Georges Antoine Rochegrosse (French, 1859–1938) Illustration for Les Fleurs du Mal by Charles Baudelaire
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@harpyartgallery
Georges Antoine Rochegrosse (French, 1859–1938) Illustration for Les Fleurs du Mal by Charles Baudelaire

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Konstanty Laszczka (1865–1956)
Queen Cat (Królewna kotka) ca. 1928.
Ornamental grille with winged woman Model created by René Lalique around 1899-1900 Chiseled and patinated bronze for René Lalique's stand at the Universal Exhibition in Paris in 1900
Object presented in the art nouveau and art deco spaces of the Museum of Decorative Arts in Berlin AuthorJean-Pierre Dalbera from Paris, France https://www.flickr.com/people/72746018@N00
Gustav Klimt
Love, 1895
Julius Caesar knife holder

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Medusa
Cemetery of Montmartre, Paris.
Jacek Malczewski (Polish, 1854-1929)
Spring, 1898
oil on canvas
National Museum, Krakow
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Norman Lindsay (Australian, 1879-1969)
Man and the Leopard Woman, 1905
Norman Lindsay (Australian, 1879 – 1969)

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Chéri Hérouard (French, 1881 - 1961) "If Eve returned´´ or ´´The impossible sin" 1919 Illustration for 'La Vie Parisienne', 1919.
Theodor Baierl (German, 1881 – 1932) Don Quixote with Death (based on ‘The Knight, Death and the Devil’ by Albrecht Durer)
Georges Massa (1862 - ?) France, 1899 Photo credits: unknown
Notre-Dame: The gargoyles of the middle ages and the chimeras of Viollet-Le-DUC The Gargoyles of Notre-Dame are famous. They were set up at the end of the gutters to evacuate the rain water from the roof and designates only the ends of the water flow ducts. They often have the form of fantastic, even scary animals. They're dating back to the middle ages.
The chimeras on the other hand are fantastic, evil and often grotesque statues.
They only have a decorative effect. We find them at the top of the building at the top of the facade, at the level of the railing crowning the superior gallery that connects the two towers and extends on the four faces of these, the gallery of the chimeras. All angles of this railing serve as support or perch to demons, monsters and fantastic birds. These elements did not exist in the middle ages and are additions incorporated by the architect Eugène Viollet-Le-Duc.
These 54 statues, reconstruction reconstruction of the past, were meant to recreate the fantastic atmosphere in which the middle ages were bathed. These works were designed by Viollet-Le-Duc himself who drew them, inspired by the cartoons of Honoré Daumier, of an illustrated edition of Notre-Dame De Paris of 1844 and his own illustrations of the picturesque and romantic trips in The old France.
They were carried out by the members of a team of 15 sculptors (the main being Victor Pyanet) gathered around Geoffroy-Dechaume.
Among them, the most famous is probably the Stryge, an evil night spirit similar to the vampire, already feared by the Romans, popularized by the engraver Charles Méryon who published a famous engraving in 1850.
Howard Pyle (American, 1853 - 1911)
The Garden Behind the Moon, 1895

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The Angel of Death, sculpture of a funeral gondola, Venice. Photo by Paolo Monti, 1951.
Satyr and Bacchante ca1830-34 (detail) James Pradier (French, 1790 - 1852) was a Genevan-born French sculptor best known for his work in the neoclassical style. When it was exhibited at the Salon of 1834 it caused a lot of scandal, for the realism and sensuality of the nude, moreover a pupil of Pradier, Antoine Etex, spread the rumor that the statue would be modeled by nature. The original has been kept in Paris since 1980, in the Louvre collections. The plaster model made in 1830 is kept at the Palais des Beaux Arts in Lille.Â