(nods sagely) (nods basily) (nods rosemarily) (nods saltly) (nods star anisely)
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(nods sagely) (nods basily) (nods rosemarily) (nods saltly) (nods star anisely)

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Bear religion probably fucking rocks. You're a fucking bear, you're the deadliest thing on earth, once a year an endless supply of salmon just flings itself up the river to gorge on and then you nap for 3 months.
The most delicious food in the world is protected by tiny demons who can defend it from everyone except you. Your natural armor is thick enough that you can just eat the damn hive while they buzz around you. God's chosen animals right there
Regular bears tell stories of angel bears sent by the Bear God, pure white and twice as strong as any normal bear could be, who rule the summit of the Earth and kill all who stand in their path.
And they are right, those bears exist and totally do that. Humans just have fake angels as a cope.
love the idea of bears being the chosen species actually. having a near death experience and glimpsing heaven and realising it's just full of bears, no humans at all, humans not ensouled actually, humans an accidental byproduct of God's plan for bears
"Shimmering night" by Inaslind.
Luke & Lorelai in GILMORE GIRLS 1.14 | That Damn Donna Reed
fairy flowers - plants associated with fairy folklore ✨

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flowers of fortune and fate ✨ these are plants used in fortune and fate predictions, games and rhymes.
do u think i can go for a run today or is that something only normal people are allowed to do
weird animals run all the time dude
im going to go for a scamper and scare everyone
Consider this (based on a conversation I had with some friends a while ago): Pride and Prejudice and Zombies for people who actually like Pride and Prejudice. Look–I tried to read Pride and Prejudice and Zombies and I got about 20 pages in before I came to the conclusion that the person who wrote it did so out of the belief that the original Pride and Prejudice was stuffy and boring. There were out of character vulgar puns. And the trailer for the movie did not convince me that I had missed anything by cutting short my reading experience. So, what I’m talking about here is this premise: the world of Pride and Prejudice, but if you die, it’s highly likely, almost certain that your corpse will get up and try to eat people. But no one dies in Pride and Prejudice, you might say. In fact, few or no people die in any Jane Austen novel. This is true. But people do get sick with some regularity. Imagine the tension added to Jane getting sick after going to visit Bingley if there was the chance that she would become a zombie after she died. Becoming a zombie in an eligible bachelor’s house probably would have seriously wrecked any chances of any of the living sisters ending up with him. Imagine Mr. Collins, as a minister, having the duty upon someone’s death of severing their head with a ceremonial plate or something that would prevent the corpse from rising. Obviously important, but this only makes him more self-important and obnoxious. And dangerous. For you see, in this version, Mr. Bennett, who stays in his office all the time, whose life is the only thing allowing Mrs. Bennett and her daughters to stay in the house–Mr. Bennett is definitely a zombie. He died at home, and Mrs. Bennett decided that, no way were they dealing with this, and so…just started faking it. Jane and Elizabeth know. The younger sisters don’t. In this universe, I think we have to go with zombies that are not any faster or stronger than the humans they were, and in fact tend to get weaker as time passes because their flesh is rotting. And…hmm, okay, how about they are pretty violent upon rising, and for about a week afterward, trying to bite people and spread the infection (even though most people are carriers anyway, but getting a nasty bite from a corpse will give you other stuff that will have you die while carrying the virus). But then they calm down and basically just start sort of attempting to act like they did in life, that is, taking habitual actions with no consciousness, in a depressing and desiccated way. So Mr. Bennett is a zombie, and Mrs. Bennett’s number one goal is to get her daughters married before anyone finds that out. And this, actually, makes Elizabeth’s refusal of Mr. Collins more frustrating for Mrs. Bennett–obviously Mr. Bennett didn’t tell Elizabeth that she could refuse Mr. Collins, because Mr. Bennett is dead, but Mrs. Bennett can’t say anything or the game would be up. Another question in this version–does Mr. Darcy find out about Mr. Bennett being a zombie somehow? Does Elizabeth find out that he knows and didn’t say anything and this is something that helps repair his earlier actions? Anyway, this is the Pride and Prejudice and Zombies that I was looking for.
Okay also: in the original, when Elizabeth walks through the rain all the way to bingley’s to care for Jane while she’s sick, it’s a very dramatic expression of both Elizabeth’s love for her sister and her penchant for flamboyant rebellion, but consider, if there is a chance Jane will wake up a zombie and Elizabeth knows it, how does that change the dynamic? Elizabeth might be going to help take care of Jane, or to *take care* of Jane should things take a more morbid turn…by killing her zombie sister.
This works especially well if zombieism is communicable prior to death; if mr. Bennett is a zombie and only the elder Bennetts know, that means Jane has been pre-exposed and is almost certain to wake up as a zombie should she die in the Bingleys’ care— which the Bingleys do not know. Elizabeth has to forge through the rain to be there in case things get ugly, because she knows that the Bingleys aren’t prepared.
And I think you pretty much HAVE to make Mr. Bennett’s zombie status play a role in how and why Darcy separates Bingley from Jane—the heavy implication behind Darcy’s line about the want of propriety shown even by her father hits Elizabeth like a ton of bricks as she realizes he knows—he knows, and he thought Jane lying to Bingley about it was evidence that Jane didn’t love Bingley—but—but Darcy must not have told Bingley that part of it. Bingley couldn’t keep a secret on his life; if he knew, his sister would know, and word would already be out and they’d have been ruined by now—
And of course, not only does the fact that Darcy, who owes their family nothing, has kept and continues to keep this secret for them even after Elizabeth’s refusal deepen the gratitude she begins to feel for him after the letter of explanation, but it also liberates Elizabeth to fall in love with him. Because Elizabeth-who-wants-to-marry-for-love would never be happy marrying someone who didn’t know the family secret in advance. She had resigned herself to spinsterhood because she couldn’t be satisfied with having to hoodwink someone to have their hand, but also couldn’t put her family at risk by trusting someone who wasn’t bound to them by more than an engagement. (Maybe she was even tempted to confide in Wickham at one point, and hasn’t Darcy’s letter proven she was absolutely right not to yield to that passing thought.) But Darcy figured it out himself, and he’s kept her trust, and she could fall in love with him without guilt—if she hadn’t already turned him down.
AND THEN LYDIA HAPPENS. And Darcy realizes immediately that Mr. Bennett can’t do anything to recover her—and if Mr. Bennett doesn’t do anything about Lydia, Mr. Collins might become suspicious, or even just officously involve himself, so find out the while thing. When Darcy blames himself for not revealing Wickham’s character, it’s with a much more immediate sense of urgency. It’s not that the other sisters’ marriage prospects being ruined may impoverish them down the road—it might immediately drag them all into destitution. That’s why he rushes off to go look for Lydia himself.
the enemy drank water today. did you?
i drank water three days ago. im several steps ahead of the enemy. this is what it takes to win
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somewhere in angeles national forest
Rory & Lorelai in GILMORE GIRLS 4.22 | Raincoats & Recipes
JENNIFER'S BODY (2009)
Criss Canning (Australian, 1947), Gum Blossom, 1995. Oil on canvas, 76.5 x 71 cm.

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a special delivery, mostly intact 💌
Elena Wuest (German, b. 1977) ‘Beyond’, 2025 Oil on canvas, 80 x 60cm
Thank you so much @pocketfullofpoesies! 🩷