Distance
Artist: Ian Cumberland
Oil on linen, carpet

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Misplaced Lens Cap
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Distance
Artist: Ian Cumberland
Oil on linen, carpet

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All that’s left.
alainaarts.com
What was once a quirkily mellow, solidly middle-class city now feels like a stressed-out, two-tier town with a thin layer of wealthy young techies atop a base of anxious wage workers.
Paul Roberts, Politico Magazine
I would love to
“BIG PLANS” seems to be the headline of my life. Big plans, yes, what are those big plans? I feel like there’s a few that come up in their various forms over and over. They’re never quite solid.
Art. Yes, it’s a three letter word, and I intend to wrap my existence around it until I can plan and plan and plan a way into its existence. I’ll be the spiral characters in the Junji Ito book Uzumaki by the time I’m finished. Nightmarish, beautiful. Dreams are often beautiful. I hate hearing about them, especially when they’re my own. I want it to be done, or at least frame-worked out to the point where I can just execute. I get quite upset when someone expects me to do something without laying out the rules. That’s what I’ve always looked for, rules.
I have found I do okay at making up the rules. It just takes a lot of work. Because I like a lot of rules.
Enough, what do I want to do!? I wan to art, yes, I already said that. My brain feels like a social media feed, one idea after another, thoughts linked one to the next by only a randomly generated algorithm. Ouch, what does that say about the media I consume? Perhaps Instagram isn’t so much inspiring as exhausting. Perhaps true research does not come from the ability to gather a vast amount of information, but from the ability to filter through it. It may not make me happy that I’m slow at discovering how to do something well, but it does give me pride that once I figure it out I’m damn good at it.
So can I plan my way into art? Probably fucking could. Or I could plan my life to give myself more time to figure art out- at least what it means to me. I’m going to a different place soon. One that’s not the city, won’t require all of my earned money just to live in it, and will be a bit more away from people. In order to get the most out of this experience, yes, I’ll have to plan.
We’re going to help renovate houses and turn them into rentals, airbnbs, etc. for my dad’s company. I don’t quite know what this will look like, because he doesn’t know yet. It’s an opportunity to create that job position, make myself valuable. That sounds like a whole lot of lack of rules, doesn’t it? Scary. Well, here’s some: 1. find a property 2. buy the property 3. fix the property 4. rent out the property 5. keep everything about the property organized. Done, takes up a certain amount of time. It’s tangible, it exists once we make it. It costs money, it takes up space.
Art rules, some ideas. 1. look around 2. pick something 3. draw it
Better yet. 1. look around 2. pick something 3. ignore it 4. come back to it 5. let it get in your head 6. be frustrated, feel something for it 7. make something about it
That’s not solid enough for me. I need a subject. A theme. Or do I?
Plan
Project idea: 3 days/week spent doing art. This will include-
Day 1-
-plan for the “week”
-quick writing about where I’m at currently, what next steps I’d like to take
-drawing exercises- from observation, going somewhere to see other art, explore, or draw in environment, figure drawing session, etc.
Day 2-
-warm up drawing
-project work
-time researching opportunities, working on selling art online/in galleries, stores
Day 3-
-project work
-summary writing/analysis of this “week’s” work
-research for next “week’s”
-free writing
Evidence to be presented monthly-
1. blog posts- 1/week, then more comprehensive 1/mo
2. shows- outside or in home curations
3. writing excerpts in zine or similar collection
How this project connects to/departs from/builds on my past work-
-This allows me to set aside actual time to complete my artwork. I have one day here or there now, which is always punctuated by errands and trying to relax or do job work from home. I never fully decompress enough to build a consistent practice, so that’s the ultimate goal.
-My most recent previous work was an exercise in time restriction, drawing one a day, or close to it. Now, I’d like to introduce more expansive prompts and investigations.
-I do have a goal of developing a business surrounding my work. At least, I’d like to understand what it is I really want to focus on. I want to know what it’s like to devote the energy I currently give to my job onto building my own business. Do I have the bandwidth? Can I do that solely, or will I always need the supplementary “day job”?
Resources I’ll need-
-housing, food, studio space, art supplies, show materials (frames, mats, etc.), prints
-need to budget in order to pursue grants/funding

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They fuck you up, your mum and dad. They may not mean to, but they do. They fill you with the faults they had And add some extra, just for you.
Philip Larkin, “This Be The Verse” (via aceofsaves)
Next
Picking a place for us to go. “Next” it said, my moves at its whim. “Listen to the birds”, but I haven’t taken the time to learn their language. I haven’t taken the time to do much of anything. Feeling and ignoring are skills honed and honored. Worship at some sort of altar- it might as well be loneliness. I think they were right in that sense- everyone picks something to believe in, even if it’s a stark lack of belief, or belief in not believing, or belief what others believe is not worth the belief.
“Next,” it said. But, what about this place? This desperately sad place, though I suppose all places are really that way. And all this place ever did was give me a blanket to curl into the soft bed of comfortable sadness. I’m really nothing special. Next.
Grief is the thing with feathers
A beautiful lazy swagger
Dry-stone strong and durable
For ever and ever and ever
Which is onwards
My absolute pleasure
Be good and listen to the birds sing
The failure of clouds
A murder of little burnt birds
-little phrases from Grief is the thing with feathers: a novel by Max Porter
The night of June 7, 1525 Albrecht Durer had an apocalyptic dream of a great flood destroying the world. Shaken by the experience, he painted this scene the following morning. Durer’s distress over this vision was not unusual considering the time. The early years of the Reformation brought violence, rebellion, and intense religious anxiety. In 1525 Germany was in the midst of a violent peasant revolt, and there was mounting fear among some that a flood would soon end the world. Below is a translation of the text.
“In 1525, during the night between Wednesday and Thursday after Whitsuntide, I had this vision in my sleep, and saw how many great waters fell from heaven. The first struck the ground about four miles away from me with such a terrible force, enormous noise and splashing that it drowned the entire countryside. I was so greatly shocked at this that I awoke before the cloudburst. And the ensuing downpour was huge. Some of the waters fell some distance away and some close by. And they came from such a height that they seemed to fall at an equally slow pace. But the very first water that hit the ground so suddenly had fallen at such velocity, and was accompanied by wind and roaring so frightening, that when I awoke my whole body trembled and I could not recover for a long time. When I arose in the morning, I painted the above as I had seen it. May the Lord turn all things to the best.”
Ernest James Bellocq

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Duarte Vitoria
Dutch Still Life Embroidery
Memento Mori Studies
“Remember that you will die.”
Alaina Stocker
Oysters - Cornelius Völker
Study: Mirror One
Alaina Stocker
2016
One thing at a time, right?

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Memento Mori in threads on found skin. Copy of a Dutch still life by an unknown artist. #embroidery#thread#colors#skull#mementomori#moths#bugs#death#life#skin#vanitas#face
Alaina Stocker