no one here but us squirrels

I’m reblogging this again because the absolute joy in this video is something I haven’t seen in such a long time that I’d forgotten this aspect of humanity.

we young but we stressing like we 40

if you really want to fuck a vampire then i’d say you’re down for the count

damn thats a lot of notes and a lot of vampire fuckers, i guess its time to raise the stakes

I can’t locate it again, but I remember seeing a post saying that his glasses in the modern era are three hundred dollar women’s sunglasses.  (Of which he evidently owns … well, as many as he wants, I suppose, he can warp reality after all.)  So, yes, there’s also stealthy self-assertion to look for.

Oh yeah, I remember seeing that too! I’d forgotten. His hair is always just on that fine line between fashionable and femme too.

AAAAAH I suspect I’m the last person to notice this, but check it out – they’re wearing the same outfit. Trousers, waistcoat, shirt, jacket, neckwear. They’re just doing it in *completely different ways*. How cool! It’s kind of interesting – Crowley’s riding the edge of femme/is femme if you know exactly what to look for, but reads as just cool slinky dude to us. Aziraphale is dressed out of time, fussy and unfashionable, and reads as gayer than a tree full of monkeys on nitrous oxide. His femme characteristics are all personality-based: he’s soft, he’s kind and gentle (with an asterisk, that’s a meta for another day), the general cultural link between presenting gay and being femme. Aziraphale’s genderfuckery is how he approaches the world; Crowley’s is how he visually presents. I feel like there’s more here to dig into, but I’m not quite grasping it right now.

I do the same thing Crowley does in the series re:stealth-assertion and self-expression so not only I am now incredibly happy but I am also incredibly moved. Those two queer idiots are exactly what I needed when I needed it.