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Aqua Utopia|海の底で記憶を紡ぐ
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@gnostix1

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Inland Sea , Japan - David Hokney , 1971.
British , 1937 - 11 /06/ 2026
Black and coloured crayons on white wove paper , 35.3 × 43.1 cm.
Artwork: @fiz_lorsman | IG
* * * *
“It’s enough for me to be sure that you and I exist at this moment.”
— Gabriel García Márquez, One Hundred Years of Solitude
Belles-lettres
Big Boy heading east out of Lancaster, New York. June 10, 2026. Huge crowds at every stop as this monster made its first trip east since it was built. The sound is deafening -- not just the whistle but the clank and rumble of the pistons and side-rods. And the smell of hot oil, which stays with me over 12 hours after the experience.
About 1:10 the short whistle blasts, plus the steam jets from the sides, indicates the engineer's displeasure at people standing too near the tracks...

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Source
Refletive Day - Antonia Tyz Peeples
American , b. 1957 -
Oil on canvas , 30 x 30 in.

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After trolling through the News each day.
Charles Louis Signoret (French, 1867-1932)
In the evening light
“Our minds are just waves on the ocean of consciousness. As waves, they come and go. As ocean, they are infinite and eternal. Know yourself as the ocean of being, the womb of all existence.”
—Nisargadatta

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Ordinarily I go to the woods alone, with not a single friend, for they are all smilers and talkers and therefore unsuitable.
I don’t really want to be witnessed talking to the catbirds or hugging the old black oak tree. I have my ways of praying, as you no doubt have yours.
Besides, when I am alone I can become invisible. I can sit on the top of a dune as motionless as an uprise of weeds, until the foxes run by unconcerned. I can hear the almost unhearable sound of the roses singing.
If you have ever gone to the woods with me, I must love you very much.
~ 'How I Go Into the Woods’, by Mary Oliver