You do not have to be good. You do not have to walk on your knees / for a hundred miles through the desert, repenting. You only have to let the soft animal of your body love what it loves.
— mary oliver, wild geese. —
independent 𝐫𝐨𝐬𝐚𝐫𝐢𝐚 from 𝐠𝐞𝐧𝐬𝐡𝐢𝐧 𝐢𝐦𝐩𝐚𝐜𝐭 & other muses.
plot-centric, crossover friendly. written by jan ( she / they ), 30+.
✧ 𝐫𝐮𝐥𝐞𝐬. ✧ 𝐦𝐮𝐬𝐞𝐬. ✧ 𝐜𝐚𝐫𝐫𝐝. ✧ 𝐰𝐢𝐬𝐡𝐥𝐢𝐬𝐭.
𝐫𝐚𝐧𝐝𝐨𝐦 𝐚𝐜𝐭𝐢𝐯𝐢𝐭𝐲. 𝐡𝐞𝐫𝐞 𝐰𝐡𝐞𝐧 𝐢'𝐦 𝐡𝐞𝐫𝐞.
DISCLAIMER.
i do not own any of the muses listed.
i'm old, i only have energy and interest for plot-based dynamics.
MULTIVERSE, MULTISHIP.
every interaction with an individual muse is a standalone verse unless otherwise specified.
EXCEPTION.
single ship: my own xingqiu x xiao.
RATED CONTENT.
i won’t interact with underaged parties. all rated content will be tagged.
FOLLOW BACK.
if you don't have any writing on your blog, i won't follow back. if i think our writing style doesn't work together, i won't follow back. if you don't tag triggers or nsfw, i won't follow back. if you use triple-space or too much formatting, i might not follow back. if you don't have your alias on your blog, i won't follow back.
INTERACTION.
i won't interact with you if you only want to write with my male muses.
PLOTTING.
i prefer plotting & world building. i reserve the right to turn down invitations.
REPLYING.
take your time, life always comes first.
DROPPING.
dropping is cool with me, best with notice.
SHIPPING.
if chemistry is present, no guarantees. i will not write smut for smut.
STYLE.
minimal formatting. i prefer single spacing. mini paras & novella are my go-tos. i don’t use icons & don’t do one liners.
FOLLOWING.
i keep my following count low and my dash minimal so i won’t follow everyone back; that does not mean i will not write with you.
it is okay to unfollow for whatever reason. unfollowing doesn’t mean we’re not friends anymore. this goes both ways.
UNFOLLOWING.
i will unfollow if you ignore my first starter / first attempt to interact for a month. no explanation needed, i'll move on.
if after initial interaction, i find that our energies / writing styles do not match, and the feeling doesn't change in a month, i will unfollow.
MESSAGING.
mainly through tumblr inbox and dms. discord may be given to mutuals after i get to know you better.
EXCLUSIVES.
happens organically when i have developed way too specific stories with a certain canon muse.
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Their definitions of meanness differed-- a contronym, similar to the way left means two different things that exist on contrasting ends. One being left behind and the other actively abandoning. Will resigns himself to the best and worst of himself when it comes to her, that rendition of his viciousness manifesting often. Sometimes he is exceptionally cruel, and other times he barricades his bitterness from seeping too deep between them. Malevolence comprises him being unfair as well.
She doesn't look pathetic. Perhaps irresponsible and something vastly misunderstood, Will wanted to renounce their boundaries and pluck away at everything she hid from him. He wanted to know her as thoroughly and intimately as possible, untangling the knot from string and letting the truth fall loose. It was a singular fixation, unfortunately. She found herself at the epicenter of Will’s awareness.
Rosaria was certainly far more forgiving in her version of Will. He, on the other hand, knew better. His mask was soldered to his bone, unable to be removed without doing substantial damage and exposing all the vulnerable organs.
"Whatever you like." His tone quieted, inexorably frustrated with himself for caving after a few seconds of toying with the thought. Her, in his their home, readily tolerating his care. Will was bitterly translucent at times if one knew where to examine. His mask didn't hold up to the scrutiny. "You'll have to abide by the doctor's restrictions."
whether or not she can feel entirely safe with him is still unclear; but even if she fails, it might not be his fault. with her psyche crushed to smithereens even before she could comprehend the damage, her safety has been defined by impenetrable armor and unknowable secrets; for all that she knows, transparency only ever invites harm. besides, sharing doesn't come easy for a loner who mostly talks in her own head.
regardless, she will not focus on what she lacks, be it the quality to be human, or in this moment, the lack of choice. her only option sits next to him, offering to move her from the confines of a ward to the confines of his — at least she will eat well.
“ i guess i will have to. ”
she accepts the milkshake, whether approved by the doctor or not. her playfulness is absent under the effect of medication, and so is her fight; by the end of her milkshake, gone is her last shred of patience, and she keeps glancing at the door, waiting for her doctor to come by and discharge her — much like a caged animal. every now and then, she looks at will too. if he weren't here, she might've simply broken her way out.
when the doctor finally shows up, she bites down her urge to speak — she doesn't want to say anything wrong and be punished with another day or three in the hospital — but the irritation is painfully obvious on her face.
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❝ you have the worst appetite in the universe because you keep eating air all day , and then eating butter potato chip-flavored air when it's too late for your wakened body to process anything worth a darn before you get in bed . ❞ yes , he's taking a jab at the lays . he will always take a jab at the lays , just because he doesn't like the texture . they're so smooth -- chips should not be that smooth . just the thought of it makes his entire expression scrunch up like he's just eaten one himself .
the meals are easy to prepare . he lets the oven heat up while he takes them out of the box and pokes little slits into the plastic covering . ❝ do sharks scream ? ❞ he asks that , pauses for a moment , and realizes , a second later , that she might be talking about humans screaming . a very reasonable assumption to make when she's making mutant two-headed jaws : sharksharknado . ❝ never mind . yes , i can make the shark noises . and the screams . ❞ he's still wondering what sharks sound like . will they roar ? can mutant sharks technically roar ? does it even matter since they're not real sharks ? maybe one of the heads has vocal chords to do all the roaring .
❝ okay . can you turn the movie on while i wait for the oven ? ❞ while she does that , he triple checks to make sure he's got the oven preheated to the right temperature . he only has to check he's set the timer right twice once he places it in there . and ... start .
he makes his way to the living room . grabs the quilt off the top of the armchair , and comes right over to plop down beside rosaria , scarred arm pressed against . ❝ forty-five minutes . ❞
his vendetta against lays makes her giggle; such a silly man at such a silly age. his complaint against her irregular eating habits, however, is accepted without pushback. she has been better with meals, now that he is in her life for good, only derailed when she hits specific manic episodes.
for every ten movies they watch, one or two will manage to capture ryland grace's attention; even then, he is prone to distractions, especially one named after her. still, her passion leans towards obsession, which is why she had developed a habit of offering him the privilege to her personal narration to the few movies she finds important.
“ this movie is kinda yuck. ” it needs to be studied, how casually his vocabulary bleeds into hers, replacing pointed, sharp syllables with softer, cuter sounds. “ but i'm sure you won't be fazed. you have a talent in closing your eyes when it gets exciting. ”
once he settles next to her, she clutches onto his arm naturally, running fingers over his scars for routine inspection; they don't ooze but often flare in fever and redness. she reaches for her ice cream cup and runs its side over the hypertrophic ridges, then hands him another, not at all considering how he is supposed to eat with only one free hand.
five minutes in, together (2025) already tells you what will happen: like the dogs, the protagonists are going to drink from the underground pond; like the dogs, they are going to fuse into one. while whether love demands absolute unity or not seems to be the theme, it is nonetheless a stimulating film with plenty of body horror; however, it won't reveal the linkage between shark wedding and surgery until the eighty-minute mark, which means a handful of nauseating scenes.
as predicted, grace is half asleep on her shoulder when they hit the forty-four minute mark. they have finished their ice cream cups, swapping flavours half way through, now both reclined at a lazy angle. the oven's timer goes off in the kitchen, and rosaria only locks her arms around him in response.
“ wait, let's finish this scene first. it's disgusting. ”
love is something that happens to other people, like winning the lottery. accepting this as gospel, naturally, rosaria never looks for love, nor had she ever bought a lottery ticket. she is unavailable to the world, as the world is unavailable to her; passing, fleeting moments brush past her in forms of faces and names, each adding to the list of things she must be careful to avoid.
that was her life, and she navigated it just fine; loveless and lonely, but just fine.
their last argument is still sore like a raw wound refusing to close, and the tension between them keeps building up to a breaking point. her independence is rooted in a deep untrust towards people, which is in turn the result of lifelong abuse and mistreatment; she wouldn't know the difference between a fist and a mouth as long as they connected to her cheek.
once again, she is in his car, arguing over how much space is too much space with increasingly idiotic scenarios. colt hates how she shuts off so easily, the only thing she knows to do when she is overwhelmed; so she tries to come up with something to say, to rid this simmering unease between them, to stop his heart from bleeding all over the place. thirty six minutes into their silent standoff, she finally asks, sharp as the point of a kitchen knife, determined to pierce through the veil and face the truth behind.
“ are you in love with me? ”
she holds her breath and braces herself for the quake in his eyes.
[ text to: will graham ] what if you change your mind again when i'm on my way?
besides, she has already gotten comfortable at home, lazing on her couch and rewatching the same movie for the fifth time this week. solitude is vital to her balance; still, that she didn't leave him on read is proof of something unspoken.
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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[ TXT ] : movie's showing tonight at 9, are you in?
texting prompts / accepting.
as of the latest update of their circumstances, rosaria has begun to opt for lesser crimes in her portfolio; the diminishing thrill offered from her work will simply have to be compensated elsewhere. sitting in her car, she watches the mansion's residents through a spyglass, documenting their little habits and routines in coded scribbles. someone else will take that information and use it to their benefit; whatever heist they manage will be none of her business.
her personal phone screen lights up in the empty passenger's seat. ( she maintains a high level of separation between her double lives. ) upon reading his text, the next thing she does it look up what's showing at the theatre closest to colt's apartment — she doesn't check anywhere else — and decides he can pick the one he wants to see.
[ text to: colt seavers ] yea i can make it
[ text to: colt seavers ] you got tickets?
thirty-nine seconds. that's how long she'll allow herself to be distracted.