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Lint Roller? I Barely Know Her
Today's Document
taylor price
official daine visual archive
art blog(derogatory)
★
macklin celebrini has autism
todays bird

let's talk about Bridgerton tea, my ask is open

Discoholic 🪩

Andulka


@theartofmadeline
Aqua Utopia|海の底で記憶を紡ぐ
$LAYYYTER

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@gremlin-city

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Was another request on twitter
oh waiter! two grams of acetaminophen please
if i was a soccer player i'd simply kick that ball in the goal instead of wasting everyone's time

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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constantly sleeping in hotel rooms has really ruined me because of the pillow fortresses I have become accustomed to sleeping in. I’ve got four walls and a working moat at this point
let the chips fall where they may
The dealer and the player....
i can do what has to be done
relapsed on boar hunting
Cicada sketches by Vincent van Gogh.
Found in Vincent van Gogh, Letters from Provence (French edition).

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Knightposting this princessposting that WHO IS TILLING THE FIELDS
007 first light out today
While its eyes are not as big as its mummy's, this baby tawny frogmouth is still using its beady peepers to see the best it can
William Birkin commish for @3xigua :)

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I’m sorry. I’m sorry, Anakin. For all of it.
IO Interactive has revealed the title sequence for 007 First Light.
While I'm avoiding spoilers, I couldn't help but watch it — and WOW!
Did Daniel Kleinman design this?! For those who don't know, Daniel Kleinman has designed and directed the title sequences for the Bond films from GoldenEye (1995) to No Time to Die (2021), with the only exception being Quantum of Solace (2008), which was designed by MK12.
If Kleinman wasn’t involved, then IO Interactive has done an incredible job replicating his style.
It’s a real, proper Bond title sequence and pairs perfectly with Lana Del Rey’s title song.
The iconography of the Bond title sequence, as we know it today, should be credited to Robert Brownjohn, who created the titles for From Russia with Love (1963) and Goldfinger (1964).
'On this type of film the only themes to work with are, it seems to me, sex or violence. I chose sex.’ — Robert Brownjohn, from his article ‘Sex and Typography’ written for the British magazine Typographica.
Maurice Binder, who designed the titles for Dr. No (1962), followed what Brownjohn had established, beginning with Thunderball (1965): sex, fantasy, and a design that linked directly to the film.
Kleinman and MK12 also followed suit.
The theme of sex is present here with the shadowy silhouettes of nude women watching Bond.
The shadow figures of these women, along with those glowing eyes, may also represent the Fates of Greek mythology, as mentioned in the lyrics of the theme song: “People try and stop you, all the fates just watch you. Dying just to know whether you'll play your life like a game.”
The last time I can recall the Fates being represented in popular media is in Zack Snyder’s Justice League (2021). The wraith-like beings inside the three Mother Boxes are the Fates. Victor Stone/Cyborg and Superman pull them apart, literally pulling apart the threads of fate and emphasizing the theme of making your own future.
This is a reiteration of the themes from Snyder’s first Superman movie, Man of Steel (2013) — a story of a man (who has godhood thrust upon him) trying to find his place in the world and forge his own destiny.
Then there is the theme of youth. Bond is 26 years old in the game’s story, and there is a great emphasis on that youthful vitality. Bond is trying to find his place in the world. So Bond plays with the Fates but ultimately forges his own destiny. At least, that is my interpretation of the title sequence.
So much potential in the game's story. We'll have to play the game to find out if IO pulls it off.