We The People - The Staple Singers (1972)
We the people!

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We The People - The Staple Singers (1972)
We the people!

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It's my 10 year anniversary on Tumblr đĽł
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Why American Democracy Canât Wait Three Years
Is There Democracy After Trump or Is There Trump After Trump? Photo by Tara Winstead on Pexels.com Democracy, like jazz, lives in the tension between beat and breath. Itâs not just whatâs written in the score; itâs whatâs felt in the silence between notes. Right now, the silence is being weaponized. The pause is being politicized. And the tempo of truth is being hijacked. American democracyâŚ
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White House East Wing Torn Down, Southern Wing Soar
A Metaphor for the Destruction of American Civilization Photo by Aaron Kittredge on Pexels.com Editorâs Note: I havenât posted in a while because I have been working on the 50th Celebration of the Election of the first Blacks to the Macon, Georgia City Council. What I have been doing is reflected in this piece. When a president tears down a wing of the White House, itâs more thanâŚ
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No Kings, No Lies
Syncopating the Rhythm of Resistance Harold Michael Harvey, with a poster of Rev. Dr. Martin Luther King, Jr. in the background on the wall in the Southern Christian Leadership Conference Atlanta office. (c) 2012 They called it a âhate Americaâ march. Not because it desecrated monuments or incited violence. But because it dared to remember. Because it refused to bow. Because it summoned theâŚ
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A Birthday Reflection on Gratitude, Mentorship, and Memory
Seventy-Four Orbits Rev. C. T. Vivian at my home, October 16, 2011. A birthday dinner turned masterclass in moral clarity and historical stewardship. Today, I mark my 74th trip around the sun. And while the years have brought their share of rupture and revelation, I greet this day with deep gratitude for the journey, for the labor, and for the legacy still unfolding. Fourteen years ago, on myâŚ
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Section 2 of the Voting Rights Act
The Rhythm of Representation Congressman John Lewis, a key player in the enactment of the 1965 Voting Rights Act, and award-winning author Harold Michael Harvey Section 2 of the Voting Rights Act prohibits voting practices that result in racial discrimination. It has been the legal backbone of challenges to: Racial gerrymandering At-large election systems that dilute Black votes RestrictiveâŚ
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Trump, Tension, and the American Score
Dissonant Notes and Civic Syncopation Harold Michael Harvey, Outstanding Work in Newspaper Recipient, 1977. The American soundscape is restless. The air is thickened by a dissonant note, loud and unrelenting, hanging in the air, portending an uneasy dread in search of a resolution. Itâs not new, but itâs amplified. Some call it disruption, others call it revelation. Either way,  the ancestorsâŚ
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Between the Silent Notes
Why Your Support Matters Now More Than Ever Harold Michael Harvey is a two-time award-winning author for his memoir, Freaknik Lawyer: A Memoir on the Craft of Resistance, and Watch Night: Our Souls Cried Out for Freedom. Thereâs a rhythm to truth-telling. It doesnât always land on the beat. Sometimes, it lives in the pause between the headlines, beneath the noise, inside the silence that powerâŚ
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Gaza, Governance, and the Ghost of War
The Chairmanâs Shadow Photo by abu adel on Pexels.com Is the Gaza Peace Plan a prelude to peace, or is it a prelude to power? The Gaza Peace Plan, unveiled by President Donald Trump, promises humanitarian relief and reconstruction after years of devastation. But beneath its diplomatic veneer lies a choreography of controlâmilitary, economic, and symbolic. The deployment of 200 U.S. troops toâŚ
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The Insurrection Actâs Original Score and Trumpâs Remix
From Rebellion to Repression Photo by Baarast Project on Pexels.com The Insurrection Act of 1807 was composed in a moment of constitutional clarity and civic anxiety. Born from the ashes of Shaysâ Rebellion and the fragile balance between federal authority and state sovereignty, its original purpose was to provide a last-resort mechanism for the president to quell actual insurrectionsâarmedâŚ
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The Silence Between the Notes
Speaker Johnson, Epstein, and the Syncopation of Suppression Photo by KATRIN BOLOVTSOVA on Pexels.com In jazz, syncopation is the art of emphasizing the offbeatâthe pause, the unexpected silence, the rhythm that resists predictability. In politics, suppression often hides in those same silences. Speaker Mike Johnsonâs refusal to reconvene the House, despite bipartisan momentum to release theâŚ
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3I/ATLAS and the Rhythm of Reckoning
The Visitor Beyond the Score Photo by Dick Hoskins on Pexels.com 3I/ATLAS is not from here. It does not orbit our sun. It does not belong to our system. It is the third interstellar object ever recordedâafter ĘťOumuamua and Borisovâand it carries with it the dust of distant stars, the silence of forgotten systems, the rhythm of another score. Discovered in July 2025 by the ATLAS surveyâŚ
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When the 25th Amendment Becomes a Drum
The Constitutional Offbeat âEven in the dark, the drum speaks.â âField notes from the Georgia Sea Islands, 1939 There are moments when the rhythm of leadership falters. Not just in policy, but in presence. When the voice that should steady the nation slurs its syllables, lashes out in anger, and refuses to own the consequences of its actions. President Trumpâs recent speech before the UnitedâŚ
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The Blame Game
Itâs All Your Fault, No, Itâs Your Fault Photo by Yan Krukau on Pexels.com The shutdown has become a stage, not for governance, but for performance. Each side points fingers with rehearsed precision, casting blame like a call-and-response chorus. But the audienceâusâis left without resolution, only noise. President Trumpâs administration has choreographed a messaging blitz: Federal agenciesâŚ
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