。.゚+。・✧✧。.゚+。・✧✧。.゚+。・✧✧。.゚+。・✧✧。.゚+。・。.゚
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祝日 / Permanent Vacation
noise dept.
taylor price
hello vonnie

Sade Olutola

Kiana Khansmith
Not today Justin

titsay
d e v o n
todays bird
almost home
Peter Solarz
i don't do bad sauce passes

★

pixel skylines
Xuebing Du
Three Goblin Art
NASA

seen from China
seen from United Kingdom

seen from Germany
seen from United States

seen from United States

seen from Malaysia
seen from Brazil
seen from United States

seen from Germany

seen from Brazil

seen from Germany
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from Germany

seen from Türkiye
seen from United States
seen from United States
@hairless
。.゚+。・✧✧。.゚+。・✧✧。.゚+。・✧✧。.゚+。・✧✧。.゚+。・。.゚
。.゚tiktok。.゚

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🦌 Fauna japonica, sive, Descriptio animalium, quae in itinere per Japoniam, jussu et auspiciis, superiorum, qui summum in India Batava imperium tenent, suscepto, annis 1823-1830 Lugduni Batavorum: Apud Auctorem, 1833-1850. Original source Image description: Illustration of a brown and cream mottled owl, labeled “Strix fuscescens,” perched on a weathered tree stump. The owl has large, round dark eyes framed by detailed facial feathers, and its plumage features stripes and spots in varying shades of brown. Behind the owl, light green leaves on thin branches create a natural backdrop. The drawing is detailed and realistic, reflecting early 19th-century scientific illustration style focused on Japan’s bird fauna.
Valeri Timofeev, Chalice, 1995, fine and sterling silver, 24k gold plate, 24k gold foil, garnets, pearls, turquoise, hematite, tiger's eye, filigree wire, and plique-a-jour on Thompson and Blythe enamels, 7 5⁄8 x 6 in. (19.4 x 15.3 cm) diam., Smithsonian American Art Museum, Gift of the James Renwick Alliance, 1996.29
Helen Frankenthaler Jacob's Ladder 1957 Oil on canvas 9' 5-3/8" x 69-7/8" (287.9 x 177.5 cm)
thoughts

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Beautifully painted trompe l'oeil swagged material and stonework cover the walls of this distinctive bathroom. The comparative warmth of the 'material' is offset by the deliberate cold, stone effect. The room itself was painted with artist's oil colour in two tones of buff, mixed with glaze and given a coat of polyurethane.
Color in Decoration, 1990
The textural contrast of walls, flooring and upholstery in this room gives life to the pale colours used. Trompe l'oeil stone walls and marble-topped table are countered by the more informal arrangement of armchairs and side tables. The neutral tones and the symmetry of the room's design give a classical appearance.
Color in Decoration, 1990

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matrix Morty & Summer -- top character design! like this twisted sibling relationship🥰
how to stop feeling like a new person dragging around all the baggage of the thing you were before ? how to absolve yourself of the mistakes and unkindnesses you branded yourself with from a past life? how to stop feeling like you’re constantly followed by the ghost of a person whose life you stole? please?
ohhh i just gotta acknowledge what was and is and continue on anyway … i just gotta accept that i’ve been myself my whole life ohhhh i get it. mistakes are a part of being a person. being alive and affecting of the world around me is a gift fuckkk. i’ve always been like this and thats okay fuckkkkk i get it now okay
Purple moths

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— Cinderella - Yoshitaka Amano . ݁₊ ⊹ . ݁ ⟡ ݁ . ⊹ ₊ ݁.