Sol on 35mm
Johannesburg , 2026.
Shot by me and thabang
Not today Justin
𓃗

#extradirty
taylor price
Phantogram Three
occasionally subtle
hello vonnie

izzy's playlists!
Noah Kahan

Love Begins

roma★
d e v o n

titsay
Cosimo Galluzzi

pixel skylines

bliss lane
Cookie Run:Kingdom Official!
cherry valley forever
Fai_Ryy

seen from Canada
seen from Russia

seen from United States
seen from Netherlands

seen from United States

seen from Malaysia
seen from Russia

seen from Türkiye

seen from United Kingdom

seen from United States
seen from United States

seen from United States

seen from Malaysia

seen from Netherlands

seen from Spain
seen from Netherlands
seen from Malaysia
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seen from Vietnam
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@generaldetectiveearthquake
Sol on 35mm
Johannesburg , 2026.
Shot by me and thabang

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religion is so fucking funny the world is just too beautiful there must be a higher entity behind all this. lets oppress women
reaction pic cuz I said so
John Wilson, american sculptor and artist, 1980s
Kissing in public (2026) by Mars Obonyo
Ode to all my African queers. Devoted to Wendy and Diane, currently in jail in Ugandan for allegedly kissing in public
Crochet tapestry

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1984, George Orwell
James Sidney Edouard Ensor (1860–1949), Astonishment of the Mask Wouse, 1889
love armand betraying the theatre for louis and then immediately betraying louis to the theatre and then following this up by betraying the theatre for louis one more time. truly betrayalmaxxing. clocking in his hours at the dissapointing people's faith factory
hiiii if ur still doing the sleepover asks can i pls have some horror recs 🥺🤍
ALWAYS!!
my letterboxd || horror faves || horror ranked || final girls
psychological horror:
get out (2017) dir. jordan peele
us (2019) dir. jordan peele
the black phone (2019) dir. scott derrickson
black phone 2 (2025) dir. scott derrickson
candyman (2021) dir. nia dacosta
oddity (2024) dir. damian mccarthy
doctor sleep (2019) dir. mike flanagan
the invisible man (2020) dir. leigh whannell
longlegs (2024) dir. oz perkins
late night with the devil (2023) dirs. cameron & colin cairnes
se7en (1995) dir. david fincher
secret window (2004) dir. david koepp
silent hill (2006) dir. christophe gans
sinister (2012) dir. scott derrickson
trap (2024) dir. m. night shyamalan
event horizon (1997) dir. paul w. s. anderson
alone (2020) dir. john hyams
censor (2021) dir. prano bailey-bond
him (2025) dir. justin tipping
folk horror:
his house (2020) dir. remi weekes
the ritual (2017) dir. david bruckner
the watchers (2024) dir. ishana night shyamalan
frewaka (2024) dir. aislinn clarke
a classic horror story (2021) dirs. robert de feo & paolo sttrippoli
paranormal/supernatural/religious horror:
talk to me (2022) dirs. danny & michael phillippou
the conjuring (2013) dir. james wan
constantine (2005) dir. francis lawrence
insidious (2010) dir. james wan
saint maud (2019) dir. rose glass
ouija: origin of evil (2016) dir. mike flanagan
immaculate (2024) dir. michael mohan
crimson peak (2015) dir. guillermo del toro
the possession (2012) dir. ole bornedal
smile 2 (2024) dir. parker finn
oculus (2013) dir. mike flanagan
the others (2001) dir. alejandro amenabar
bring her back (2025) dirs. michael & danny phillippou
good boy (2025) dir. ben leonberg
bed rest (2022) dir. lori evans taylor
found footage horror:
the poughkeepsie tapes (2007) dir. john erick dowdle
lake mungo (2008) dir. joel anderson
the bay (2012) dir. barry levinson
apocalyptic horror:
i am legend (2007) dir. francis lawrence
a quiet place (2018) dir. john krasinski
train to busan (2016) dir. yeon sang-ho
mads (2024) dir. david moreau
world war z (2013) dir. marc forster
it comes at night (2017) dir. trery edward shults
slashers:
hush (2016) dir. mike flanagan
the purge (2013) dir. james demonaco
the strangers (2008) dir. bryan bertino
repo! the genetic opera (2008) dir. darren lynn bousman
comedy horror:
lisa frankenstein (2024) dir. zelda williams
abigail (2024) dirs. matt bettinelli-olpin & tyler gillett
jennifer's body (2009) dir. karyn kusama
ready or not (2019) dir. matt bettinelli-olpin & tyler gillett
ready or not 2: here i come (2026) dirs. matt bettinelli-olpin & tyler gillett
the rocky horror picture show (1975) dir. jim sharman
monsters:
signs (2002) dir. m. night shyamalan
van helsing (2004) dir. stephen sommers
the descent (2005) dir. neil marshall
evil dead rise (2023) dir. lee cronin
it (2017) dir. andy muschietti
it: chapter two (2019) dir. andy muschietti
sinners (2025) dir. ryan coogler
interview with the vampire (1994) dir. neil jordan
the invitation (2022) dir. jessica m. thompson
under paris (2024) dir. xavier gens
the silence of the lambs (1991) dir. jonathan demme
possum (2018) dir. matthew holness
absentia (2011) dir. mike flanagan
30 days of night (2007) dir. david slade
28 years later (2025) dir. danny boyle
red dragon (2002) dir. brett rattner
your monster (2024) dir. caroline lindy
horror tv:
the haunting of hill house (2018) created by mike flanagan
the haunting of bly manor (2020) created by mike flanagan
midnight mass (2021) created by mike flanagan
the midnight club (2022) created by mike flanagan
the fall of the house of usher (2023) created by mike flanagan
marianne (2019) created by samuel bodin
castle rock (2018) created by sam shaw & dustin thomason
the watcher (2022) created by ian brennan & ryan murphy
yellowjackets (2021) created by ashley lyle & bart nickerson
chernobyl (2019) created by craig mazin
SLEEPOVER SATURDAY ASKS
Maya Angelou working on her bed with a thesaurus, a dictionary, and the Holy Bible Winston-Salem, North Carolina, 1982.

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Ramon Dimas
Léa Lafugie (French, 1890-1972)
Léa Lafugie (11 Feb 1890, Paris 7 — 18 June 1972, Paris 16) was a French explorer, artist and writer, one of the first solo traveler women to sojourn in Tibet, and whose body of work reflects her lasting interest in China and Southeast Asia. After studying at Paris Ecole des Arts decoratifs (School of Decorative Arts), at Ecole des Beaux-Arts (School of Fine Arts) and Academie Jullian, she started working in fashion illustration, with nude paintings, engravings of hairstyles and portraits of young women displaying the new feminism of the “Roaring Twenties”.
As early as 1924, Léa Lafugie embraced the vocation of “painter-traveler”, wandering through North Africa and holding her first exhibition in Tunis. Inspired by travel writer Alexandra David-Néel (who was to be nicknamed “the Parisian Lady in Lhasa”), she headed to India and Tibet, where she stayed in three occasions: 1926 (Kashmir and Ladakh), 1927 (Darjeeling, Sikkim and Tibet up to Gyantse), and 1931 (Shimla, Spiti Valley, Ladakh, Srinagar). While drawing and painting without a pause, she published her travel notes in renowned outlets, from L’Illustration to Extreme-Asie to the National Geographic, and wrote two books, displaying a noted talent for ethnographical observations in addition to her art. In 1928 – 1929, she explored successively Shanghai, Burma (now Myanmar), Siam (Thailand), Laos, Cambodia, Vietnam, Indonesia, Malaysia. A prolific artist, she held in December 1927 an exhibition at the School of Fine Arts of Calcutta with no less than 280 works. She portrayed Tibetan monks, opium users in China — with notations pointing to the fact that she tried it more than once -, Cambodian, Javanese and Burmese dancers, and was also so well-connected that she could paint portraits of Mahatma Gandhi, Rabindranath Tagore - who had been portrayed by French artist Andrée Karpelès (Suzanne Karpelès’ sister) in 1920 -, or King Sisowath Monivong in Phnom Penh. (source)
Karin reading, 1904, Carl Larsson
Just saw Hokum
The thing about Damian McCarthy movies is that the female characters getting killed doesn’t feel like fridgeing, simply because the male characters who respect and listen to women are usually left alive while the men who disregard and belittle the female characters usually get killed by the monster, who is the embodiment of female rage. Also each one so far is also a fun murder mystery. That’s not a bad template to make a film career off of.

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Verdi’s Don Carlo (Teatro di San Carlo, 2022)
Scanned from the book Desert Eves: An Indian Paradise; Catherine Clement and photos by Hans Silvester; 2001