KAOREI. (it took me 3 days to made it, and btw is based on a real painting)
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KAOREI. (it took me 3 days to made it, and btw is based on a real painting)

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Kaoru Orihara and Rei Asaka ❤️🩹 love them being together
Its Butchtober. Bear with me for a second as I rant about children's cartoon ships, butchphobia, the conditional acceptance of butches in sapphic spaces on the basis of desirability, and feeling erased as a butch kid.
It's so funny that I realised early on as a 2000-2010s teen/kid how a lot of so called "sapphics" of social media are really, really anti butch4butch, only by interacting with certain subsets of Catradora and Appledash haters. It may be flippant to connect butchphobia with children's cartoons, but you cannot deny it is there. We finally had two canon butch4butch and masc4masc lesbian animated ships. And the fandoms decided that the best possible reaction to this is to violently hate on the ships for bullshit reasons and write up masterdocs about how the butch character actually looks better with a femme character instead (in both cases–Rarity and Glimmer, who is arguably feminine but not femme, but that's a conversation for another day, how the SPOP fandom waters down gender identities for aesthetics).
This is not just about two cartoon ships; this mindset of seeing two masc lesbians and immediately going "actually they act like bros; but this BUTCHFEMME couple has real chemistry" comes off sounding really, really bad in 2024 when you have no idea how butch identity operates, outside of depicting us as pants-wearing sexually aggressive muscular women. Butches ARE bros, even the ones who kiss each other. Camaraderie and tomboyish swagger *is* a part of their life. It's not our fault you are too fanfic trope-pilled to read these interactions are sexless friendship bantering.
It's also quite concerning, given how there are only a handful of butch4butch books in the market, and almost all of them talk about the stigmatizing of relationships between two butches/studs/masc lesbians. There are many butch lesbians who themselves face internalized butchphobia because of societal standards and expectations of being turned into the "gallant" provider of femmes. Butch and femme are not always inherently complementary, butches can be attracted to other butches, there is no "natural order" model of lesbian/sapphic attraction and your thinly veiled butchphobia is really off-putting, given you guys don't seem to extend that same rhetoric to mascfemme ships like Korrasami or Caitvi, or femme-femme ships like Harlivy.
Here, I must mention relationships like Rei and Kaoru from Oniisama E, or Jess and Lupe from A League of Their Own, who have bucket loads of chemistry but still have some vehement antis only because both the lesbians are masculine. (What's funny is the new wave of lesbian Oniisama E fans are almost all Rei/Kaoru shippers despite the show putting them into two butchfemme pairings.) Something something to be butch4butch is to be failing the tests of palatability and desirability according to conventional models of societal norms. Forever.
Again, one may have valid reasons for disliking these fictional ships (what, I genuinely don't know). But it *is* weird that you guys can watch fifty white fem4fem sapphic shows in a year and read 100+ GL with the same feminine girlish blonde and brunette/pink haired archetype and not bat an eyelid, but conjure a world of made-up "platonic" dynamics just because you read every butch4butch interaction as fundamentally platonic.
A lot of you love to throw around Stone Butch Blues as a catchphrase to educate strangers on the internet about 1950s-70s blue-collar bar culture and USA butch femme history, but how many of you actually know that within the book itself, the lead character acts prejudiced and hates on another butch for being butch4butch? How many of you know that she apologizes to her friend at the end for her hateful remarks? Fun fact: when you ostracize a butch for not fitting into your butch-femme subculture aesthetic, you're no better than lesbiphobic bigots actually.
Anyway, here are some butch4butch resources if you are a baby butch4butch and feel alienated by these kinds of weird rhetoric in online and fandom queer spaces too:
Butch4Butch romance books
My Butch4Butch books masterdoc (**being updated regularly**)
Leo Wilder's Butch4Butch writing (18+)
Butch4Butch photography archive (insta)
Boyish² Butch4Butch yuri anthology (insta)
@milsae Butch4Butch artist (tumblr/insta)
This post is made by a trans masc butch of color. Terfs, racists, biphobes and radfems kindly do not derail or interact.
She deserved the world and got homophobia instead
If you think about it, Mean Girls is literally a watered down version of Oniisama e
I've been saying this for the longest time ESPECIALLY the dollhouse glass figures parallel! Kaoru is essentially Janis Ian but with good intentions too.

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She deserved the world and got homophobia instead
Question for the Oniisama e... fandom: is there an analysis about the narrative function of dolls throughout the story? There should probably be even more than one given that dolls are such a huge element, presented to the audience since the opening of the first episode so...
I'M SO GLAD YOU ASKED, I love the imagery of dolls in this anime so much it hurts.
To put it very, very shortly: they represent childhood, and generally the theme of the "past" along with innocence and purity.
Obvious spoiler warning under the cut ☆
AMAZING ANALYSIS
My brain is frying in the heat and yuri juice
In Heaven, We Will Be Together

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oh, I am stretched on your grave
and will lie there forever
I’m always thinking about rooms in Oniisama e…, I think both Fukiko’s room and Rei’s room function somewhat similarly, in that it surrounds them and traps them within their own pain and loneliness, and there’s an aspect of repetition and solipsism. For Fukiko the way these symbols of the past within this ever stagnant space cut off from the changes in time and space impose and reimpose that pain of the past, that moment of time from where she has yet to move forward from. For Rei, whilst the bracelet and doll act similarly as symbols of lack of fulfilment, longing and past (dolls in Oniisama e function to recall innocence and childhood, especially for a character like Rei who is not only averse to change but antithetical to it, as a lesbian socially impossible and destroyed in the process of it; you can see why she compares the doll to Nanako, especially in comparison to a Fukiko, and asks her to never change, and why Nanako would be averse to that comparison and find it reductive), I think it’s more so that the mirrors reflect her present and turn it inwards, her grief, her longing, her ugliness, her impossibility, her self-destruction. And I think this comes back to both of these characters’ impossible lesbianism and incest, for Rei more obviously, but also for Fukiko who attaches herself to an impossible object of desire so not to confront her real desire with Rei (that is impossible) and her lack of heterosexual desire
i'm a little late
Nothing:
Oniisama E at least six times per episode:

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agonizing over obsessive girls 🥀🥀🥀