Still thinking about this mobile game ad I got. You will f**k increasingly large creatures.
It is truly mind boggling that they can have an entire ad about extreme monsterfucking but cannot actually type out the word fuck
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@harpsicurd
Still thinking about this mobile game ad I got. You will f**k increasingly large creatures.
It is truly mind boggling that they can have an entire ad about extreme monsterfucking but cannot actually type out the word fuck

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George Washington said he could never tell a lie, and if it’s true that he said this, then it’s true what he said. And I believe him, ‘cause he’s my father.
panda and avey
o0bb_b

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Golden tortoise beetle transforming from gold to red
Tove Jansson, Illustrations from Moominvalley in November
Brazilian graphic designer and illustrator Butcher Billy got the idea of turning famous love hits into book covers of horror master Stephen King.
Joy Division’s “Love Will Tear Us Apart,” The Smiths, “Head Over Heels” by Tears For Fears and many others were portrayed in a very unusual way.
“This series imagines an alternate universe where some of the most desperate and tragic romantic songs in the ‘70s and’ 80s are actually books written by Stephen King. The concept is to look at the dark side of love by the vision of pop culture, bringing aspects of its classic stories to play the true meaning of the songs - this can be completely subverted or stressed strangeness, while paying tribute to the vintage design of the original covers,” Butcher writes on his Behance.
By Svetlana Jovanovic with @icelandicselkie
Last week, Svala came and stayed in Baltimore for about a week and Svetlana came down to shoot with us. I’m so happy with the results, and that I got to model with my favorite hair and skin twin :)
2017.

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pro tip: if u feel like u have to be a watered down or ‘less intense’ version of urself when interacting w/ someone - they do not deserve u.
Sorry grandma, you gotta go.
cant believe a bunch of english kids go through a fuckin cupboard and find a magical kingdom full of wonder and they go “yeah we’re the royal family now”
typical english behaviour
I think what’s more creepily imperialistic is the reaction of everyone in Narnia to the Pevensies.
Like, the Pevensies end up the royal family in large part because everyone’s like ‘it has been prophesied that you will come and rule us and everything will be great!’ and, well, in-universe I can’t really fault them on that; if I were a young teen or pre-teen in a completely foreign country, I too would probably just go along with whatever seem to make people friendly to me.
But the reaction of the Narnians, in almost ubiquitously welcoming these foreigners as obviously destined to rule them even though they know nothing of the country and the culture… now that is some creepily imperialist writing.
This is the only good reblog of this post in it’s entire 3 year hellscape existence
if four foreign kids popped out of a magic box and deposed trump by the express wishes of god’s fursona, i’d crown ‘em. this winter already fuckin feels like it’s lasted 100 years.
I’M CACKLING
An ad that pretends to be art is — at absolute best — like somebody who smiles warmly at you only because he wants something from you. This is dishonest, but what’s sinister is the cumulative effect that such dishonesty has on us: since it offers a perfect facsimile or simulacrum of goodwill without goodwill’s real spirit, it messes with our heads and eventually starts upping our defenses even in cases of genuine smiles and real art and true goodwill. It makes us feel confused and lonely and impotent and angry and scared. It causes despair.
A Supposedly Fun Thing I’ll Never Do Again, David Foster Wallace (via writtenininvisibleink) (via davidfosterwallace, holodeck-episode)

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