we are t-12 hours from crashing and burning
so. that's happening??
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@ghostofasecretary
we are t-12 hours from crashing and burning
so. that's happening??

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witch hat atelier’s handling of gay representation is arguably just as funny as it is painful because straight out the gate shirahama throws two unmarried men cohabitating and raising multiple children together at you in that special manga way where you can kind of just assume that they’re not officially together purely because it’s not legal in japan. but then in like chapter 50 she introduces two side characters who stare directly into the camera and tell you that gay marriage is legal in zozah so you’re forced to spend the next entire 30-chapter arc wondering what the HELL qifrey’s problem is. and well. then she tells you
i would like to formally apologize to the many many people this post has apparently convinced to read wha. i did try to warn you
hobbservations
greatest qualities as a writer are her dedication to violence and her understanding of the family as an institution in which love and duty are used as principal organizational tools along with money, power, and violence
most underappreciatedly demented worldbuilding detail is Burrich having seven children with Molly. In a universe where herbo-magical abortifacients are commonly known and children seem to have a vaccinated-modern level of serious illnesses? On their burgeoning homestead/horse breeding business? Amidst a raft of female characters who deal with infertility? I know she thinks this is a happy ending detail but it is truly the most romantic and worst side of her thoughts on the family. Seven!
otoh every time Fitz acquires another foster child/mentee/impressionable youth I do laugh evilly. Making him stop adventuring every three pages because someone needs help with girl problems or has gotten sick and needs broth spooned into them is a far more compelling vision of parenting than poor Molly, stuck somewhere on a farm, endlessly pregnant
I was surprised at how interesting the political stuff in liveship traders is. The merchant economy of Bingtown feels so complex compared to the feudal Six Duchies. The Old Blood vs Piebald storyline is a lot weaker in comparison, I think it has the weaknesses of the Bingtown slavery arc with fewer of the strengths.
There are two really obvious omissions in her depiction of slavery in Liveship Traders imo: One, totally skips any portrayal of racism and racialization. I can easily imagine that she might not have the range to depict this well, and settling for a colorblind world might have been in some sense the better part of valor. (Looking at the lynching storyline against the Old Blood in Tawny Man, I definitely don't think her writing of social stigma and persecution there is all that strong.) But she renders the social dynamics of slavery and its differences across Chalcedean, Jamaillean, Bingtowner, and pirate society in such fine detail that her squeamishness about racism is really glaring. Two, she has a deep distrust of collective struggle. Kennit is an amazing and often very funny character but between him and Sa'Adar she has two characters who lead anti-slavery rebellions and they're both lying, grasping opportunists who take advantage of others' hatred of slavery to build their own power. The most admirable leader in her stories is usually the one who has been a boss for a long time, with well-worn expertise and a tough but fair managerial style, like Burrich the stablemaster, or Captain Vestrit on the Vivacia; there's not much psychic room in her world for new leaders or new organizations. By the end of the Liveship Traders story she does start to gesture towards the formerly enslaved population and the working-class strata of Bingtown as having their own political formations separate from the Trader bourgeois but it felt pretty awkward since she handwaves away most of the internal struggle that would accompany such a political reordering. I don't know, I criticize this aspect of her writing but I do think it also shows some of her strengths, that even though I don't think of her as a writer who's primarily interested in "politics," she is able to represent social conflicts emerging between social strata that are stable enough to have opposing interests, yet fluid enough to have members with diverse opinions and fluctuating positions ... like the point at which I trail off and say "well that seems kind of silly" is multiple notches farther up the complexity scale than average for fantasy novels written by white liberal us authors.
i find her to be a good enough and charming enough writer that her areas of total lapse of interest are really endearing. Like, the woman does not live in outfit world. If a character is looking nice they are probably wearing blue or hunter green. Are they looking a bit silly? Yellow outfit: silly color. And the names are just terrible. Bingtown? Grag, from Bingtown?
cannot help but ponder how many real life gay people Hobb has harmed via agonizing pseudoplatonic situationship, it's clearly not zero
God forbid you ask a pharmacy to fill a prescription
lol the “children should and must be the private property of their parents so that their parents can protect them from sexual abuse” takes have hit my post
so true bestie, in fact you can learn all about parents protecting their kids from sexual abuse by searching "child abuse parents statistics" :)

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L'Art et la mode, no. 33, vol. 31, 13 août 1910, Paris. Robe de soie “bleu ancien” et mousseline de soie. Broderie de petites perles différents tons. Broderies et passementeries de Coiquil et Minet, 17, Rue Monsigny. Imp. d'art L. Lafontaine, Paris. Bibliothèque nationale de France
The Dorestad Brooch, uncovered by archaeologists in Wijk bij Duurstede, The Netherlands, in 1969. Dated 775-800 AD
Gold Brooch decorated with enamel, glass, almandine, and pearls
from The Rijksmuseum van Oudheden
for the lovely lovely deafies out there who want to get involved in direct action you absolutely 100% cannot ever bring a hearing aid or cochlear implant with bluetooth to any direct action. bluetooth devices all carry a unique signal that can be used to identify you if it's picked up at a direct action. go with a [more] hearing buddy and communicate in sign language. if you don't mutually know a sign language then come up with gestures. do not risk your freedom because you want to have your hearing aid/cochlear implant at the action. it's not worth it.
flock cameras are also now tracking bluetooth device signatures when you pass them. if you drive past a flock camera with your bluetooth-enabled hearing aid or cochlear implant, the flock camera knows you passed through
Wait I just realized this is gonna apply to all cgms and most if not all insulin pumps. They’re all Bluetooth devices, it’s essential to how they work
I did not think it possible, but I have just developed even more hatred, derision, and contempt for the perpetual surveillance state.
This kind of shit is why my writing is about disability AND surveillance. This is the newest way disability is being used to surveil and target people, but the trend has been around for a lot longer than any of us.
Wait actually can someone source this for me? I’ve got a presentation coming up that I would really like to include this in.
it's called SignalTrace
404 media has a paywalled article about it
Le Petit écho de la mode, no. 33, vol. 27, 13 août 1905, Paris. Toilette de promenade. Ville de Paris / Bibliothèque Forney
La Mode illustrée, no. 33, 13 août 1905, Paris. Toilette d'après-midi. Modèle de Mme Blanche Limousin, rue La Fayette, 105. Ville de Paris / Bibliothèque Forney
Description de la gravure coloriée:

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i guess the sum of my last post is like. most things in life do not have an answer key and most of the things that do are a) literal homework or b) the worst form of bureaucracy. and i resent the artificial compression of human acts into an easily graded form, and i super mega double ultra resent being told that instead of *being a human who takes actions* i can just copy down the easily graded form and call it my own work.
and i'm being stubborn as fuck about it!!
for once in my life it feels like motivation is a relevant stat?
like. factors impacting work
- motivation (desire for grades/approval, desire for relationship with instructor, inherent interest in the work, fear of punishment/loss)
- wellbeing (am i fed and clean and rested; am i generally happy and physically well or in upsetting or painful circumstances; am i socially connected or isolated; do i have choices)
- capability (difficulty of the task vs. reward of task; does it feel like the task is helping me grow and learn new skills; do i feel up to the challenge if i do not currently have the skills) (very easy things often get put off by virtue of ~too~ easy) (annoying things often feel a) unhelpful and b) difficult)
- routine/schedule pressure (are there clear deadlines; do i have scaffolding; is this my only task (derogatory) or only task (positive, a relief); am i balancing tasks (yay, productivity!) or being overwhelmed by them; do i have other people who care about me getting it done)
- i feel like there is something about "novelty/independence"? like. i am Bad at typing up notes even if i really care about the project and think it's an essential path, because it's retreading old ground for 20 minutes to an hour. i am *great* at writing papers because each paper is something New and Fresh and Exciting. i am creating something from nothing! i am the ultimate master of its final form!! my voice IS the world!!!
...i do not like word counts or detailed rubrics or "this is what your outline Must Be" or grant applications divided into formulaic sections
i *do* like following CMOS because that's a fun little details game
- anxiety management? i don't often do things that are Big Scary until i convince myself they're fine. god knows *why* some things are so Big Scary but my guess is usually something tied to my ego, where success feels like Who I Am, means failure also feels like Who I Am. (and stepping away from that identity-driven approach *can* be really helpful but also. if i'm not A Person Who Does Things why would i go to all the hard work of doing things??)
"do i care about it" is NOT the only question, if my sleep schedule is fucked and it's boring it's not happening. if i'm sleeping fine and i have friends but no one knows when it's due and no one cares but me: probably not happening!!
so. currently i am, in fact, like. Deeply Fucked?
let's review
- multiple people i respect have said "this teacher doesn't seem great," i'm not sure my grade matters/if anyone will know about it but me, and the work feels so formulaic and pointless even the stuff that nominally is interesting Isn't
- i'm a mess
- all of the work is TEDIOUS.
it's all "here is exactly what to write, in exactly the right answer, and there is a definite right or wrong, and it's not about the underlying principles or thinking. it's just The Grind."
some of the work is both tedious and difficult, and the difficulty *should* suggest that it's beyond my skill level and thus an opportunity to grow, but
a lot of the difficulty is also "hey. type 500 things till your hands hurt"?? which is just not fun??
- there is A Final Deadline that is clear. i have the normal amount of scaffolding, probably
- IT'S SO BORING AND WHAT I DO DOES NOT MATTER. "IT ONLY MATTERS THAT IT'S DONE" = OK??? SO IT'S WORTHLESS?? the process counts for nothing??? it's better to use the answer key so she can give me a grade than to do the exercises and that's been clear from basically week 2?????
assign me things that matter!!!!
if the process matters and the tedium doesn't find a way to measure the process!! if the work is just to practice make it optional and give me other ways to show my practice!!
i am just one guy with one short life and i do not want to waste it copying out work someone else has already done for me so we can all smile and pretend i've learned something.
and EVEN THE RESEARCH PARTS are "include these 8 points labelled as such. do not rearrange. pick a passage of so many words, not longer." and like. !????
i would literally like this rubric SO MUCH MORE if it were just "make sure you include all these things." i can include things! i love including things!
but i would make it real. i would actually write a paper including the things.
and it's just NOT WORTH IT to WRITE A PAPER and then TURN IT INTO A RUBIC-BASED BULLSHIT ASSIGNMENT ANYWAYS!!!
i hate this and will turn into a dragon and eat the rubrics!!!!
...i used to feel this way about outlining and now i love outlining. outlining is great! it's so useful!!
i already KNOW how to write a summary and how to ask questions and how to translate and how to identify when a paragraph is difficult for me personally, oh my fucking god, this is NOT a generalizable skill
so
1. don't care about the teacher and care less than i want to about the grade or the waste of money
2. am tired
3. doing the work is hateful to me and feels like a pointless waste of time beneficial literally only for proclaiming me a Good Student and not at all for like. actually being a good student, i.e. a person who learns things via the class and is pleasant to other people during it
well. not doing homework is unpleasant for the teacher who doesn't want to give you a bad grade.
see point 1.
if i don't do things i will fail (see 1). i don't actually want to fail but it's REALLY hard not to (see 2, 3).
what's actually useful?
- the vocab list
- arguably the 2 research projects you've started
- at a *stretch* the 3rd one that you have barely started, it kind of ties into your general interest in academic systems
the teacher has also said, in addition to the answer key thing, that we can just do what's useful to us from all the tedious makework things.
which. sure. fine.
djifkdkdkfkkfcjcn
sometimes i'm like. "okay. i personally hate this and feel it is equivalent to peeling my skin off with violence, but this thing i hate IS really useful to people who aren't me, and maybe most people won't practice on their own (don't think i believe this but it's the argument), and maybe, MAYBE, even if i do fake work in a fake way it will benefit me"
i want to do real work in a real way!!! i want to care!!!! i would genuinely *develop my own practice sets* and find a way to grade them if that were an option. it would be pressure in a potentially anxiety-inducing way but it *could* be really good and meaningful and i could tie in what i'm learning on my own and and and anyways
right
not the time for fantasy land or post-mortem. it's just time for mortem
ok. clothes, food, vocab list
guy who plays albums on mute, it was never really about sound for him as much as feeling a sense of progression through a series of named durations
Tarragona (Catalonia - Spain)
James Abbott McNeill Whistler, Nocturne in Black and Gold- The Falling Rocket, 1875. Oil on panel, 60.3 x 46.4 cm (23.7 x 18.2 in). Detroit Institute of Arts, Detroit. Gift of Dexter M. Ferry, Jr.

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what are some of your favorite writings on romance? i read the tsitp one you'd linked in one sitting and was absolutely hooked
yayyy i'm so glad you liked it. sincerity & melodrama forever. my recs below hope you enjoy !!!
ok first of all i would like to recommend my mutual sexcromancy's AHU (ali hazelwood universe) tag that explores romance conventions and the sociopolitical implications of their execution across. well. the ali hazelwood universe ! & also the publishing industry . & classics . and the mainstream reception of & views on romance . really fun & comprehensive a cornerstone of my enjoyment in hetromance so far
i really liked this essay on how white fear killed the romantic comedy bc it talks abt how racism is kind of foundational to popular romance in a way that's (as edward said has called it) "productive" to its reactionary sentiments & of course purposefully limiting from a feminist & antiracist perspective. discussions of race in romance are so interesting to me it's why i enjoy rgu & heated rivalry so much -- even if the text itself only hints at the race relations driving the frictions between the characters, the way they are baked into the very premise of the story allows for enriching readings for the reader/viewer
speaking of racialization in romance i have to recommend edward said's essay on mansfield park which may not be directly abt romance but given austen's position in the landscape is an essential read nonetheless, imo.
also this essay on the racist overtones of the bodice ripper felt like a breath of fresh air for how it charts the implications of such a popular & problematic romance trope (all romance tropes are problematic in the sense that there are problems posed & problems solved.......racialization is foundational to the way these problems are posed and solved. helen from pluribus voice make raban the love interest sexy & alluring ! give him dreads ! like. it's inescapable)
of course you can't talk abt western hetromance without talking about sex & the city. i forgot how funny andrea long chu is but this essay reminded me
It's a strength of the show, then, that it never wastes any of its runtime trying to persuade us that men are desirable, either individually or as a class. The men on this show are not expected to talk, and certainly not to make conversation. They are whisked through montages, like politicians into SUVs, the music and narration huddling around them protectively. Mercifully, we are never put through the agony of having to go on a fully realized date with any of them. They are not people; they are examples. Their job is simply to be there.
like lol.....exactly
this essay is kind of just propaganda for the book games, yes. (which i have not read (yet?)) but it also crystallizes a specific approach to hetromance (dialectics.......) that i love to ponder
i know you asked for readings but i love bazazilio's video essays on the romance genre particularly this one abt dark romance & this one abt passivity in romance protagonists. recommending these bc not only are they rlly interesting they also serve as a jumping off point--nearly everything she cites warrants further exploration. my kind of media rabbit hole
romance is predictable. we love romance for being predictable
i have not talked abt gay romance yet & that is bc my reading is lacking in that regard.......but this article abt lesbianism in shoujo i really loved
book recs:
the promise of happiness. yes i keep proselytizing bc it's that good & also has a chapter on romance if you wld just like to stick to that
sexuality beyond consent: risk, race & traumatophilia. i've been meaning to read this foreverrr the excerpts so far have blown me away
territory of desire: representing the valley of kashmir. for the relationship between romance fiction & colonialism (watch haider)
playing in the dark for the way it talks abt the role Blackness plays in conceptualization of the Other in the american literary imagination -- very relevant to a literary tool as widespread as the romantic framework used often as a microcosm of larger social/political dynamics
i could go on but that's enough for now i think. happy reading ^_^
Also it is a skill issue to think that thinking abt sexual frisson or romance between characters has nothing to contribute in terms of thinking abt the underlying structures of a world, when so much of the "western canon" (and tbh, many other "canons") all come with some kind of romantic or sexual engagements packed into them, whether at the overt level or at a subtextual level. Tho I suppose this is also the product of thinking any interest in sexuality by definition means yr thinking purely in terms of a positive romantic outcome within a framework in which sex = romantic love = happy coupledom, rather than being interested in asking what happens in sex enters the picture between two characters - sort of mindset that can't also grapple w the notion that some ppl might be thinking abt sex in terms of the nonconsensual or transactional or calculative or duty or social norms or deliberate transgressions i.e. the many different ways in which sex becomes a terrain for various social forces to unfurl. Which, yet again, is a skill issue, but one a lot of people are patently uninterested in developing. To my eternal sadness.