The moon is friend for the lonesome to talk to.
- Carl Sandburg

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@helenadelacoeur
The moon is friend for the lonesome to talk to.
- Carl Sandburg

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Those who dreamed of a peaceful and integrated Europe planted the seed of the future creation of a United States of Europe. Western Europe had a good soil for the growth and development of that tree because the continent’s early history exemplifed continent-wide unity; thus, Europe enjoyed a manifest cultural tradition of integration. More importantly, the Roman Empire also led to modern socioeconomic, legal and political similarities in the Western countries. The highly infuential luminaries of the French Enlightenment clearly recognized and commented up this similitude. Montesquieu, who had travelled outside Europe, stated: A prince believes he will become greater through the ruin of a neighboring state. On the contrary! The condition of Europe is such that states depend on each other: France has need of the wealth of Poland and Muscovy. . . . Europe is a state composed of several provinces.
Voltaire expressed the same idea: “Christian Europe could be regarded as a single republic divided in several states.” Later on, eighteenth-century political theorists continued to repeat their ideas. For example, Dublin-born political theorist Edmund Burke stated in 1796 that Europe was “virtually one great state, having the same basis in general law.” A traveler in it “never felt himself quite abroad.” These views, however, were soon buried when the nation-state was born at the turn of the nineteenth century out of the American and French revolutions.
The nineteenth century was an age of nationhood and nationalism. In spite of this ethos, or perhaps because national conficts and confrontations generated the natural longing to establish a peaceful and united continent, the idea of the United States of Europe was born during this century."
Ivan T. Berend, The economics and politics of European Integration. Populism, Nationalism and the History of the EU, p. 30-31.
I asked Artificial Intelligence to give a fictional description of Italy, France, Germany, and England as if they were the four houses students are sorted into by the Sorting Hat:
Italy: The House of La Dolce Vita, where students are known for their love of beauty and culture. They are passionate and outgoing, with a keen sense of style and a love for art and architecture. They are also known for their appreciation of fine food and wine, and their laid-back attitude. They are represented by the colors of red and green, and the symbol of the Colosseum.
France: The House of La Belle Époque, where students are known for their elegance and refinement. They are sophisticated and cultured, with a love of literature, philosophy and art. They are also known for their fashion sense and their ability to speak multiple languages. They are represented by the colors of blue and white, and the symbol of the Eiffel Tower.
Germany: The House of Prussian Discipline, where students are known for their efficiency and punctuality. They are hardworking and organized, with a love of technology and science. They are also known for their attention to detail and their strict adherence to rules and regulations. They are represented by the colors of black and gold, and the symbol of the Brandenburg Gate.
England: The House of Royal Heritage, where students are known for their sense of tradition and history. They are polite and reserved, with a love of literature and the arts. They are also known for their love of sports, particularly cricket and soccer. They are represented by the colors of red and blue, and the symbol of the Buckingham Palace.

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A violet in the youth of primy nature.
ig credit: ophelia.thorn.
I wish my life looked like this.
Aleksey Savrasov | Winter Landscape, 1871 | Lell, 1883 | Spring, c.1870 - 1880 | Grave, 1884 |
Instagram: abookandadream
Abbotsford House by glaazxe.

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Cathedral ceilings in Poland
“I feel like the moon is a very beautiful woman. She’s in control.” —Ravyn Lenae ♡
a little moodboard
slaughter-house five - kurt vonnegut / orpheus and eurydice - catharine adelaide sparkes / user sawasawako / orpheus mourning the death of eurydice - ary scheffer / metamorphoses - ovid / orpheus and euridice - enrico scuri / talk - hozier / orpheus and eurydice - michel martin drolling

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dance in the dark of night, sing to the morning light
‘Der Astralmensch’ by Sascha Schneider, c. 1903.