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Vi refuses to choose between the people she loves. She will choose both of them, always. Vi will always choose love. That is who she is.

The reason Vi pounces on Caitlyn in ep 8 is because for the very first time, she CAN choose both. And the reason she crashed out in act 2 is because she tried to choose one over the other but couldn't go through with it. So she had neither.

"I choose wrong every time" is a line that has been replaying in my head and it has BROKEN me. Vi genuinely believes it's her fault she's alone, but can she even be blamed when all she has ever chosen is love? She can't separate herself from it. It's what she lives and breathes for.

Caitlyn is a politician’s daughter. She knows that words are always there to smooth the rough edges of the conflict or to make promises that another age won’t see coming to fruition and, essentially, mean nothing without the action following.

People offer their sympathies and she just doesn’t acknowledge their words, Cait just moves past it and changes the topic or tries to make up a plan to just do something, to fix and salvage.

She shows, not tells.

She doesn’t say a word as she rushes to bring her father in a tight embrace after being on the brink of death and allowing herself to stay like that for a few moments with a person she thought she’d never see again.

She doesn’t say a word as her eyes are slowly drifting lower as if preparing herself to face yet another of her mistakes that she can’t erase. She’s reaching out to gently graze her fingers over an injury and the spot that she hit the person who she loved so much in, sorrow and remorse all over her face.

She doesn’t say a word as she puts every obstacle out of Vi’s way to make sure that nothing would stop her to free Jinx: to free the person who tormented her mind even before she knew her name, to get her out of the cell and out of the punishment Caitlyn was determined to bring on her with all the rage and ferocity of a grieving daughter.

She doesn’t say a word as she gives up her inherited sit in the Council for a Zaunite who she faced in a fight that she barely got out of alive by sheer luck and is there to represent the interests and stand for the rights of the city she poisoned and regarded the residents of with a loss-reinforced contempt and prejudice.

Why would she need to say anything when she shows so much?

Honestly some of the most embarrassing mass failure of media literacy I've ever seen. It's not even complicated stuff, it's basic text comprehension and story fluency.

- No, Caitlyn's "I know!" is not anger at being called out; she's saying she is very, very painfully aware of what she's done wrong. Watch it again.

- No she didn't take the guards away or go to the cell to have sex with Vi. TF?!?

It was Vi who initiated; Caitlyn was surprised she did.

She pulled the guards away to help Vi if/when she chose to do what she knows her well enough to know she probably would. Vi makes her choice - Caitlyn doesn't "let" her, she just supports it, because it's Vi's choice to make.

Vi has no idea she's done this until after, it doesn't affect her "agency" at all. That's not what any of those words mean!

- She did this as a direct acknowledgement of and response to Vi's previous criticisms.

You are supposed to be able to make the very, very minimal leap of imagination required to understand what the show is telling you here; that she is genuinely sorry, genuinely committed to getting her shit together, and that she has heard and received every word that Vi has told her.

The reason this gesture is so important is that it demonstrates she's now going out on a limb to put herself, her resources, and her privilege to work for the greater good.

And the reason Vi reacts the way she does is that she understands all of this immediately.

You should not need the show to sit you down and spell this out to you step by step Barney the Dinosaur style.

- She works very hard and sacrifices quite a lot to try to do right by people after fucking up so badly before, but not before very explicitly acknowledging that she can't undo the harm she's already done. And this isn't even an inference thing, she actually even says this bit out loud twice, and you still somehow missed it.

- For $5, what do you think the show was suggesting by having Sevika take up her seat, her final costume have no Enforcer uniform elements, and having her allude to an ongoing struggle. Come on, guess.

I am loathe to call people stupid just because some tv show stuff sailed over their heads, but... y'all are legitimately testing that. This is not exactly The Holy Mountain or something, it is very straightforward storytelling.

And just... I mean why would you be this loud about anything without making sure you didn't have it ass backways first?!? In public!?!? 💀

Yes, I absolutely agree that season 2 was rushed, especially Act 3, and it is undeniable that the series would have benefited from at least one more episode if not an entire act. However, the current discourse about the show is so superficial that it's impossible to have a conversation about anything deeper but a mere synopsis of the characters and story.

So many of you expected this series to hold your hand and dumb everything down so you can understand it. But when it wasn't the case, you all started rioting and calling the characters vague, the plot bad, and the ships underdeveloped.

The amount of people who value spoken text more than the actions of the characters is worrying. And more worrying than that is the amount of those who interpret the said actions so superficially. I can't believe it needs to be explained that it wasn't Vi's death that led to the "good" timeline, but the lack of hextech. The result would have been the same if either of them had died. It wasn't about Vi, but about the child that died because of dangerous technology and that therefore that technology must not be used. The mischaracterization of Vi in general is insane. Call me biased and unfair, but the moment I hear you don't like her I will assume you didn't understand the show.

Also, the whole discourse around Caitvi scene in episode 8 is giving brainsmooth. No, Vi didn't choose Cait over Jinx, quite the opposite. No, Cait didn't plan all of it to fuck Vi. No, Vi didn't do it because she felt forced or because she is a horny animal who doesn't care about her sister. No, them fucking in a cell is not about the class difference, but about the fact that Vi felt an insane rush of emotions after realizing that Cait would let go of her revenge and help Jinx escape, all for her. Yes, I do agree that it would be nice if we got a longer conversation between Vi and Caitlyn and it would feel great to hear Cait apologize, but I'll always value actions over words. Her talking to Jinx, recognizing that she is just as bad as her, and choosing to trust Vi that her sister can change, thus letting Jinx escape will always mean more than any verbal apology and I'll die on that hill.

Also, it was Jinx's decision to let go and walk away. It was not about Vi trying to get to Vander, but about Jinx being tired of everything. Even if that fight didn't happen, the result would be the same: Jinx would leave because she knows that Vi couldn't do that. She knew that the two of them couldn't have a normal life together and that Vi would never give up on her. Jinx didn't "die" because Vi pushed her or failed her, but because she loved her too much. Whether you believe that she is dead or that she escaped, it's her decision either way.

Again, I agree that too much happened too quickly, but stop confusing your stupidity and inability to read between the lines with the quality of the series.

1. Sasuke misses Sakura.

2. Sasuke loves her eyes.

3. He loves cherry blossoms for their color. It reminds him of his wife.

4. He loves her hair.

5. He loves to touch her.

6. He loves to be touched by her.

7. He is very protective of her.

8. He's proud of her.

9. Her touch calms him down.

10. He admits his mistakes and apologizes.

11. Sakura still gets embarrassed by the little things he does for her.

12. Sakura is still shy around him.

13. Sakura is still left in awe by his beauty.

14. Sasuke's voice calms her down.

15. They are irreplaceable for each other.

“And I don’t think anybody should feel bad if they get diagnosed with a mental illness, ’cause it’s just information about you that helps you to know how to take better care of yourself.

“Being bipolar, there’s nothing wrong with it. Being bipolar is like not knowing how to swim. It might be embarrassing to tell people, and it might be hard to take you certain places. But they have arm floaties. And if you just take your arm floaties, you can go wherever the hell you want.

“And I know some of you are like, ‘But Taylor, what if people judge me for taking arm floaties?’ Well, those people don’t care if you live or die, so maybe who cares? Maybe fuck those people a little. I don’t know.”

A bunch of resolutions for writers and people who want to try writing this year. It's in no way something you must do, these are just ideas how you can set out to improve your writing in the new year.

Try something new

Try to write something you have never written before.

Write something silly, write something serious, write in a different genre, try to write characters that you haven't explored yet.

Write consistently

Writing consistently will not only give you exercise to become a better writer, it can also keep your voice as a writer consistent.

If you have a first draft, write it down quickly and without big breaks inbetween.

Don't wait for inspiration

Waiting for inspiration to come can take forever. So don't wait for inspiration: search for it.

Make writing into a habit that comes natural to you every day, look up writing prompts, read a book you like, get yourself into the mood to write and do it!

Do your research

As a writer, you need to know about a lot of different things.

You can do research by reading books, listening to podcasts, watching movies, talking to other people, etc.

Take this year to learn something new and then tell your reader all about it.

Edit that draft

We all have that one story we wrote a while ago and then stopped at the first draft.

Take it and reread it and then rewrite it. You have a new perspective on it now and maybe this will be the year you turn your idea into a book.

Set yourself a goal

This explicitly doesn't have to be a goal about how many words or pages you write.

Your goal can be to finish something, to edit something, to write a few sentences every day, to share more of your writing or to publish something.

Don't compare

Try not to compare your writing with that of someone else.

Writing is about finding your own voice and telling a story that only you can tell. Also: other people's accomplishes don't diminish your own!

Write!

Whatever the outcome of your writing may be and whatever you want to do with it, if you want to publish it, if you want to share it with friends, or if you want to keep it to yourself: just start writing!

Do what you love to do.

To all my lovely writers, I wish you a great year, may everything work out in your favour!

but the dark feminine energy is about embracing the forbidden and not giving a fuck about being ‘good’ in the eyes of others.

it’s embracing your naked body. it’s indulging in your pleasures without guilt. its speaking your mind with boldness. it’s trusting and following your gut, even when others may think you’re dumb. it’s saying no. it’s setting clear boundaries. it’s protecting your energy from manipulation and harm.

the dark feminine energy is a force that is cunning, unpredictable, wild, magnetic, intuitive, pleasure seeking and limitless. it is both a creator and a destroyer. it is god.