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@guideddetours
In a bid to reach a wider audience and diversify its income, the Van Gogh Museum has created a traveling pop up museum experience.
Some edu-tainment in a beloved art museum. I am interested to see how this plays out in the long run.
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Give your ears a listen to these magical sounds. The possible applications of this sound technology are pretty excitingđđ
Two scholars at Stanford have joined forces to recreate what a Christian choir might have sounded like inside Istanbul's Hagia Sophia before
The Columbian printing press was built in 1821 â the same year McGill University was founded.
SFMOMA's new app uses the museum's Wi-Fi to keep tabs on where you are and where you're goingâand adjusts its immersive audio tours accordingly.
Audio tour meets 21st century. This looks amazing.
âThe tours themselves, says Keir Winesmith, head of SFMOMAâs digital platforms, can range from âphilosophical and emotionalâ to âhilarious and strange.â If you prefer the latter, select the âThis Is Not an Artworkâ tour. Actors Martin Starr and Kumail Nanjiani of HBOâs Silicon Valleydebate whether Marcel Duchampâs urinal, a Dada classic, is a stunning masterpiece or merely junk.â
Here in Montreal: Soon-to-Be Biggest Art Education Complex in a North American Museum
The Montreal Museum of Fine Arts has announced plans to build a massive education complex in the next year! And it is partnering up with Concordia University to bring the Montreal community some exciting programming.
Researchers in Concordiaâs Art History and Art Education departments are collaborating with the Museum on 8 new programs through the MMFAâs new Atelier for Education and Art Therapy. A couple highlights from that list include a new graduate certificate program in Art Museum Education and Meditation (!!!), as well as an art hive IN the museum, free for anyone wishing to go & create to their heartâs content. (More details on all 8 programs here)
Overall, theyâre calling this the biggest ever education and art therapy complex in a North American museum. Having researched past museumsâ efforts to develop community-based, grassroots programming in their outreach strategies, I gotta say, this is a big deal for the MMFA.Â
Unlike many one-off, off-site community projects that rarely go anywhere, the variety of programs as well as the permanent space - literally a whole new 40,000 sq ft floor in the building dedicated to art education - demonstrates a sincere effort on the MMFAâs part to break down barriers and connect creatively with the Montreal community.
âThis is an example of a cultural institution becoming more interested in a broader interpretation of art education,â said Rebecca Duclos, dean of Concordiaâs faculty of fine arts. âItâs incredibly bold of a museum to say we recognize we have space and collections, but we need help in delivering programs.â
READ:Â Montreal Gazette Article
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(via https://www.youtube.com/watch?v=A4FTBXaAJSY)
âMuseum doctorâ Ngaire Blankenberg (Lord Cultural Resources) presenting at TEDxHamburg on the power that museums have to heal and strengthen their communities through âsoft powerâ.Â
Sometimes, museum and other nonprofit workers need a good vent session.
Nina Simon's The Participatory Museum turns 5 this week! And still this book remains 100% relevant. It continues to fuel my thinking about museums and has played a big part in my interest in digital & web-based audience engagement.Â
Read Nina's thoughts on The Participatory Museum, 5 years later...
"Ideas for Museums: a Biography of Museum Computing: Seb Chan" Seb Chan is the Director of Digital & Emerging Media at the Smithsonian Cooper-Hewitt National Design Museum in New York. He talks about his experiences in IT at the Powerhouse Museum in Sydney, museum IT blogging, moving to the US and building a computer system for the Cooper-Hewitt.
"The idea is that a museumâs most valuable function is to provide data (a collection, content, information) to its users (participants, visitors) upon which these users can build meanings and, increasingly, new objects. In some ways, this theory isnât all that distinct from how museum education has been thinking about the museum experience since at least the mid-twentieth century. (...)
Whatâs exciting today, however, is that ideas are no longer being implemented solely through educational programming as one possible layer of the museum experience. Instead, in a few rare but awesome cases, the museum-as-resource impulse is embedded into the digital infrastructure of the museum."
Museum Making's Desi Gonzalez discusses how and why the Cooper Hewitt API and the American Museum of Natural History's Hackathon event are such innovative, exciting developments. In both cases, especially the Cooper Hewitt, data & digital engagement is at the centre of the museum experience.
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The Museum of Stolen Art
The Museum of Stolen Art features pieces reported as missing in the FBI and interpol art crime databases. The museum is a virtual reality experience, a space where one can get a glance at the hidden and the invisible. This is an exploration of VR technologies both for different purposes such as education and advocacy.
More here:Â http://mosa.ziv.bz/
Between BNLMTL2014 and then this weekendâs MUSEOMIX at the MMFAÂ (!!!), Montreal is a damn exciting place to be right now.
In its 4th year, this collaborative event, described as a âliving-labâ, brings together professionals from all different backgrounds to remix museums around the world and experiment with digital technologies.
For those who canât participate in Museomix this year (such as my sad little self), the MMFA will be holding an open house on Nov 9th for the public to come play with all the new prototypes!
Details about the event here: http://bit.ly/1tdC33c More on Museomix's history:Â http://bit.ly/1ux0b7U
See you on Sunday!
Hey obnoxious visitors, this is you.
########MURAL Festival#########
Yesterday was Day 1 of MURAL Festival, kicking off a 4-day festival that has turned MTL's St Laurent Blvd into a car-free, open-air party to celebrate public art on a huge scale.Â
And I mean, huge scale. Right now there are 20 local & international artists transforming The Main with gorgeous, gigantic works of art.Â
 OTHER (Toronto, ON)
The murals will stay for a year, and then I'm guessing those walls will be refreshed with new works for MURAL '14.Â
For obvious reasons, namely the fact that artists are working in real time in busy public spaces, this type of event is fun for everyone. It's awesome how people have been using social media to share events and the progress of murals during the festival. You don't really have to be in Montreal. Check out #Muralfestival on Instagram and you'll find 100s of photos documenting artists' process and various stages of mural production.Â
The weather is beautiful, everyone is out celebrating art, chatting with artists, supporting businesses on St Laurent...It may or may not be the paint fumes, but I don't see why it can't be like this all the time..?
More muralgrammin' after the jump..
As part of Kenneth Goldsmithâs Uncontested Spaces series, of our Artists Experiment initiative, he invited poets Kim Rosenfield, also a psychologist, and Robert Fitterman, to take over the fourth floor volunteer Information Desk. Or rather, Misinformation Desk! Equipped with therapeutic techniques and google, Rosenfield and Fitterman answered visitorsâ logistical questions with probing, psychological responses and whatever else google searches came up with. Some visitors quickly caught onto the guerrilla-style information being distributed, while others were completely perplexed by the space the poets made for interpretation and creativity in the realm of seemingly straightforward, objective questions.
When one couple asked where the Ellsworth Kelly installation was, Rosenfield responded, âThatâs such an interesting question. Do you remember your first experience with art? How old were you?â
The visitors looked back with simultaneous confusion, frustration and delight!
Talk about 'guided detours'! I LOVE this project -- part of the Artists Experiment initiative at MoMA, where education staff collaborate with artists to create innovative and participatory projects..
My friend just showed me MoMA's Artists Experiment (thx Fiona!) after our especially inspiring chat about the educational turn in curatorial practice. I haven't really thought about relational aesthetics or the collapsing/merging/evolving definitions of Educator vs. Curator, etc. since my MA in 2010, and man,.. it's all comin' back, s'all comin' back to me nowww...
More on that topic later.
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Here it is! The video from the project âInstallation Art, who cares?â. A project started several years ago in the Netherlands, but with international collaborators, addressing the issues of installation art. Very interesting video for anyone working with these kinds of issues.Â
Fantastic video on the various issues/strategies for documenting and preserving installation art.
On Museum Websites; e.g. Rijksstudio
For the last several months I've been updating the Collections section of the National Gallery of Canada website. It has been a great learning experience to work in the, dare I say, murky, undefined, yet ever-evolving process of a collection's digitization and distribution.Â
The 'virtual museum' concept is not new. From the NGC's perspective, its national collection should be widely available to the Canadian public and not only visitors paying admission at the physical building in Ottawa. Therefore it's a sensible strategy that the Gallery maintain a strong online presence. Same goes for other cultural institutions with their own range of reasons.
Look at ARTINFO's article listing the top 10 museum websites. It suggests that museum web facelifts are what museum architecture was 10 years ago, in terms of its 'hey we're 21st century' branding power. That's a big deal.
So with regards to museums' digital collections and engaging users online, I couldn't think of a better example than the Rijksmuseum's [relatively] new website and Rijksstudio. What a beaut!
