I have so much to say but I run out of words, out of language im an actor who's a writer who hates to write to have my inner dealings about myself posted; read and streamed I just cannot take, I cannot fathom it its like swallowing a very hot very long poker. my throat blistering already with the inability to hear or experience my own words. it hurts me to be so ill thinking of myself in that reguard as I did say im an actor a performer threading together other peoples words and essence of writing is what drives me completely wild I feel as I write I have no creativity no individuality I feel I must copy or reframe others I firmly thought getting involved in grammar games would help but alas I fall short
trying to conceive this blog as my own form of escapism of making no sense and to free flow my yearning for more structure when it comes to my writing to not lose my sense of self in my writing to fully engage with what I want to say and how I want to say it contructivly.
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i truly think that this recent trend of “if you relate to a post about a different identity than your own you are ~derailing~ and taking over the conversation” is incredibly harmful.
i recently experienced some pretty severe transphobic abuse in my workplace (children’s home) that included having food thrown at me, being called slurs, being told i was a pervert because i am trans. one of the managers talked with me afterwards and shared that he had had a similar experience as an Asian man. this wasn’t him derailing my experience, or talking over me, or making things about himself. he was communicating “hey, i know how it feels and how much it sucks. you’re not alone.”
THAT is what solidarity IS. i don’t know what it’s like to be Asian, he doesnt know what it’s like to be trans, but we both had a similar experience and we were able to turn a horrible experience into an opportunity for bonding and comfort.
stop looking at people’s attempts as solidarity as an attack. and hey, you never know - you could find an opportunity to grow closer to other people.
On Learning to Dissect Fetal Pigs by Renée Nicole Good
Renée Nicole Good was a poet, writer, wife, and mother of three. She was killed on January 7, 2026, in Minneapolis after being shot by an ICE agent.
Born and raised in Colorado, Renée described herself on social media simply as a poet and writer and wife and mom. She studied creative writing at Old Dominion University and, in 2020, received the Academy of American Poets University & College Poetry Prize recognition that helped her work reach readers beyond her immediate community.
Those who knew her remember Renée as compassionate, loving, and deeply creative. She cared fiercely for her children, her partners, and the people around her. Her mother described her as “one of the kindest people I’ve ever known,” and loved ones say her life was shaped by caregiving, curiosity, and art.
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Sokoto state, a majority Muslim state in north-west Nigeria was bombed on Christmas day.
It is still unclear how many bombs were dropped and where. Confirmed is a bomb dropped on a Mosque in Jabo, killing 5 people.
Trump has claimed that this is in retaliation of the "Christian genocide" happening in Nigeria, committed by "radical Islamists" of the ISIL (ISIS), and the specific choosing of Christmas day was to reify that this is a religious based retaliation.
This Christmas, I am in Nigeria. My family is majority Christian. We are without fear of being persecuted on the basis of our religion. So, what is going on?
There is no Christian genocide in Nigeria. Nigeria is a complex country that faces a lot of violence, exploitation and subsequent neglect from our government. But it is not Christians being targeted in our country. This insidious piece of misinformation has been dutifully organised by US officials for months and gained steam on platforms like X and Truth Social.
I do not believe though, that this action was done to fight Islamic terrorists or protect Nigerian Christians. The reason being:
Sokoto state is not a state with ISIL activity.
This is another display of US throwing its weight around, conveniently, onto the most oil-rich country in Africa.
Do not believe everything the US tells you about its foreign affairs. The US will gladly spill blood on the flimsiest of justifications just to continue gorging its empire.
Please keep love in your hearts for the Nigerian people.
Absolute - An extraction from a concrete using alcohol. The essential oil of scented flowers and other aromatic plant parts in its purest and most concentrated form. It is extremely expensive. A few important oils used in an absolute form are: geranium, lavender, lily, and rose.
Accord - A combination of a number of different scents which blend together to produce a new fragrance.
Agrestic - "Of the countryside"; odours of heather, forest depths, and the meadow.
Aldehydes - Aromatic chemicals isolated for the first time in the 19th century, but that also occur naturally. Certain aldehydes provide an increased diffusiveness, sparkle, and lift to perfumes, most famously in Chanel No. 5.
Almondy - Bittersweet, soft, and nutty scent.
Amber - An accord in perfumery that is supposed to recall the qualities of ambergris. It is often constructed with labdanum, Tolu balsam, or Peru balsam. Often an accord in Oriental perfumes.
Ambergris - A highly prized perfume ingredient consisting of the oxidized excretion from a sperm whale. It is rarely used in its natural form in perfumery because of its rarity, exorbitant cost, and concerns about sourcing ambergris from live whales rather than from shore-found ambergris. It’s said to have an earthy, sweet, tobacco, and pleasantly animalic scent. It primarily works to bring out other notes in perfumery rather than to impart a particular scent on its own.
Ambrein - The primary scented molecule in ambergris, isolated and used in perfumery. It’s warm, sweet, vanillic, and ambery, with facets of spice and tobacco.
Animalic - Describes fragrances with animal ingredients in natural or synthetic form, including civet, castoreum, musk, or ambergris. The voluptuous, erotic, and sometimes disturbing quality of animalic perfumes can register in an olfactory way, as something “dirty” or animal-smelling, or as a feeling, a mood, or a quality. Sometimes, it can be both.
Aromatic - Having a strong or distinctive smell.
B—E
Balance - A combination of different fragrance notes so adjusted in proportion to one another that none of the individual notes is more prominent than any of the others.
Balsamic - The resin from the bark of trees and shrubs (Peru, Tolu, styrax) that have a rich vanilla scent. Balsamic is a term used to describe perfumes with the soft, ambery aspects these resins impart.
Benzoin - A sweet, balsamic resin used in incense and as a base note in perfume for its vanillic scent and fixative properties. Also known as styrax because it comes from the bark of the styrax tree.
Bergamot - The essential oil from the peel of the nonedible Citrus aurantium fruit that looks like a small orange. Its sweetish, mellow lemony scent is a crucial top note in perfumery.
Calone - A synthetic “marine” note that is supposed to evoke the freshness of the ocean. It has a slight watermelon facet.
Camphoraceous - Describes a fresh, clean, medical fragrance.
Caramel - Sweet, rich, creamy, buttery scent.
Cardamom - An intensely aromatic, sweet spice from the ginger family, in the form of a pod filled with seeds.
Carnation - A smoky, sweet, and clove-like scent, the latter facet due to Eugenol, the primary component of clove.
Cassis - (or black currant bud) A sharp, fruity, almost cat-urine-like scented perfume note.
Cistus - (or Labdanum) A resin from the rockrose bush, traditionally gathered from goats’ beards as they fed on the plant. Labdanum is said to be the note closest to the scent of ambergris. Creamy, soft, vanillic.
Citrus - Fresh, light fragrance characteristic of citrus fruits, but also imitated synthetically.
Civet - In classical perfumery, the cream harvested from the anal gland of the mongoose-like civet animal, often described as cat like. Fecal-smelling when undiluted, civet “rounds” out other notes when used judiciously. Famous as an overdosed note in Guerlain’s Jicky (1889), it is considered one of the first abstract modern scents. Civet is primarily in synthetic form now.
Clove - An aromatic spice similar to cinnamon, but less sweet. Its primary component is Eugenol.
Coniferous - The fragrance note of pine, spruce, juniper and similar such trees, often used in men's fragrances.
Diffusive - A perfume whose fragrance quickly becomes apparent in the air surrounding the wearer.
Dry - The aromatic effect of perfume ingredients such as woods and mosses in contrast to sweet and warm fragrances.
Earthy - The subtle fragrance impression of earth or earth-mould which is found in certain essential oils such as vetiver and patchouli.
Equine - Notes of hay and leather.
F—M
Floral - The general fragrance of flowers.
Fruity - Citrus, berries, tropical, and other non-citrus fruit scents.
Fungal - Molds, yeast, and mushroom scents.
Green - General fragrance of grasses and green plant parts.
Harmony - A pleasing combination of fragrance notes.
Hayfield notes - Usually based on coumarin, which have an odour of new-mown hay.
Heavy - Denotes a fragrance in which the least volatile ingredients, such as mossy or animalic ones, are dominant, giving a very strong effect. Such fragrances are mostly used in chypre and oriental-type perfumes.
Herbaceous - The characteristic general fragrance of herbs and herbal medicines. Sage, rosemary and lavender are examples.
Honey - Used as an ingredient in early Arab perfumes and appears in later European ones (e.g., Honey Water). In modern perfumery a substance providing the sweet aromatic effect of honey and known as Honey (or Miel) is manufactured synthetically.
Indolic - The disquieting, ripe, animalic, and almost excremental facet of scents.
Leather - A perfume accord and category of perfume constructed from various notes, including birch tar, styrax, castoreum, and a variety of synthetic notes.
Light - Delicate, clean, and fresh-laundry scent.
Marine - Iodized scent.
Mellow - Soothing and calming scent.
Metallic - A fragrance reminiscent of metal, providing a clean, cool effect. Metallic notes are used in perfumes to assist in promoting an effect, not as main fragrances.
Minty - A fragrance reminiscent of mint, e.g., peppermint or spearmint. Such fragances are usually used to provide a special, fresh effect in a top note.
Mossy - The general odour of oils obtained from mosses and lichens.
Musk - Produced by the musk deer and excreted by the male during mating season. Musk deer were killed almost to extinction for their valuable musk glands, which were dried, and whose musk “seeds” were removed and steeped in alcohol to create tinctures for perfume. The scent of real musk is warm, with depth and a dark animalic aroma. Many synthetics now can mimic musk scent, but one of the most superior musk synthetics, nitro-musks, which were in Chanel No. 5 and countless other vintages, has been banned due to toxicity concerns. Musk can also be substituted with plant ingredients including ambrette seed and angelica.
Musty - Damp, earthy, or stale odor.
N—W
Narcotic - Exceptionally strong and heavy fragrances obtained from some flowers (e.g. jasmine and tuberose) and animalic ingredients, which need to be used with careful discretion in a perfume.
Ozonic - A perfume accord that attempts to create the smell of fresh air after a thunderstorm.
Peppery - Odour of pepper.
Powdery - Soft and clean scent.
Rich - Fragrances that have numerous layers, notes, and accords in all stages (top, mid, base), creating a multifaceted feel.
Rounded - The overall smoothness and fullness of a fragrance.
Sharp - A strong scent.
Smoky - The slight smell of smoke created in a perfume by certain oils such as Birch Tar Oil. It is used in men's fragrances to provide a leathery effect.
Spicy - Describes in general the distinctive fragrance of essential oils which have been obtained from spices.
Sweet - A sweet and rather sugar-like fragrance such as vanilla.
Tobacco - Fragrances resembling cured tobaccos, which are particularly popular in masculine toiletries.
Wintergreen - Has a very powerful and fresh, medicinal odour.
Woody - Fragrances reminiscent of wood. These fragrances are provided by wood oils, such as cedar, by essential oils from other plants having a wood-like aroma, such as patchouli, and by synthetics.
Sources: Perfume: The Art and Craft of Fragrance by Karen Gilbert ⚜ The Perfume Handbook by Nigel Groom ⚜ Scent & Subversion by Barbara Herman ⚜ Scent: A Natural History of Fragrance by Elise Vernon Pearlstine ⚜ Introduction to Perfumery by Tony Curtis & David G. Williams ⚜ The Big Book of Perfume
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5 Tiny Writing Tips That Aren’t Talked About Enough (but work for me)
These are some lowkey underrated tips I’ve seen floating around writing communities — the kind that don’t get flashy attention but seriously changed how I write.
1. Put “he/she/they” at the start of the sentence less often.
Try switching up your sentence rhythm. Instead of
“She walked to the window,”
try
“The window creaked open under her touch.”
Keeps it fresh and stops the paragraph from sounding like a checklist.
2. Don’t describe everything — describe what matters.
Instead of listing every detail in a room, pick 2–3 objects that say something.
“A half-drunk mug of tea and a knife on the table”
sets a way stronger tone than
“There was a wooden table, two chairs, and a shelf.”
3. Use beats instead of dialogue tags sometimes.
Instead of:
"I'm fine," she said.
Try:
"I'm fine." She wiped her hands on her skirt.
It helps shows emotion, and movement.
4. Write your first draft like no one will ever read it.
No pressure. No perfection. Just vibes. The point of draft one is to exist. Let it be messy and weird — future you will thank you for at least something to edit.
5. When stuck, ask: “What’s the most fun thing that could happen next?”
Not logical. Not realistic. FUN. It doesn’t have to stay — but chasing excitement can blast through writer’s block and give you ideas you actually want to write.
What’s a tip that unexpectedly helped with your writing? Let me know!! 🍒
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