Spring hike on Mt Seymour
British Columbia
1995
almost home

if i look back, i am lost

shark vs the universe
KIROKAZE
"I'm Dorothy Gale from Kansas"
TVSTRANGERTHINGS

occasionally subtle
Monterey Bay Aquarium

@theartofmadeline

Kaledo Art

Andulka
Jules of Nature

Product Placement
trying on a metaphor

#extradirty
Cosimo Galluzzi
seen from United States

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seen from United States
seen from Chile
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seen from South Korea

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@gudrun-m
Spring hike on Mt Seymour
British Columbia
1995

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Snowy Spring hike on Mount Woodrow Wilson
Wyoming
1968
Don Cherry, Henry Grimes & Ed Blackwell - November 1961
Jazz scholar Lewis Porter is always turning up interesting and cool artifacts — and recently he shared a great one! An unreleased/unknown session with Don Cherry, Henry Grimes and Ed Blackwell? In 1961?! Sign me up.
Some details from Porter: Cherry’s playing is melodic and creative, and I think you will enjoy his work here quite a bit. And his colleagues here are Henry Grimes on bass and Ed Blackwell on drums! There are lots of connections here: Cherry had of course toured with Blackwell in Coleman’s quartet, and he would work with Grimes in Sonny Rollins’s quartet in 1962 and ‘63.
Yes indeed, a very enjoyable session — I'm surprised it's as early as 1961, since it sounds so modern and fresh. But that was Don Cherry, right? Modern, fresh, curious and always a joy to listen to.

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The Rise and Fall of a Small Film Company 1986 Jean-Luc Godard
“Geologic cross-sections shown in color in 9 classes, and faults.” Tourtelotte Park Mining District Sheet. 1898. Colorado.
Georgia O’Keeffe
Piece of Wood, No.2, 1942
20x24 in.

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Color charts of undifferentiated (top) and specialized (bottom) plumage of different warbler species from Charles Keeler's Evolution of the colors of North American land birds (1893).
Full text here.
Smokey afternoon on Malinge Lake.
Jasper National Park
1980
“The daily routine of most adults is so heavy and artificial that we are closed off to much of the world. We have to do this in order to get our work done. I think one purpose of art is to get us out of those routines. When we hear music or poetry or stories, the world opens up again. We’re drawn in — or out — and the windows of our perception are cleansed, as William Blake said. The same thing can happen when we’re around young children or adults who have unlearned those habits of shutting the world out.”
— Ursula K. Le Guin
"It is something about the way art gets made out of not just the material stuff of everyday life, but its habitual rhythms. The very fact that Hesse’s living and working spaces intersected made this reciprocity all the keener. All this may not sound momentous enough to account for the kind of creative work that Hesse was involved in. But that would be precisely my point: that great outpourings of expressive feelings are not relevant to making art. Much more so is the both simple and complex fact of how you group things together… It is an intricate pattern of thought made visible in actions of handling, placing, removing and replacing. Sub-objects from this point of view, tend not to come singly. They are ruled by pure contingency, which makes it possible for a studio leftover to turn so readily into a new idea or even a new work."
Briony Fer, Eva Hesse: Studiowork
Akihiko Miyoshi, Artist Statement, 2004

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Media (1980) dir. Zbigniew Rybczynski
Elmer O'Brien - Varieties of Mystic Experience - Mentor-Omega - 1965 (cover design by Henry Wolf)