Downplaying educated opinions

Black Menswear modelled by Black Men

I haven't seen anyone talking about this and just wanted to make a quick post on here.

Akihiro Miwa recently passed away peacefully june 20th, and was not only a drag queen and a queer icon, but also the japanese voice of Arceus in the movie Arceus and the jewel of life, as well as the witch from Howl's moving castle and Moro from Princess Mononke.

and i wondered if you use/have learned any particular techniques for compositions? i've tried studying how rule of thirds/golden triangles/whatever the hell apply to compositions i like, but i didn't learn from it in a way i could reliably use

Thanks! When it comes to composition, the main things I think about are bias and how to lead the eye.

Our brains like bias in images. Something that splits the canvas 70/30 is more visually interesting than something that splits it 50/50. That's why we often aim to divide the canvas into big, medium, and small shapes, and why those shapes look better when there's significant difference/bias in their sizes. The image on the left below has more contrast between the size of its shapes, and so feels more visually interesting than the one on the right:

When it comes to leading the eye, it tends to move along lines/edges, and it tends to move towards the points where lines converge and intersect. You can use this to guide the viewer's eye through your piece to your focal point. For the same reason, having too many lines pointing in random, unrelated directions, can make the piece feel disorganized and unclear.

For example, you can see how much clearer the location of the focal point is in the upper composition here than it is in the bottom one:

It's true that the upper one is pretty unsubtle, but you gotta know how to make it work unsubtly in order to make it work subtly because the subtle stuff is just the unsubtle stuff in disguise.

I'd also recommend keeping catalogues (folders on your computer, powerpoint presentations, however you like to store images) of art that you like so that you can use them for reference, inspiration, and studies. I keep a composition catalogue and a color catalogue among others.

Sidenote, Edgar Payne's book, Composition of Outdoor Painting, is a great resource for learning about composition:

Sony has announced that from January 2028 it will entirely stop the production of physical discs for new PlayStation games. From that point onwards, new releases will only be available in digital versions from the PlayStation Store and other retailers. Games released before January 2028 will still be available on disc.

They cite "consumer preference" as the reason, but we all know what's going on. If there's no physical media, you don't really own your game. You're only renting it.

Uber is a fucking shell game of a company designed to leech investor capital and output bootleg cabs.

Nvidia posted a profit in 2023 of $4.37 billion. This is like someone stealing less than a penny from me.

And they lock this kid in a prison hospital for LIFE?

I, knowing that this was a once in a lifetime opportunity, waited carefully for the lab director to be deep in conversation with someone else on the other side of the laboratory. And then I took my chance.

Test tubes, as it turns out, are really bad as shot glasses. Their shape turns any liquid inside into a stream, so you really can't knock it back quickly - it takes a couple seconds. Additionally, the best way I can describe the taste of virus concentrate was "sterile rot". A very unique kind of bad! Made worse by the test tube's inefficiency as a shot glass.

(by the way we were studying bacteriophages, not animal viruses. these viruses are too specialized on attacking prokaryotes to even recognize our cells as targets at all, according to studies.)

(but also like. if the viruses managed to successfully switch hosts and killed me with a violent infection, itd still be worth it.)

#2: "hi [professor], hope you're doing well! unfortunately, I'm [sick/stuck at work/dead] and won't be able to submit [assignment] by [due date]. could I please have an extension? if not, is there anything else I could do to make up this credit? thanks so much, [op]"

The FIRST SENTENCE is the thing you want the recipient to do. Do not make them guess.

I want to let you know about ... (This email is to inform someone of something not to ask them to do anything)

Could you please do ... (This is a request. You want them to do something).

I'm looking into x and wondering if you can help me (this is also a request but for information instead of an action).

People do not want to read an email and even if they do read it, most people are skimming and not interested. Tell them what you want first, then provide context or other information (when you need a thing is often key). If the email is informational, you can even add "you don't need to do anything, this is just to keep you informed!" People will appreciate not having to figure out what you want from them.

If you can't articulate what you want the recipient to do with the message, you are not ready to email them. I read too many emails where I have no idea what the person wants from me.