bird of paradise by Joseph Chaumet circa 1880
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bird of paradise by Joseph Chaumet circa 1880

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"Some days the only victory is making it to tomorrow, and that's still a victory."

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"To do more and more with less and less until eventually, you can do everything with nothing.”
— R. Buckminster Fuller
Unknown - Ruth Stage , n/d.
British, b. 1969 -
Egg tempera on handmade gesso board , 30 x 35 cm.

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Audrey Hepburn stars in Fred Zinnemann’s THE NUN’S STORY which premiered today in 1959.
The Buddha once told a parable about a man standing beside a dangerous river.
Behind him lay chaos, fear, and suffering. Across the water he saw peace and freedom, but there was no bridge or ferry to carry him there.
So he built a raft himself.
Using branches, reeds, and scraps of wood, he fashioned something rough but workable. Through patience and effort, he crossed safely to the far shore.
Once there, he thought:
“This raft saved my life. Maybe I should carry it with me everywhere.”
Then the Buddha asked:
Would that make sense?
Of course not.
The raft mattered because it helped him cross. But once the journey was complete, carrying it further would only become another burden.
The parable of the raft remains one of Buddhism’s clearest teachings on wisdom and attachment.
The Buddha does not dismiss the raft. Without it, the man may never have crossed at all. In the same way, teachings, practices, meditation, discipline, and community all serve a purpose. They help us navigate suffering and give shape to the path.
But the Buddha asks something subtler:
What happens when we cling to the things that once helped us?
People often turn methods into identities and insights into possessions. What once created freedom slowly becomes another attachment. A belief that opened the mind hardens into ideology. A practice meant to loosen the ego becomes part of the ego itself.
The point of the raft is crossing.
Not carrying.
This is one reason the story remains central to Zen.
Zen warns against mistaking the finger for the moon, the symbol for reality, or concepts for direct experience. Teachings matter, but they are not the destination. Eventually, even useful frameworks must be light enough to release.
This does not mean abandoning wisdom. It means recognizing that no single form can fully contain what is alive and changing.
The raft is honored because it served its purpose.
And then it is set down.
The story resonates beyond Buddhism because most people know what it means to carry something long after it is needed:
Old fears.
Old identities.
Old grievances.
Old versions of ourselves.
Entire lives can revolve around carrying what once protected us but now keeps us stuck.
The parable asks:
Can we recognize when something has fulfilled its purpose?
And if so—
can we let it go?
Perhaps that is why the story has endured.
Not because it rejects teachings, but because it reminds us that freedom was never meant to become another burden.
El Pi del Francàs , The Pine of the French - Magi Puig , 2025.
Catalan , b. 1966 -
Oil on canvas , 81 x 81 cm.

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