Hey so I'm gonna be very very honest here.
And this is going to make a lot of people very angry to hear.
But a lot of y'all on this website are truly deeply genuinely never going to be capable of any kind of real narrative analysis--and I don't mean 'being right all the time' I mean 'meaningfully engaging with the text in any way'--
Because you are, fundamentally, incapable of comprehending that writers usually do things on purpose.
The themes are there on...purpose.
The match cuts were meticulously designed and put there to communicate something.
The VA's delivery of a line was being directed. Inflection and tone change the meaning of dialogue. This is intentional. There are entire teams of people shaping those choices and deciding which take to use based on what works best for the story.
Information is being revealed in a specific order, on purpose, to craft an emotional arc and guide the audience's understanding.
A character's romantic preferences are only, and SHOULD only be, their primary motivation if the genre is romance. That is why there is a genre called that. Most stories are other genres.
Creators who dislike a character generally give them LESS attention, MORE boring storylines, and LESS screentime.
Sometimes curtains are just blue. But if the shot composition or written narration takes time to HIGHLIGHT, especially more than once, that the curtains are blue, then the blueness of the curtains is by definition narratively important.
"Cite your sources" is not a witch's curse that banishes People With Different Opinions to the shadowrealm of Being Wrong. Someone making points that challenge your perceptions, while including screenshots and explicit examples, cannot be dismissed with "cite your sources" because they are literally doing that. Don't @ me on this one I've seen shit in the wars, y'all.
Failing to understand these things WILL bar you from ever really engaging with or understanding any narrative more complicated than Paw Patrol for the rest of your life.
I am very sorry if that makes you angry.

















