let's talk about Bridgerton tea, my ask is open
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titsay
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Claire Keane

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"I'm Dorothy Gale from Kansas"

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Fai_Ryy

Origami Around
EXPECTATIONS

ellievsbear
YOU ARE THE REASON
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@halfvperson

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Brian Eno while recording with Roxy Music, Air Studios, London, 1973 by Gijsbert Hanekroot
Lillian Bassman for Vogue Germany
Yuzo Shimada in the 1920s and 1930s Summer Greeting Postcards
1920〜30年代
島田友造 暑中見舞いの絵葉書

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Georgian enamel secret message ring (c. 1780-1830), gold with hand-painted floral panels and hidden inscription, Victoria and Albert Museum, London
To everyone who is feeling a little sad right now... close your eyes. Hold out your hands.
I am gently offering you Ring with Cat and Kittens, 1295–664 BCE.
Despair, 1905 by Marcel Roux (French, 1878–1922)
nunca me piensen como hombre "deconstruido" porque yo nunca me "construí". desde que tengo uso de razón la separación cultural entre hombres y mujeres me pareció absurda, encontraba que las mujeres lo tenían todo mucho peor y que los hombres eran idiotas y que las estupideces sexistas y violentas que normalizaban estaban demás y eran incorrectas. cuando apareció el feminismo en mi vida lo abracé porque me sentí entendido, no porque lo necesitaba como herramienta de cambio para que las mujeres quisieran tener sexo conmigo sin tanto atado. si soy como soy es porque las imposiciones patriarcales siempre me parecieron absurdas por mi propia cuenta y no espero aplausos ni celebraciones al respecto, solo quiero, en algún lado, dejarlo extremadamente claro
B. Monk
Quebec, Canada

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love me love me old kitty cat i love you love you so so much
Isabella Rossellini in Park City, Utah, 2004
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Alfonso Simonetti. 1840-1892.

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Victorian Courting Conversation Chair, Europe 19th Century .
Eliseu Visconti (Italian, 1866–1944) Mystical dream, 1897 Chilean National Museum of Fine Arts