their cheek and didn’t notice.

✦ You can always feel a breakup coming. no one says “we need to talk” out of nowhere, because people act different right before. overly nice. extra distant. weirdly cold or weirdly warm. characters should notice that, even if they can’t quite name what it is yet.

✦ Sometimes people still love each other. like, actually still love each other. it’s not always about the love being gone, no. It can be timing, fear, baggage, a hundred other things that get in the way. let your characters say “I love you” and still not stay. It hurts and it’s real.

✦ Closure? lol. most people don’t get it. a lot of breakups end with “wait, that’s it?” or a message that never gets sent or that one thing you almost said but didn’t. There’s rarely a satisfying ending.

✦ No one speaks in perfect sentences mid-breakup. people ramble. they say sorry three times and mean something different every time. Someone’s trying to keep it light. someone else is cracking. sentences trail off. someone forgets how to use words entirely.

✦ After it’s over, people don’t always sob into a pint of ice cream. Some people shut down, some go out and party, some clean their entire room, rewatch a comfort show, or post a spicy selfie with “new era” energy. Everyone breaks differently, so let your characters be weird about it.

From someone who’s definitely been in too many and would very much like a refund...ツ

⊹ Waiting rooms are emotional purgatory. They’re too bright, too quiet, and weirdly timeless. Fluorescent lights buzzing, TVs playing muted news no one watches, coffee that tastes like burnt stress. People aren’t relaxing in there, they’re just existing, awkwardly pretending their phones are interesting while dissociating at 40% battery.

⊹ Everyone talks in a whisper, but not because it’s respectful, no, it just feels wrong to speak normally. Like the walls might be listening, like if you talk too loud, something worse might happen, even the loud people get quiet in hospitals.

⊹ Overnight stays are hell. hospital chairs? medieval torture devices with upholstery. even if someone’s trying to nap next to a patient, they’re not sleeping. They’re half-listening to the symphony of beeping machines, nurse shoes squeaking, the occasional cough, and distant Code Something crackling over the intercom. it’s anxiety with a blanket.

⊹ The smell is unforgettable, like it’s not just antiseptic. it’s plastic and cafeteria meatloaf and sweat and fear and the smell of a place where people are very much not okay. the first time your character walks in, it’ll hit them like a wall. later, they might not even notice, or maybe it’s the only thing they can smell for days after.

⊹ Talking to doctors is a weird performance. You're trying to be calm, they’re trying to be calm. But no one is calm, your character wants to ask 47 questions and not sound desperate. The doctor explains things like they’re narrating a science video, and when they leave, someone will immediately go “wait... we forgot to ask” every. single. time.

⊹ Monitors beep constantly. half the time, it’s nothing. A wire got loose, someone rolled over. But the second it is something, the vibe shifts fast. Nurses appear like ghosts, machines start going off, and everyone starts moving. And your character? they might freeze, or panic, or forget they have lungs. Go with whatever makes sense for them, but make it visceral.

⊹ Time goes full funhouse mirror. Ten minutes waiting for test results feels like a year. A full hour stretches into eternity, meanwhile, three hours can pass without anyone realizing it. You can use this in your pacing, make it drag when the waiting is unbearable.

⊹ Hospital cafeteria food: Garbage. It’s either offensively bland or stupidly overpriced. The grilled cheese is six dollars and tastes like regret, and someone will 100% cry into a cold sandwich at 3am, because grief doesn’t care where you are.

sea shanty, a formula

I think people outside the USA severely overestimate how long hospital stays are here.

Like, appendectomy, right? That's maybe 24-36 hours door-to-door if there's no complications. If the appendix actually burst it might be 3 days, but only because they're giving you IV antibiotics and setting up home care to do that at home would take longer than just keeping you in the hospital.

A scheduled surgery like a hysterectomy, cholecystectomy, mastectomy, or anything else they can do laparoscopically (though small "keyhole" incisions)? You're probably not staying overnight at all.

Planned surgeries that need some kind of after care (like bariatric surgery, knee replacements, hip replacements, total vaginal hysterectomies, bladder lifts, etc...) would be usually 1-3 days.

Minor heart attack? 2-3 days.

Fracture and surgical repair of a large bone (like the femur)? About 2-3 days.

What about the exacerbation of a chronic illness like asthma, COPD, heart failure, or hypertension? IF they admit you (not just stabilize and discharge from the emergency department), it will be generally less than about 3-5 days.

Gunshot wound to the abdomen with surgery to repair things? 3-5 days.

And a stroke, sepsis, gunshot wound to the chest, or major heart attack? That would be somewhere in the 5-7 day range.

Severe trauma with multiple severely broken bones and relatively extensive surgery? This might be somewhat longer, but usually for nursing and pain control reasons rather than the surgery or injuries themselves. 1-3 weeks would be usual.

In the hospital for a mental health reason like decompensated schizophrenia or major depression? A little less than a week is normal, though some people stay several weeks if medications aren't working well.

The people who stay in hospitals for weeks or months typically have whole systems that don't work, or are waiting for a major organ transplant. For example, I had a patient once whose entire abdomen was open and couldn't be closed surgically. She was on TPN (IV nutrition) and IV antibiotics and needed massive amounts of wound care done every hour or so because her intestinal contents were spilling out of her open abdomen. She was there for months and ultimately didn't make it.

Are there people who stay longer than these cases? Of course! These are just averages pulled from medicaid data and personal experiences, based on patients who are coming in relatively healthy. Patients who have other significant health problems usually stay longer than patients who come in with a single problem.

berton roueché's the medical detectives books-- collections of articles about medical mysteries-- recount cases in the 1950s through 1980s where it was normal to admit someone for a week or more JUST for tests to find out why something was wrong.

what changed? insurance and HMOs. studies showing that hospitals are dangerous environments to recover in. improved surgical methods that cause less trauma to the skin and have a reduced infection risk as a result. a shift in our understanding of how much movement can impact recovery. a shift in our understanding of how much feeling safe and comfortable can influence recovery. in short: so many things.

How to convey specific feelings in an in-character way

—Body language

How do they behave? Are they jumping around and cheering, or do they quietly shake their fist in rage as they stare through the other people? Depending on the character, one can mean a lot more than another. For example, a quiet, shy character getting worked up means a lot more to the audience because we get to see a new side to them

—Breathing

Obviously everyone breathes. But irregular breathing patterns (especially when they’re noticed by someone who’s not the MC) can tell a lot about what their reaction is. Are they losing their breath from laughing to the point where they begin to laugh and cry? Or is the world spinning around them as they begin to hyperventilate, going lightheaded and feeling overwhelmed?

—How they interact with their location

Are they throwing things, staring straight through all of the beautiful scenery, or are the bright colors blinding them? The more public and busy the location is, the less they may feel inclined to really act out, or maybe part of it is that they’re so emotional that they don’t care. Just try to keep the setting in mind for any dramatic, emotional scenes.

—Other people’s reactions

Consider how much the outburst is out-of-character when thinking about reactions. Do people run to console the anti-hero when they break down into tears, or do they stand there awkwardly not knowing what to do? Or, does this happen so often that others know exactly what to say and do, or are they so tired that they stand in the corner, defeated?

—Remember to stay in character

"Mad"

aggravated, angry, annoyed, boiling, cross, enraged, exasperated, fuming, furious, heated, incensed, indignant, irate, irritable, livid, offended, outraged, riled, steamed, storming, upset

"Nice"

amiable, charming, cordial, courteous, delightful, favorable, friendly, genial, gentle, gracious, helpful. inviting, kind, lovely, obliging, peaceful, peachy, pleasant, polite, swell, sympathetic, tender, welcoming, well-mannered, winning

"Pretty"

alluring, appealing, attractive, beautiful, charming, cute, delightful, desirable, elegant, eye-catching, fair, fascinating, gorgeous, graceful, intriguing, lovely, pleasing, striking, stunning, sweet

"Said"

alleged, argued, asked, asserted, babbled, bellowed, bragged, commented, complained, cried, declined, demanded, denied, encouraged, expressed, giggled, growled, inquired, moaned, nagged, rebuked, rebutted, replied, rejected, retorted, roared, scolded, shrieked, shrugged, stated, taunted, vowed, warned, whined, whispered, yelled

"Went"

avoid, bolt, bound, depart, exit, escape, flee, fly, hike, hop, jaunt, jolt, journey, leap, leave, lurch, march, mosey, move, pace, parade, pass, progress, retreat, saunter, scoot, skip, split, step, stride, stroll, tour, travel, vanish

Outraged and annoyed are very different, and also mean something other than mad. As do bellowed and said.

Here is an example:

The man strode into the bar, dressed in a disheveled suit and a scowl on his face, not exactly a pretty one either. I read his expression swiftly, the ire in his eyes, the slump in his posture. He beckoned me foward with the flick of his finger.

“A scotch. Whatever’s best. Neat.” He demanded all of this with a curt voice, and not turning to look at me. I put down the glass I was drying and went to fetch him his drink.

“Yes,” I said. I wanted him to leave and get home as fast as possible. A man not willing to play nice is one thing sober, but even a little alcohol could turn these murky waters to something mercurial.

Here is an example (modified):

The man strode into the bar, dressed in a disheveled suit and a scowl on his face, not exactly a beautiful one either. I read his expression swiftly, the ire in his eyes, the slump in his posture. He beckoned me foward with the flick of his finger.

“A scotch. Whatever’s best. Neat.” He demanded all of this with a curt voice, and not turning to look at me. I put down the glass I was drying and lurched to fetch him his drink.

“Yes,” I whined. I wanted him to leave and get home as fast as possible. A man not willing to play welcoming is one thing sober, but even a little alcohol could turn these murky waters to something mercurial.

——

You see how the slight change of word changes the story slightly. Making sure you understand the word is so important and also understanding that some of these words shouldn’t be replaced with a synonym (looking at you said), it’s an invisible word (like a character’s name is) and isn’t really glanced at. But if it feels repetitive than instead of replacing ‘said’ with another word that means it. Go for an action.

So:

“A scotch. Whatever’s best. Neat.” He demanded all of this with a curt voice, and not turning to look at me. I put down the glass I was drying and went to fetch him his drink.

Could be even more impactful as:

“A scotch. Whatever’s best. Neat.” He didn’t look at me with his curt voice and demanding tone, just stared in the reflection of himself in the mirror behind the wooden shelves stacked with bottles of liquor. I put down the glass I was drying and went to fetch him his drink.

You don't have to do all or even any of these, just do what seems fun.

drink coffee or tea

wear cute outfits when writing

listen to music

create a routine for writing

light candles (you can also write until the candle burns out)

listen to music/make playlist that are the vibe of what you are writing

find a writing buddy and keep each other on track

READ reading a good book usually inspires me to start writing again

write something short and fun that isnt your wip for a bit

create fake covers

write something so horrible it funny (embrace the brain rot)

Do your hair/nails/put on a face mask

change you location, a different room, the library, a cafe, outside.

Thought I'd make a list of some useful websites for those of us who enjoy roleplaying and what have you here on Tumblr and whatnot.

roleplay formatter: Made by the awesome @rpclefairy. I honestly can't recommend this one enough. Great for adding color, changing the font size, and the whole shebang with bold + italics + underline + strikethrough. 10/10 always use

fsymbols + emojipedia: These are both great for making your tags fancy and whatnot.

alt codes: This is genuinely great for teaching you how to make the symbols with your keyboard for everyday use so there's that. It's especially useful if you and/or your muses speak a second language so that's a bonus.

text color fader: *marge vc* I just think gradient effects on text is neat. *end marge vc*

list of colors (wikipedia): Has a list of an infinite number of colors and their hex codes. Very useful if I do say so, myself. But that's just me.

screencapped.net: Great for getting all sorts of screenshots for making icons, GFXs, promos, and whatnot.

fancaps.net: Also great for getting all sort of screencaps for making icons, GFXs, promos, and whatnot. My only complaint is that it's a little annoying to navigate so here's the proper links to movies, tv shows, and anime.

photopea: Great if you can't afford Photoshop and/or don't like using GIMP.

hakuneko: It's not so much a website as much as it is a program. You can download manga, comics, webtoons, doujinshi, etc. for making your icons, GFXs, promos, and whatnot. It's also just a great way to read stuff and catch up on everything.

⠀⠀⠀𝐃𝐈𝐅𝐅𝐄𝐑𝐄𝐍𝐓 𝐎𝐔𝐓𝐈𝐍𝐆𝐒 & 𝐓𝐑𝐈𝐏𝐒 𝐓𝐎 𝐔𝐒𝐄 𝐈𝐍 𝐑𝐏. ♡

under the cut you'll find a list of 56 diverse outings and trips to use in starters or replies withing plots. this can be used to bring new cenarious to plots, starters and rps, helping to differ threads and put characters in new experiences.

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Suicidal Urges/Martyr Complex

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Consider Before Killing Characters

Foreshadowing

Narrative:

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

1000 Follower Post

2000 Follower Poll

Hi!

If you have a character and done research, you're already doing pretty good! I don't think that there is some magical way to know if what you're writing is "good enough", mostly because people will have different standards when it comes to representation.

The best thing you can do is try your best and be open to feedback from your disabled readers. I think that also questioning why you're doing certain things with your character can be helpful, because we all have biases (myself included obviously). I often see people have their characters with facial differences be "edgy, violent, dark past, etc." with the author defending it as "they just are like that!" but at the end of the day, it's a fictional character that a human being made, the character doesn't have free will. So if your worry is bad rep, sit down and try to figure out what exactly it is that bothers you, and examine it - why does it worry you? is this attached to some bias? are abled characters treated in a similar way, or is the disabled one singled out? what are the elements that could be inaccurate, and if yes, why are they like that?

Obviously, you can't catch every single issue that could ever occur, because that's impossible for anyone. But I'm absolutely sure that if writers simply thought about their choices a bit more, the general state of representation would be miles ahead of what we currently have.

Some of my suggestions to help with the fear of starting:

Consider basing the character off someone you know with the same disability. Try to think if your recreation of that is true to how they exist or not so much. If you have a real example of the kind of person you're trying to represent, it's much easier to catch yourself writing something that doesn't make sense. It also helps that you could ask them a specific question about what you're writing and get some first-hand information that theoretical research doesn't generally give.

Perhaps start with disabilities that aren't as impactful on the character's life. (Start is a bit of a key word, because I absolutely want people to write more severely/moderately disabled characters too). Obviously, disability is disabling, but there will be a difference between writing a character with mild photophobia and a character with high level complete quadriplegia. There's just ultimately fewer things that you have to consistently consider, and that can be helpful when starting. And once you're more comfortable writing disabled characters, you can diversify the kinds of characters that you include!

Honestly, if you did your research and aren't falling into any basic tropes, the vast majority of disabled readers will forgive the small inaccuracies (unless you're going to be writing about a character having a seizure and someone else putting an object in their mouth. We are going to correct that because that's dangerous). E.g. if your character with a large scar is portrayed respectfully and kindly, I will look over the lack of mentions of nerve damage because though it is nice to see as well, that's not the main thing I'm looking for. If I was looking for 100% accurate writing about disability, I would be reading non-fiction by disabled writers.

If you have the specific character mostly conceptualized and are willing to share, feel free to just send us the background and parts that worry you, and we will try to give some hopefully useful feedback! =)

Thanks for the ask! I hope it's helpful

mod Sasza

I agree with everything Sasza has said! I'm adding a couple of my own thoughts:

If you are really stuck and really don't have any specific ideas on what disabilities you want to write about, try adding a little randomization. You can search for something like "common disabilities in [character's age group]" or "common health conditions in [character's geographic location]" and pick one at random. Roll dice if you need to! I'm not saying this to be glib or dismissive – I know I can often get stuck when it comes to making decisions, which includes creative decisions like making characters. The aspect itself of getting stuck can be a little intimidating. So if an aspect of randomness helps you get unstuck, you can dive into more specific research a bit more easily – like, if the dice roll led you to cerebral palsy, then you can focus on researching cerebral palsy instead of trying to think of all the possible things you could choose for your character.

You can visit a couple of websites for different conditions and disabilities, including subReddits. I don't mean to start participating in these discussions, but it helps to see disabilities in a context that isn't just "this is how you/your family member will be diagnosed and this is how the treatment will be." It can feel confusing and a little lost to only see disabilities in that context, so seeing it in a broader way – like people just talking about their life experiences – can help take some of the intimidation factor away.

And I just want to reiterate, if you focus on writing with care and treating your character like a full person of their own with their own inner world, agency, and ability to take part in the story, if you make mistakes it will not be the end of the world. The thing I want the most out of disabled characters is for them to be people more than they are tropes.

Hope this helps!

academy

adventurer's guild

alchemist

apiary

apothecary

aquarium

armory

art gallery

bakery

bank

barber

barracks

bathhouse

blacksmith

boathouse

book store

bookbinder

botanical garden

brothel

butcher

carpenter

cartographer

casino

castle

cobbler

coffee shop

council chamber

court house

crypt for the noble family