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@taja_janel

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βDon Cornelius did not want to see how I really danced, I was doing Hip-Hop and it was foreign to people out in California. Don was likeΒ βoh no no no no no no no no, youβre a girlβ. And I was like βwhat!?ββ. Β
-Rosie Perez as a featuredΒ βSoul Trainβ Dancer (1983-1984)
βWhen the camera came on, my body shook like crazy. All I kept thinking about was my hair getting all sweaty. This Soul Train regular, Ricky, kind of took me under his wing and partnered with me. We got picked for the Scrabble Board! My first day! When I started to speak on the first take, Don Cornelius gave me an incredulous look regarding my accent. I lessened it; he gave a nod of approval. Instantly, I felt ashamed. I had made my first conscious effort not to sound ethnic. Ricky made me feel better, later telling me he thought that my accent was cute, that it set me apart, and to ignore Don.
My mind was spinning the first time I stood on the Soul Train line. I didnβt know what to do. Don Cornelius didnβt like hip-hop or house dancing. He kept telling me to dance like the other girls, meaning like a vixen. In fact, after my first day he suggested that I dress more appropriatelyβyou know, tight-ass minis and high heels. I was cool with the minis, but three-inch heels? Yikes! I could wear one- or two-inch heels. Three was a whole other story.Β
I couldnβt do more than stand there and gyrate. All the regulars had routines; all the girls had their signature sexy moves. I didnβt have shit. When it was my turn, I started nervously pumping my body back and forth, trying to look like the other ladies, praying I wouldnβt fall off those damn heels. While pumping I kept thinking to myself, I look like a fucking idiot! To my surprise, everyone started cheering me on! Even Don Cornelius told me to go down a second time!Β
We didnβt get paid, just a Kentucky Fried Chicken two-piece lunch boxβnot kidding. I didnβt complain, I was just happy to be there, and my ass was always hungry anyway, living on cans of tuna fish. But I left the show after only being on it for maybe a year or year and a half. I say βonlyβ because most of the regulars were there five, ten years plus! All waiting for their big break into the entertainment industry, like Jodi Watley and Shalamar. [β¦]
I had gotten into a fight with Don Cornelius during a taping. He didnβt like Keith Sweat coming over during his performance and dancing with me. But that wasnβt the reason why he went at me. Don was trying to form a new singing group and asked me to be a member. I was excited, even though I told him I couldnβt sing that goodββYour inability to sing is insignificant. Itβs how you fill that dress and how the camera loves you.β Wow. Okay. But I declined the offer after he wouldnβt let me take the recording/management contract asking for 60 percent to a lawyer. I wasnβt anyoneβs fool.Β
Things were tense after that, but shit really hit the fan when an A&R executive from MCA Records, Louil Silas, Jr.βwho unfortunately passed away in 2001βhad brought an act on the show and saw me rehearsing some hip-hop moves with Ricky and his older brother on the side. Louil was African-American and medium height and had a potbelly, scruffy aftershave; he was well-dressed, arrogant, confident, and funny as shit.Β
He waved me over.Β βThatβs hip-hop, right?β
βYes, sir. But Don doesnβt like the girls doing it on the show.β
βReally? Thatβs weird. I want you to teach it to my new artist, Bobby Brown, from New Edition. Heβs going solo. But donβt tell anyone yet.β
My heart went up into my throat! βHereβs my card. Come up to the record label on Monday.βΒ
βBut Iβm not a choreographer.β
βIβll pay you fifteen hundred.β
βIβll be there Monday morning.β
Of course news got to Don. How dare I not sign with him and go off and make money elsewhere? Thatβs when he started to pick on me during the tapings. So Keith kept humping, Don kept yelling βCut!β and I was getting heated. By the time I went down the Soul Train line things were going from bad to worse. Excited that Louil liked and saw the future in hip-hop, I went down the line doing the Pee-wee Herman.Β
βCut! Rosie, do it again.βΒ
I went down doing the Roger Rabbit.Β
βCut! come here.βΒ I walked over.Β
He pulled me in close and whispered sternly. βYou walk back down that line nice and sexy like youβre supposed to.β I walked back to the head of the line, paused, then strutted down as if I were Naomi Campbell on the runway, continued walking past Don to my seat, grabbed my things, and told him I was out. Don grabbed my arm, pulling me back. βYou donβt quit until I tell you you can quit!βΒ
Wrong move.Β
I grabbed the first thing I could get my free arm around, which happened to be one of the two-piece KFC chicken lunch boxes, and threw it at him. A chicken wing smacked him dead in his forehead. I was escorted out by security.β
βRosie Perez, an excerpt from her memoir,Β Handbook for an Unpredictable Life: How I Survived Sister Renata and My Crazy Mother, and Still Came Out Smiling (with Great Hair)
Frida Kahlo

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Mandee Woodford by Luke & Mandy
People do not see you, / They invent you and accuse you.
HΓ©lΓ¨ne Cixous, from The Selected Plays of HΓ©lΓ¨ne Cixous; βThe Perjured City,β (via violentwavesofemotion)
naomi in βwild thingsβ by jean-paul goude for harperβs bazaar september β09
Natural Born Killers, 1994

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Artist Fred Martins uses the symbol of the Afro Comb to celebrate activists jailed fighting for freedom and fairness
Here comes my darling,
Here comes my romance,
Here comes my love,
And please honey will you dance?

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