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I love treating each stage of my life with care and respect even if I donât like it at the time. So I can look back later and know I didnât take it for granted. And refusing to be jealous of where others are at. Itâs a self-respect thing
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Il faut pour ce costume 8 m. de foulard en 60 cent., 4 m. de velours en 50 cent., plus 1 m. 50 cent, de velours ruban pour 1 e nĆud no. 16.
No. 1. Childâs suit.
Made of Suez foulard printed with small floral motifs in the Louis XVI style, in shades of blue and Chinese pink. The skirt is pleated and edged with a solid band of deep Chinese-pink velvet. The bodice features a puffed, vest-like front, cinched at the waist by a sash; this same puffed fabric forms both the tunic and the pouf (bustle). A short jacket, fastened at the neck with a velvet bow, is adorned with velvet lapels that widen gradually toward the hem. The jacket features a lace jabot. The sleeves are finished with velvet cuffs and gathered lace trim. A cream-colored rice-straw hat, encircled by a twisted velvet band, is topped with a cluster of Chinese-pink feathers; from the front of this cluster extends a single Amazonian feather, completing the ornamentation of this charming hat.
This suit requires 8 meters of foulard fabric (60 cm wide), 4 meters of velvet fabric (50 cm wide), plus 1.50 meters of velvet ribbon for the No. 16 bow.
First skirt: a satin sheath, adorned with pleating, featuring an overskirt of raised-embroidery tulle. This overskirt, cut with a shaped hem, is scalloped and embellished with teardrop-shaped pearl pendants (simulating natural pearls). Second skirt: French faille, gathered into deep, flat pleats at the hips. The rounded train attaches at the side seam; up to this seam, it is adorned with a shell-patterned trim of embroidered tulle lace.
Faille bodice featuring a chemisette of embroidered tulle over a satin under-layer. This chemisette tucks into a corselet fastened with pearl buttons. The corselet is made of faille. The armholesâas well as the cuffs of the sleevesâare trimmed with embroidered tulle lace. The same lace borders the entire lower edge of the corselet. Two small bouquets of orange blossoms with foliage adorn the bodice. Veil: Bobbinet tulle. White suede gloves. White suede shoes featuring a tiny cluster of orange blossoms, and stockings with lace tops. For this ensemble, the following materials are required: 7 meters of inexpensive satin for the foundation and pleating; 15 meters of faille; 2.50 meters of embroidered tulle (80 cm wide); and 18 meters of matching lace trim.
No. 3. Young Womanâs Ensemble (Sister of the Bride).
A sheath dress of white faille, adorned on the left side with six applied ruffles of English lace. These ruffles trim only the side; they are turned back upon themselves so as not to lie flat. A plain, gathered skirt of SĂšvres-blue Duchess satin. This skirt terminates at a vertical panel of lace ruffles. A gathered tunic of the same satin is secured at the hip by a satin rosette. This tunic is similarly draped upward on the opposite side over the satin skirt. Bodice of blue ottoman silk brocaded in white, featuring draped details and a Medici collar in satin. A fitted chemisette of white crĂȘpe. Satin ribbon and lace wristbands adorn the sleeves. Suede gloves and SĂšvres-blue satin ankle boots. Materials required for this ensemble: 5 meters of fine white faille, 6 meters of lace (18 cm wide), 12 meters of blue satin, 2.50 meters of brocaded ottoman silk, and 60 centimeters of crĂȘpe for the chemisette.
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