Gaming Feminism

me, a veteran healer:

me, a veteran tank:

me, a veteran dps:

me, a veteran tank:

Boss: Still alive

Me, a Veteran DPS:

Tank: About to die

Me, an Anxious DPS with vanish still on cd:

DPS: Dead

Boss: Alive

Me, a healer with no more mana and Lucid on CD:

DPS: dead

Healer: dead

Me, a lowly bard soloing the boss:

Emma didn’t know if this was the real Terry Pratchett, but she responded anyway and the two struck up a regular correspondence. Pratchett gradually started to make small suggestions of his own based on his experience with Vilja. “He described how he had been exploring goblin caves with Vilja, and how he wished that he could study the goblins without having to kill them,” Emma said. “The day after, I made him a ‘goblin peace amulet’ to make the goblins non-hostile and allow him to explore their dungeons without having to kill anyone.” As it turns out, the reason Pratchett was fascinated with goblins in the first place was due to research he was conducting for his 2011 novel, Snuff.

There are 216 more days until the release of Resident Evil 2 REmake

The objective of the game was to kill him without A) alerting the husband, B) getting caught by your busybody neighbor, or C) accidentally killing your kids/have them walk in on you murdering their dad. 

The first level was that you had to slip poison into his food or drink, since that was subtle and easy enough. But I think as the levels progressed, the murder attempts got more…gruesome and difficult to hide. I remember using garden sheers at one point.

And the game had a 1950s advert style to it, kind of how Bendy and the Ink Machine is stylized

^ kind of like that

Inception

back of the head scratch

a character shaking their head in disbelief or disgust with hand on their forehead, looking down

that kiss animation used since origins and in every mass effect game where they very slowly go in, hesitate, bop their heads around, and really go in for the kiss 

when a character, usually female, talks and puts their two hands in front of them like a robot and shakes them to illustrate their point

a character leans back on one leg with their arms loose

the exit-stage-right an NPC does after a conversation ends

angry limp wrist pointing

neck/collar bone scratch 

a slow crossing of the arms in times of suspicion

that punch animation 

drinking alcohol and violently shaking head

a character gives a half smile with an eyebrow raised