The Players - Pascal Vinardel , 2020.
French  b. 1951 -
Oil on canvas, Â 100 x 132 cm.

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@ghostofasecretary
The Players - Pascal Vinardel , 2020.
French  b. 1951 -
Oil on canvas, Â 100 x 132 cm.

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I would like to say as an editor that when I edit someone's work I am not thinking, "WOW what an idiot this person is, can't construct a sentence to save their life!!"
What I am thinking is, "does this mean what the author intends it to mean, and if not, how can we adjust it so it does?" and also usually, "wow I'm so glad I get to read this, what a privilege it is to help people say exactly what they mean to say."
I think a lot of people get frightened by the prospect of editing and I won't pretend there aren't some editors who come at the task with a suboptimal attitude but a good editor just wants to help. They want the piece to mean exactly what you intended it to mean when they're done. They do not, if they are worth their asking rate, want to scold you for being a bad writer. They do want to make you a better one. It is a helping profession.
i hope you all think of me not just as your friend but as your mutual who likes your personal post like way too soon after you posted it
oh hereâs the original fitzy y mama sketch because the poor woman kind of got nerfed by my insane color choices and is now an indistinct blob of memory #iamsorry
farseer is just an exercise in finding fun new ways to have your bodily autonomy violated by đĽšâ¤ď¸uncleâ¤ď¸verityâ¤ď¸đ

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chivalryâs shadow.
C.P. Cavafy, trans. Rae Dalven.
"TWO WOMEN IN LOVE" JOHN GUTMANN // 1937 [gelatin silver print | 19.6 Ă 19.7 cm.]
Ohhh, I get it: the art of drawing and painting is the art of skillfully reducing your perceptions of a three-dimensional form to a cluster of shapes, lines, and colors thatâin the representative traditionâbuild up as convincing an illusion as possible that the viewer of the artwork is seeing the object portrayed, or a âgood likenessâ of it. But the marks themselves are arbitrary, and the process of learning to make convincing ones is in part learning how not to see whatever is in front of you as a face, an apple, a cat, but instead to see funny-shaped areas of light and dark that, when committed to a flat surface, recreate the contours of the thing. Itâs like literary translation in a way.
I shall take an example of a ĎÎĎνΡ more congenial to myself: learning a language. If I am learning, for instance, Russian, I am confronted by an authoritative structure which commands my respect. The task is difficult and the goal is distant and perhaps never entirely attainable. My work is a progressive revelation of something which exists independently of me. Attention is rewarded by a knowledge of reality. Love of Russian leads me away from myself towards something alien to me, something which my con-sciousness cannot take over, swallow up, deny or make unreal. The honesty and humility required of the studentânot to pretend to know what one does not knowâis the preparation for the honesty and humility of the scholar who does not even feel tempted to suppress the fact which damns his theory.
from The Sovereignty of Good, Iris Murdoch

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âThere are a number of words used in âHowlâ that are presently considered coarse and vulgar in some circles of the community; in other circles such words are in everyday use. It would be unrealistic to deny these facts. The author of âHowlâ has used those words because he believed that his portrayal required them as being in character. The People state that it is not necessary to use such words and that others would be more palatable to good taste. The answer is that life is not encased in one formula whereby everyone acts the same or conforms to a particular pattern. No two persons think alike; we were all made from the same mold but in different patterns. Would there be any freedom of press or speech if one must reduce his vocabulary to vapid innocuous euphemism? An author should be real in treating his subject and be allowed to express his thoughts and ideas in his own words.â
- Excerpt of Judge Clayton W. Hornâs decision in People v. Ferlinghetti, the obscenity trial regarding Allen Ginsbergâs âHowlâ. Emphasis mine.
t shirt that just says WHATEVER YOUâRE READING INTO MY FACIAL EXPRESSIONS AND BODY LANGUAGE YOUâRE MISINTERPRETING
10/07/2026 ⢠jumps on the bandwagon. so weâre doing double dactyls now i guess
Cherry blossom
âż Print shop: INPRNT

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Art forgery imo is a sort of carnivalesque of the art market, an essential part of the ecosystem of art is that whenever art becomes valuable there will be people who can fake that art and bring its value into question. The art forger is a performance artist in the mode of the court jester
On a more productive note, since Sold A Story came out there have been campaigns in at least 40 US states to establish science-based literacy curricula
Stanford Professor Rebecca Silverman discusses a transformative movement backed by research that is changing literacy instruction in schools
The Reading League, a nonprofit dedicated to the project of science-based literacy education, has chapters in 46 states and have collected materials on reading-education science here:
Find science of reading resources, recommended books, and professional development videos to build your professional knowledge.