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Free service with ads: Well, if I'm not paying for it they have to foot the bill somehow.
Paid service with no ads: Well, if they're not funding it with ad revenue, they need to charge us something.
Paid service with ads: Well that's bullshit.
"We used to be a paid service without ads, but now we're putting ads in it! If you want the ad-free version you have to pay more for preeeeemium": Fuck you fuck you fuck you
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There seem to be a lot of people who don’t understand why Lobo was in the movie, so I’m just gonna say it: Lobo is who Kara is at risk of becoming.
Kara is at a crossroads, and one road leads towards Clark and one leads to Lobo. Or rather, one path leads to embracing the responsibility of the life and powers her parents gave her, and the other is continuing to drink her life away, not caring about anything or anyone but her and hers.
Lobo is immensely powerful, and the last of his planet. Just like Kara. And when we meet him, he’s passed out drunk in a bar, oblivious and uncaring of violence and exploitation around him. Just like Kara was trying to be when she first met Ruthye.
Lobo is Kara’s future if she gives up on trying to be good. Drunkenly stumbling through the galaxy not helping anyone or anything and only caring about herself. Maybe not mindlessly cruel, but not kind or good or caring of the pain of the people around her.
It’s why they both get Ruthye’s spiel, it’s why Lobo’s whole introduction mirrors what Kara was just doing demanding to know about the Brigands, it’s why they’re both “the ditz from the bar”, it’s why they both have the gag with the space suit collar.
It’s why Lobo crops up each time Ruthye and Kara are faced with choices, sometimes acting as a devil on their shoulders, sometimes just a big lurking ominous warning of their bleak future if they make the wrong choices. It’s why Lobo says “let Ruthye have her revenge”, uncaring of how the violence might haunt Ruthye for the rest of her life. He’s a big constant reminder why Kara cannot let this thirteen year old girl be consumed by violence, and of who her parents didn’t want her to be.
Lobo is Kara’s foil and shadow.
I don’t think the movie always executed this well, it could have been done better, but I don’t think it was subtle either. The parallels between Kara and Lobo are right there in every scene and always highlight the choices Kara makes to be kind, and I do wish people would take the time to actually think about them before writing Lobo’s presence off.
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I hate when my mind just goes full no thoughts, head empty. Anyways, here's a superman au
Celine and Mi‑yeong were children of Krypton, never meant to cross paths, never meant to love each other, and yet they did. They tied their lives together against their families’ wishes and left their world behind to chase the stars. Somewhere out there, between constellations, they welcomed their daughter. They laughed, they cried, they lived. They built a home they could only dream of on Krypton.
But Krypton was gone. Devoured by greed and shortsightedness. Rumi would never know her ancestral planet. She would always be a tree without roots.
A small price for the survival of her and her mothers.
But space is a dark place. Their ship was attacked, and even though they had fought pirates before and won, the damage was too much. Celine set a course for a planet with a yellow sun, but it did not matter. Mi‑yeong’s last breath came too soon.
Grief swallowed everything. Their home was gone, her beloved was gone. Celine carried Rumi to Earth, settled on this strange planet full of strange beings, and tried to build a quiet life. Rumi went to school and even though human knowledge could not compare to Kryptonian, she found an energetic friend who brought something new into their lives. Or maybe something they had forgotten.
Years passed. High school faded. Rumi joined Celine in her workshop while studying aerospace engineering. Zoey chose music. Their paths drifted apart but their bond only grew stronger. Celine liked this peaceful life and even though a part of her died with Mi‑yeong, she felt alive.
Until Rumi, her mother’s daughter, decided she wanted to help those who could not protect themselves. Celine tried to stop her, but when she realized Rumi would do it anyway, she chose to help. At least she could keep her child safe.
Zoey helped however she could, and Celine was endlessly grateful. The problem began when Kang Mira arrived, daughter of a family with far too many skeletons in their closets. Suddenly both Rumi and Zoey lost every grain of common sense. Was Celine just as foolish when she fell for Mi‑yeong? Maybe, with Min‑ji Song stepping into her life, she will remember those long‑buried feelings. Maybe her heart will beat again.
Which of these onions would you be most interested in having a print of? [numbered in alt text]
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Voting ended onJul 22
I will likely print a few different paintings so don't worry if your fave doesnt win overall, as long as there is enough interest in the particular painting I'll add it to my prints🧅
I kept forgetting my nighttime antidepressant so I set an alarm where the sound was a recording of me saying "HEY. TAKE YOUR FUCKING PILL" because I thought it would be funny. It was funny about three times, and then it started making me mad and I'd dismiss it right away to make it stop. So I handed my phone to my partner, who made another recording sweetly saying "Okay Shira, it's time to take your medication" and now I don't get mad anymore and I take my pill. The "compassion over punishment" camp has gotta get something wrong one of these days
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I like that Supergirl says it’s okay to kill someone’s abuser so long as you don’t let the thirteen year old do it and I like that Supergirl says vengeance will not solve things but neither will allowing a cycle of violence to continue
And I like how Supergirl addresses the real issues and lets the girls be messy instead of "teaching her a lesson" that she needs to be nicer. She is not nice but she is kind!
if you aim at nothing, you hit nothing @greenembers - Tumblr Blog | Tumlook
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