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I can’t be taken
if I give it away
Not today Justin

Origami Around
cherry valley forever
hello vonnie

bliss lane
Claire Keane
TVSTRANGERTHINGS
Aqua Utopia|海の底で記憶を紡ぐ
sheepfilms

Discoholic 🪩

@theartofmadeline

Sweet Seals For You, Always

★
The Stonewall Inn
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Stranger Things
Noah Kahan

Kiana Khansmith
Jules of Nature

seen from United Kingdom

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seen from United States

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@gutted-live
✤ 𝐓 𝐇 𝐄 𝐘 ♱ 𝐈 𝐓 ✤
I can’t be taken
if I give it away

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CASTRATION MOVIE
I’m pleased to have finally finished the first installment of the anthology, its providence that immediately following it I discovered ⚲ a symbol used in botany to distinguish those things without discernible sex. these nonpareil expressions of the trans experience so feel like home. it is easy to be lost in the sulphureous agony of the unending journey, one longer than it is hard; but toil and despair can fruit into beautiful expressions of self not dissimilar to the work of art this film was. Insolence of earnestness is all around, but to sincerely capture the sylph born of flagellation is a true achievement. observed by earnest and flagrant way through the film, and ⚲, I relish again the path tread by the queers’ who before me laid.
I fell in love with a statue and my surprise stung just the same when I caressed its cool surface, tampered.

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I want to have fun with art again, I need this and only this.
can I tell you a secret?
I want to create something beautiful with someone else.
ORCHID
the body rings empty, a memory of sound dispelled. those tones I parrot hoping to feel close to you. It’s every word I forget to speak when not from the lines you gave me. I miss your voice so much.

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walls
Leather Gear 🔺
5x7 inches, colored pencil and graphite on paper
This original will be available in the Anthrocon ‘26 art show.
eternally the cycle befalls, divulge, savor, and dispose. It’s all I know, it’s all I’m fated to.
wedding like a funeral
FINGERING THE WOUND
I am often compelled to ruminate on the bad and it is only by some blessing that goodness and virtue find me sunken into the floor boards. They pull the splinters from me and drag me to the club.

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LIGHTHOUSE
In the book annihilation, part of the Southern Reach series by author Jeff Vandermeer; the protagonist (Biologist) struggles across a journey to a structure at center of an anomalous area of effect. in the novel, the Biologist grapples with conveying their perception of the structure. though descending into the earth as a tunnel, the Biologist insists it’s a “Tower” instead.
I think of this often, the mirror of a place co-opted by a disjoined Euclidean abominations.