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@havedeniability

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"well, if it isn't aaron burr, sir? :)"
and if thereâs a reason iâm still alive when so many have died, iâm willing to wait for it. (x)
i love Aaron Burr, Sir because you can just feel aaron burr looking into the camera like heâs on the office after every other thing hamilton says
yea boi hereâs my new freshly baked wait for it animatic hope you enjoy! youtube

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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For the expression challenge, Aaron Burr 11C. (Love your art style btw, it's awesome!)
Honestly itâs kinda drainingâ rip burr
âI wish youâd brought this girl with you tonight, Burrâ
BONUS:
I CANâT STOP LISTENING TO THIS STUPID MUSICAL. I LOVE IT. SO MUCH.
also it gets me super pumped when iâm working. i recommend it.
oh well
I thought of the line Hamilton says on Farmer Refuted â My dog speaks more eloquentlyâ Â and, what about Hamiltonâs dog? a german shepherd would be nice for him.

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Salt please.
Burr, perfect with salad.
Based on this text!
a little story time to you: but between school period's i went to the library and just yelled "BRRAH BRRAH" and this one guy shushed me, i stopped and just silently stomped over to him and in his face whispered "b r r a h... b r r a h..." and he looked like he was gonna punch me in the face
i am sorry i donât make the rulesÂ
Alexander Hamilton had a torrid affair And he wrote it down right there...
Have you read this?
PLEASE MORE BURRCULES I NEED IT PLS PLS ILL DO ANYTHING
hc where Aaron become VERY nervous whenever Hercules is around and Hercules thinks heâs dumb
âLove doesnât discriminate Between the sinners And the saints It takes and it takes and it takes And we keep loving anyway We laugh and we cry And we break And we make our mistakesâ
a quick Aaron Burr painting, after listening to more of Hamilton

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Okay time for another Burr-and-Hamiltonâs-tragic-friendship meta analysis because apparently I cannot stop seeing these things.
Someone pointed out in a post a little while ago (that unfortunately I canât find, or else I would link to it) the genius of the musical themes of Hamilton, and specifically how it applied to Alexander and Elizaâs relationship. It focused on how Alexander was never quite singing the same tune or matching Elizaâs style until âItâs Quiet Uptown.â Another meta-post along the same vein mentioned how Angelica was instantly on Hamiltonâs level in the underlying musical sense when they first met: you see it in Satisfied, when he says âAlexander Hamilton,â she replies in the exact same tune, âWhereâs your family from?â and then he shoots back also in the same tune, âUnimportant, thereâs a million things I havenât done.â Theyâre matching each other musically for the entire conversation, just as Angelica describes, even though throughout the show they both have their own distinct styles and themes.
The one other person who has a very different singing style than Hamilton, but specifically matches Hamilton when he wants to, and the only other person that Hamilton as well makes a specific effort to match in various songs, is Burr. The first one that I noticed was one of my favorite exchanges in the whole show, the Levi Weeks case in Non-Stop:
Gentlemen of the jury, Iâm curious, bear with me. Are you aware that weâre making history? This is the first murder trial of our brand new nation, The liberty behind deliberation! I intend to prove beyond a shadow of a doubt with my assistant counselâ
Co counsel! Hamilton, sit down! Our client Levi Weeks is innocent, call your first witness. Thatâs all you had to say!
Hamilton is shooting off at the mouth, and Burr matches him word for word, the same speed, the same style, which absolutely no one else is able to do, at least not when Hamilton is on a long angry rant. This moment highlights the underlying fact that Burr isnât just some jealous villain, heâs a true foil to Hamilton. He was a genius, he applied to Princeton at eleven, applied again and got in when he was thirteen. That âgraduated in twoâ? Yeah. That happened when he was thirteen to fifteen, let that sink in.
Burr can match Hamilton completely when he chooses to, he just rarely chooses to. In fact, the irony of the exchange in Non-Stop is that Burr gets frustrated enough with Hamilton and Hamiltonâs inability to shut up inadvertently insulting him (assistant counsel? assistant? seriously Hamilton?) that he is pushed to act more like Hamilton, and in acting more like Hamilton, succeeds in shutting Hamilton up. Which is pretty much exactly how and why the duel happens.
But no, in my opinion, the more tragic are the times when Hamilton matches Burr. Allow me to direct you to âStory of Tonight (Reprise)â:
Congrats again, Alexander. Smile more. Iâll see you on the other side of the war.
I will never understand you.
Hamilton emulates Burrâs tone and tune exactly to tell him, âI will never understand you.â Because thatâs Hamilton trying to understand Burr, thatâs Hamilton on the underlying musical level making the effort to sing as Burr sings, to speak as Burr speaks, heâs asking Burr to let him in. *Let me* understand you. Burr being Burr keeps his cards close to his chest, and walks away. The effort was there, the invitation was there, that is the first time in the show, arguably, that Hamilton actively changes his style to match someone elseâs. And Burr walks away, because Burr is terrified about people caring about him. In âWait For It,â heâs perfectly fine admitting that he has feelings about Theodosia, but he devotes an entire verse to âwhat in the world is the reason that I am at her side and that she cares about me when there are a whole bunch of other people who have tried too.â Burr isnât scared about loving people, heâs scared of them loving him, he doesnât understand why or how it happens. The line isnât âeveryone I love has diedâ, itâs âeveryone who loves me has died.â
Burr walks away because the possibility of Hamilton caring about him is more than he wants to deal with. Goodbye I have disintegrated into a puddle of tears.Â
But no, thatâs not even the worst part! The worst part is how Hamilton argues with people. The precedent is set in âFarmer Refuted.â Hamilton takes a very specific tone and rhythm as a counterpoint to someone singing.
Allow me to direct you to âYour Obedient Servant.â Burr begins the song by singing his letters, and Hamilton practically speaks his letters back. He takes a different tone, he employs a different rhythm, because thatâs how he confronts people. He only matches Burr back when itâs utterly dripping in sarcasm: I have the honor to be your obedient servant, A. Ham. Burr keeps singing back (âCareful how you proceed, good manââ) as he keeps just trying to ask for an apology, and Hamilton keeps his own infuriated style at least musically in replying (âBurr, your grievance is legitimate, I stand by what I said, every bit of itâ) and itâs Burr that has to match Hamiltonâwhen Burr finally challenges Hamilton to the duel, Burr is speaking, not singing:
Then stand, Alexander, Weehawken. Dawn. Guns drawn.
(Although even then, itâs not ~perfectly~ matching Hamilton: the words are slow, they all have weight, theyâre carefully pronounced, theyâre well thought-out and well chosen. Succinct, persuasive indeed. But Burr is speaking, heâs not singing anymore, heâs taking this down to Hamiltonâs level, which is the âfight meâ level.)
And then, one last time, Alexander matches Burr perfectly:
Youâre on.
ăHAMILTON AESTHETICSă â aaron burr
ânow im the villain in your history.â