tell me this isn’t the cutest thing I’ve ever seen
I just… That’s the Egyptian Prince from Night At The Museum and Jasper from Twilight and its a little gay and I just ugh I love it
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@glititter
tell me this isn’t the cutest thing I’ve ever seen
I just… That’s the Egyptian Prince from Night At The Museum and Jasper from Twilight and its a little gay and I just ugh I love it

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Moonlight in the Adirondacks By Rockwell Kent
My Very Favorite Theatre Animatics
The musical theatre community has produced some incredible fanwork over the years, including a number of animatics that bring songs to life. Below are my favorites:
“Who Lives, Who Dies, Who Tells Your Story” - Hamilton
“Sincerely, Me” - Dear Evan Hansen
“The Bitch of Living” - Spring Awakening
“Our Love is God” - Heathers
“Watch What Happens (Reprise)” - Newsies
“Come Home With Me” - Hadestown
“Dead Mom” - Beetlejuice
“I Am Damaged” - Heathers
“Santa Fe (Prologue) - Newsies
“Touch Me” - Spring Awakening
“Meant To Be Yours” - Heathers
“Wait For Me” - Hadestown
Enjoy! Might want some tissues for some of them.
L’ÉVEIL DU PRINTEMPS: SCENE 2 PART 2
THE FRENCH:
CHANSON: « CE QU’ON SAIT »
GARÇONS (mélopée sous MELCHIOR): Lītora, multum ille et terrīs iactātus et altō Vī superum saevae memorem Iūnōnis ob īram; Multa quoque et bellō passūs, dum conderet urbem. Arma virumque canō, Trōiae quī prīmus ab ōrīs Ītaliam, fātō profugus, Lāvīniaque vēnit…
MELCHIOR: Ce qu’on sait En histoire ou en science Sont des faits Qu’on apprend en patience
Si tu doutes, Ils puniront l’insolence De tout ce que tu sais Mais que tu réprimes en silence
Ce qu’on vit Est écrit dans les livres Tu l’apprends Mais c’est de pire en pire
[On te] corrige, Mais l’argent est la cible En verité on [érige] Tout ce qu’il y a dans la Bible
Mais je sais [Ceux connes nous disent pas] Que je garde dans secret Au fond de moi
Et je sais Ne pas leur faire confiance Juste [les y aurai méfiance]
Et je pas Dans un rêve idéal Je m’égare Pendant que l’on me parle
J’en appelle [À percer là où] grand jour La vérité, comme elle serait, [Délivrait nous à tous]
Regardez, regardez J’en appelle à ce que je saurai Regardez, regardez J’en appelle, j’en appelle à ce que je saurai
FIN DE LA CHANSON
BACK TO ENGLISH:
SONG: “WHAT WE KNOW”
BOYS (chanted under MELCHIOR): Lītora, multum ille et terrīs iactātus et altō Vī superum saevae memorem Iūnōnis ob īram; Multa quoque et bellō passūs, dum conderet urbem. Arma virumque canō, Trōiae quī prīmus ab ōrīs Ītaliam, fātō profugus, Lāvīniaque vēnit…
MELCHIOR: What we know In history or in science Are facts We learn through patience
If you waver They will punish the insolence Of everything you know But repress in silence What we live Is written in books You learn it But things only get worse
[They correct you] But money is the objective To tell the truth, they [elevate] Everything in the bible
But I know [Those morons don’t tell us] What I protect, in secret, Deep inside me
And I know Not to trust them Just [to suspect them]
And I walk In an perfect dream My mind wanders While others talk to me I call for them [To break through to where,] one day The truth, how it will be, [Will deliver us all]
Watch, watch, I’m calling on what I will know Watch, watch I’m calling on what I will know
END OF SONG
NOTES:
on in french is loosely equivalent to the english one as in “one can’t be too prepared,” though the french use it much more frequently. it generally replaces nous (we) in casual conversation, and can also replace tu (you) or il/elle/ils/elles (he/she/they). so … on can cover almost any pronoun, but melchior’s accusatory tone here makes it clear he’s not using a we sentiment. this is a they situation.
This had some interesting sentence structure which made normally safe assumptions in parsing out unlikely homophones much harder. not sure if this is meant to convey his feeling of intellectual superiority or if some phrases are just positioned strangely because they have to fit the meter of the song. fun fact: english music & poetry tends to favor iambs (pairs of unstressed & stressed syllables) in groups of 5 while french doesn’t really use a stressed/unstressed designation and favors groups of 6 syllables, which is one reason lyrics/verse may be hard to translate from one language into the other.
“will deliver us all.” went back and forth listening to the audio on this one… could also be just a weird pronunciation of “delivered from her [truth’s] tower” but the grammar made slightly less sense so i opted for the other choice.
“ce qu’on sait” is a genius title for melchior’s theme because of what it becomes by the end of the show. i won’t spoil the wordplay, but do keep an eye out in the finale song translation. (i’ll link this post with that one when both are up, so they can reference each other.)
190511 威神V_肖俊_XIAOJUN Weibo update (1, 2, 3, 4, 5, 6)

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John Boyega joins Black Lives Matter protest in London
“Look I don’t know if I’m going to have a career after this but, fuck that.” - John Boyega
“Then this picture which I always thought this painting was sort of like making the movie, you know the pointillist style, which is very very close to it. You don’t have any idea what you’ve made until you step back from it. I used it in this context to see… he’s looking at that little girl which again is, you know, a mother and a child. The closer he looks at the child the less he sees, of course with the style of painting being really…but the more he looks at it there’s nothing there and I think he fears that the more you look at him the less you see there isn’t anything there. That’s him.” – John Hughes Commentary: The Museum Scene, FERRIS BUELLER’S DAY OFF (1986), dir. John Hughes.
“I won’t let them take you away from me Aang”
Monk dad and his Avatar son :( thinking of them…

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oh, to be a cartoon mafia boss with two dimwitted but loveable lackeys who, upon my cleverly insulting the protagonist, will say “nice one, boss,” and the second, in a slightly higher, more snivelly voice, will say “haha, yeeah, nice one boss!”
A journey of a season to a season🚣♂️🐇🍀
To be continued…

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My mind still trying to fathom how Mai and Aang get along
You know when you’re writing something and then you get to these two characters that are very different, but have no reason for conflict and one is very friendly… They almost always end up in some sort of odd friendship, so this didn’t surprise me, weirdly as it may seem. XD
It seems to me that Mai dislikes boredom and insincerity, and Aang is very sincere and fun
I feel like Aang is one of the few people who can get Mai to laugh (and it pisses Sokka off immensely)
Mai’s best friend is TY LEE, the bubbliest character in the show. Of course she’d like Aang.
wait but i love the idea of sokka failing miserably to make mai laugh but then aang just sneezes and goes flying backwards or some shit and she just loses it
Mai also loves Zuko, and Aang is very close with Zuko, so I think she appreciates that.
Also Aang saved her baby brother
It’s all very sweet really
this is exactly how Jet was introduced
And I fell for the bastard anyway