One-eyed Aemond the Kinslayer took up the iron-and-ruby crown of Aegon the Conqueror. “It looks better on me than it ever did on him,” the prince proclaimed. HOUSE OF THE DRAGON COUNTDOWN TO SEASON 3 day 2 ➝ relationship
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One-eyed Aemond the Kinslayer took up the iron-and-ruby crown of Aegon the Conqueror. “It looks better on me than it ever did on him,” the prince proclaimed. HOUSE OF THE DRAGON COUNTDOWN TO SEASON 3 day 2 ➝ relationship

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Character duo where one *remembers I don’t like fitting characters into trope boxes* is a completely fleshed out and realised person *remembers treating characters as real people and not story devices written with intent is bad* who is written by the author and *remembers death of the author* uh. And *fumbles and drops my pile of queue cards* ah fuck wait no *the menacing horse* what was that.
The racism against Nettles
From this post. [but I’m going to add more details]
[PRE POINT:
Race exists because power exists. Throughout history, societies created and reinforced ideas about race to justify systems of power, conquest, slavery, colonization, and unequal treatment. The specific categories change, but the process of creating an “us” and a “them” to maintain power is something that shows up across different societies including fantasy worlds. Yes. Fantasy racism almost never works exactly like real-world racism. The Children of the Forest, giants, wildlings, Dornishmen, Valyrians, Summer Islanders, and Brindled Men are all treated through different systems of prejudice.
The Summer Islanders are depicted as having dark skin and are exoticized and fetishized in Westerosi society. They’re being reduced to racialized and sexualized stereotypes they are not simply “foreign,” but described through a lens of fetishization rooted in their skin color and presumed sexual openness. The entire culture of Summer Islanders is written through a lens of sexuality, unlike other Westerosi or Essosi cultures.
In Slaver’s Bay, the most prized sex slaves are often described in racialized terms, especially Naathi girls, who are coded as women of color. They’re valued for being “docile” and “gentle,” tropes that hypersexualize and dehumanize dark-skinned women, reducing them to obedient, exotic objects of pleasure. Missandei herself, though treated kindly by Daenerys, is still a trafficked child whose race and trauma are sidelined in both the books and the show.
This is absolutely draws on real-world ideas and stereotypes that have historically been applied to African and Caribbean peoples. Fantasy doesn’t have to copy history exactly to reflect it. George takes inspiration from all over the place and mixes it together. The Wall isn’t literally Hadrian’s Wall, the Dothraki aren’t literally Mongols, and the Summer Islanders aren’t literally Africans. But you can still see where some of the influences and parallels come from:
The text goes out of its way to describe Nettles as “brown-skinned” with black hair and brown eyes. That’s already making her visually distinct from the overwhelmingly pale Valyrian people around her. She’s not described with silver-gold hair, purple eyes, or any of the features that Westeros considered as dragonlord nobility.
The Dornish, for example, are described with olive skin tone complexions and are generally closer to Mediterranean inspirations. Nettles’ description is different enough that we see her as occupying a more visibly “othered” position within the story’s social hierarchy. Could she have Summer Islander ancestry? Absolutely. The Summer Islanders are one of the most prominent dark-skinned peoples in the known world.
END OF THE PRE POINT]
A lot of defenses of Rhaenyra’s treatment of Nettles feel like they completely sidestep the historical context of racist stereotypes aimed at Black women. You can’t have a serious conversation about misogynoir or the Black Jezebel trope if every discussion gets reduced to “she was just paranoid” and the racialized implications are ignored. Social progress requires people to acknowledge and confront prejudice, not brush it aside when it involves a character they like. Explaining a character’s grief, fear, or insecurity can add context, but it doesn’t automatically erase racist, sexist, or blood-purist ideas that may be present in their actions.
That said…
Many people may simply be focusing on different parts of the text or may not recognize the historical parallels I’m pointing to. Others, however, are just racist or may become dismissive of discussions about racism, misogynoir, or colorism because they don’t want to criticize a favorite character. That’s a different issue, and it’s worth calling out when it happens.
The stronger argument is that conversations about Nettles shouldn’t ignore how race, blood purity, and gender intersect in her storyline, especially given how differently she’s treated compared to other dragonseeds. Whether someone agrees with that interpretation or not, those themes deserve to be engaged with rather than dismissed out of hand.
People will acknowledge that Rhaenyra became paranoid, distrustful, and increasingly cruel near the end of the Dance, but then suddenly draw the line when it comes to the blood-purity rhetoric she used against Nettles. If paranoia can influence her actions, why can’t blood-purity beliefs influence them too?
Being a victim of misogyny doesn’t automatically stop someone from participating in other forms of violence. Two things can be true at once: Rhaenyra was denied power and legitimacy because she was a woman, AND she could still weaponize prejudice against someone with less status and power than herself.
Nettles was a poor, vulnerable young dragonrider whose ancestry was constantly questioned. Instead of seeing her as evidence that dragons weren’t limited to a specific bloodline, Rhaenyra ultimately treated her as a threat and leaned into blood-purist reasoning to justify targeting her.
The irony is that blood purity was never Rhaenyra’s friend. The same ideology used to elevate Targaryens above everyone else also helped fuel the conflicts and expectations that contributed to her downfall. Yet when her position became unstable, she still reached for that rhetoric because it was a source of authority and power she could wield.
Grief doesn’t magically make someone racist or make them start saying racist shit out of nowhere. If someone’s grief brings out racism, blood-supremacist rhetoric, or prejudice, that stuff was already there to begin with. Grief can lower your filter, make you lash out, or expose parts of you that were easier to hide before, but it doesn’t create those beliefs from nothing. It just reveals what was already simmering under the surface. Plenty of people experience devastating loss without suddenly becoming racist or obsessed with blood purity.
1) Witchcraft
Nettles being accused of being a witch is similar to how Black/African people have historically been accused of witchcraft with extra layer of foreignness and exoticism that further dehumanizes Black women.
Black/African witches, magic practitioners, and even Afro-diasporic religions have been portrayed in Western history and sometimes still are today as being “closer” to demons, superstition, or dark magic. This isn’t because of anything inherent in those religions or practices. It comes from how power and knowledge were ranked through colonial and racial thinking. In a lot of European Christian frameworks, “magic” was judged based on one question: is it approved by God and the Church or not? Anything outside that system could be called evil or unnatural.
But when colonialism and racial ideology entered the picture, that religious boundary got mixed with racial hierarchy. Non-European spiritual practices were not just called “different,” but considered as more primitive, more dangerous, or more connected to evil forces. That’s where the idea of “closer to demons” comes from it’s a way of dehumanizing and placing certain groups outside “civilized” religion.
A white European woman accused of witchcraft in medieval/early modern Europe was usually still seen as part of the same religious and social world. The accusation was: “you belong here, but you’ve turned away from God / broken the rules.” It’s internal conflict inside the community’s belief system.
But a Black woman accused of witchcraft (esp in later colonial and racialized contexts) was not considered in the same “you belong here but broke the rules” way. Instead, she is already being positioned as “outside” in the imagination of the dominant culture seen as foreign, inferior, or fundamentally different from the start.
So…
When Nettles is being accused of witchcraft, it’s not just a random insult or simple paranoia in a war.
It’s denying her power as a dragonrider. Instead of accepting that a lowborn brown girl might have bonded with a dragon through patience and courage, the story being pushed is: she must have cheated somehow. That’s where “spells” and “witchcraft” language comes in. It’s a way of refusing to accept her success as real.
It ties into class and blood purity too. Calling her “common” and saying she has “no dragon’s blood” is already setting up the idea that she doesn’t belong in the same category as Targaryens.
And the witchcraft turns her into something “dangerous” and “unnatural.” That’s important because historically, “witch” accusations are used to explain away women who step outside expected roles or gain influence in ways people don’t want to recognize as worthy.
2) BLACK JEZEBEL TROP
The Jezebel trope is a racist stereotype that portrays women especially Black women as naturally seductive, sexually manipulative, and responsible for men’s desires or actions. Historically, it was used to justify discrimination and to portray Black women as temptresses rather than fully realized human beings.
This doesn’t come out of nowhere. It connects to older Western and Christian ideas about gender and sexuality. For example, in some interpretations of the Eve story, women are considered temptation or being responsible for the fall of man. Over time, those ideas influenced broader cultural assumptions about women’s sexuality and morality.
These gendered ideas became layered with race during slavery and colonialism. Black women were frequently excluded from ideals of “purity” or “respectability” that were applied to white women, and instead were reduced through stereotypes that reduced them to sexuality, availability, or moral suspicion.
Race and religion became tightly linked to ideas of gender, sexuality, and social value. “European” or “Christian” womanhood was increasingly defined not only through religion, but also through contrast with colonized and racialized populations. At the same time, whiteness itself began to function as a central marker of respectability and femininity. Over time, this meant that distinctions were no longer only about Christian versus non-Christian identity, but also about racialized categories that shaped who was seen as pure, civilized, or worthy of protection.
One of the biggest problems people point out is that it can lead to dehumanization. That means Black women’s feelings, safety, and personal experiences can get ignored or taken less seriously than they should be. Instead of being seen first as people who can be hurt, they can be unfairly viewed through stereotypes about sexuality or “attitude” or assumed intent.
And that matters a lot when something bad happens. Because if someone already carries stereotypes about them, it can change how others interpret what happened. It can affect whether they’re believed quickly, how seriously their case is taken, and how much attention it gets from media or institutions.
And this is about real-life disparities like cases of missing Black girls or violence against Black women not always getting the same urgency, coverage, or immediate response as others. Researchers and activists link this to broader patterns in society, not just individual bad decisions, but systems shaped by bias over time.
The point of talking about stereotypes like Jezebel isn’t just theoretical. It’s about how ideas in culture can affect real outcomes like who gets protected faster, who gets believed immediately, and whose suffering gets treated as urgent. Its about who is automatically seen as “worth saving,” and who has to fight harder just to be seen clearly as a victim in the first place.
Rhaenyra using Jezebel-narrative-coded imagery around Nettles, particularly through the implication or rumor that Nettles she seduced and is pregnant with Daemon’s child. “My prince would ne’er lay with such a low creature.” + “so long as he was in the girl’s thrall” she’s makes her as a sexual threat who ensnares men. sexualize and blame the woman for a man’s actions. Instead of Daemon being seen as someone making his own choices the language moves toward the idea that he’s being influenced or controlled by Nettles.
There’s a sense of contradiction in how she talks about Nettles. On one hand, she’s trying to justify why Nettles is supposedly dangerous. On the other, the intensity of her reaction feels bigger than the evidence actually presented. Nettles challenges the idea that power belongs exclusively to a certain bloodline. She’s a poor girl of uncertain ancestry who claims a dragon without fitting the traditional image of a Targaryen dragonrider. Her very existence raises uncomfortable questions about blood purity and who gets access to power.
Add Daemon’s protection on top of that, and Nettles becomes even more threatening to the worldview Rhaenyra has relied on. If someone viewed dragons as the exclusive inheritance of Valyrian blood, then Nettles succeeding where she “shouldn’t” be able to succeed undermines that belief.
The conflict isn’t solely about whether Nettles betrayed Rhaenyra. It’s also about what Nettles represents: the possibility that dragonriding and power may not be as exclusive as Targaryen ideology claims. In that reading, Rhaenyra’s reaction is driven not only by paranoia and fear but also by a desire to defend boundaries of blood and belonging that Nettles’ existence threatens to blur.
3) Rhaenyra treatment of white skin characters vs brown skin Nettles.
One thing that always stands out to me about Nettles’ story is how much she gives to Rhaenyra’s cause and how little she gets back.
Like genuinely, compare her situation to the other dragonseeds.
Addam gets legitimized. He gets knighted. He gets recognition. Even when Rhaenyra later turns against him, she still refers to him as “Ser Addam.” He is at least acknowledged as someone with status and honor.
Hugh Hammer and Ulf White get knighted too. They’re promised rewards, lands, castles, and positions. The whole point of recruiting dragonseeds was that service would be exchanged for advancement.
Now look at Nettles. What exactly did rhaenyra gave her? What does nettles gets? Nothing. No family, no backing, no title, no reward just danger. She’s already breaking the rules by being a girl, and despite everything she does, she gets nothing in return except being hunted and sentenced to death.
From the beginning, rhaenyra gave the white male dragonseeds more recognition in ways Nettles never received. Because when you look at Nettles, Rhaenyra absolutely had the power to improve her life and never really does.
Nettles wasn’t just some random bystander. She was one of the most valuable people fighting for the Black cause. She claimed a dragon, risked her life in war, and helped strengthen Rhaenyra’s military position at a time when dragons could literally determine the fate of kingdoms.
If anyone had earned rewards, protection, and advancement, it was Nettles. Rhaenyra could have granted her lands. given her an income. She could have arranged a noble marriage if Nettles wanted one. could have created a household for her. She could have made sure she had powerful allies and political protection. She was the queen. She had already shown a willingness to hand out titles, offices, and rewards to other male supporters.
But none of that happens for Nettles. Instead, Nettles remains vulnerable the entire time. She is useful when her dragon is needed, but she never receives the kind of institutional support that might have secured her future.
Her treatment of mysaria vs Nettles.
Now we can also see that Rhaenyra actually gives Mysaria protection and a place within her circle. Mysaria isn’t just left to survive on her own anymore she gets brought into a position where she has some level of safety, access, and usefulness within the Black faction.
And why It’s not okay for Rhaenyra a Black/brown teenage girl to sleep with Daemon so she needs to lose her head? But why rhaenyra doesn’t have a problem with Mysaria’s white pale skin sleeping with Daemon? Didn’t see her asking for Mysaria’s head even though she was sleeping with her husband everyday.
“Daemon Targaryen was not a prince consort loyal to the Queen, we know that. Even our usually reticent Septon Eustace talks about his nocturnal visits to Lady Mysaria, whose bed he frequently shared, when he was at court…with the queen’s blessing.”-f&B
And:
“Prince Daemon remained in her thrall, and called upon [myseria] every evening...with Queen Rhaenvra's apparent blessing. "-fire&blood
Daemon’s connection to Mysaria was known for years. Mysaria is a sex worker and Daemon’s longtime lover, yet Rhaenyra never put a bounty on her head or demanded her execution because she was supposedly “seducing” her husband. Oh wait yeah because Nettles is a brown girl. Mysaria is described with imagery associated with beauty, luxury, and whiteness: “skin as pale as milk” and dressed in “black velvet lined with blood-red silk.” With Rhaenyra, another visibly white Valyrian beauty riding a dragon. Nettles is the opposite. Her ancestry is uncertain, her power is constantly questioned, and she’s repeatedly associated with poverty and her brown skin. Even after claiming a dragon, people still treat her as someone who doesn’t truly belong.
Mysaria's whiteness "skin as pale as milk" that contrasts against Nettles' “brownness” dark skin.
Noblemen having extramarital relationships is practically normalized. Corlys loved Rhaenys, yet he allegedly had a long-term relationship with Marilda of Hull and fathered children with her. That didn’t automatically mean he stopped loving his wife. Westerosi society treated those things as separate issues. The same goes for Daemon. Rhaenyra knew about his history and appears willing to tolerate behavior from him that would be unacceptable in a modern relationship. Mysaria had been connected to Daemon for years, and Rhaenyra never launched a campaign to have her executed over it.
If the problem were simply “Daemon may have been unfaithful,” then why does the response become so extreme when the rumored woman is Nettles? From this perspective, the intensity of Rhaenyra’s anger seems disproportionate compared to how she reacted to other women in Daemon’s life. Nettles isn’t just another rumored mistress she’s a young dragonrider of uncertain ancestry whose power is constantly questioned.
That’s why critics of Rhaenyra’s actions argue that the situation can’t be reduced to jealousy alone. They see race, blood purity, class, and power playing a role in why Nettles is treated as uniquely threatening. The question becomes why is this woman the one who provokes such a severe response when Daemon’s relationships with other women never triggered the same reaction? the contrast between Mysaria and Nettles is one reason that there is more going on than simple fear of infidelity.
Rhaenyra is the villain and antagonist here but one thing that frustrates me about this discourse is how Rhaenyra is automatically positioned as the victim, even in situations where Nettles is the one facing the threat of execution. The focus shifts to Rhaenyra’s pain, Rhaenyra’s losses, and Rhaenyra’s grief, while Nettles’ vulnerability gets pushed to the background. A lot of people would rather redirect the blame entirely onto Daemon than engage with Rhaenyra’s own choices. But Rhaenyra isn’t powerless in this situation she’s the queen ordering the death of a young girl who, according to the text, was never proven guilty of anything.
What also gets overlooked is the language and reasoning used to justify targeting Nettles. Classism, blood-purity rhetoric, and hostility toward a poor girl of uncertain ancestry don’t suddenly disappear because Rhaenyra is grieving. Grief can explain someone’s mindset it doesn’t automatically excuse the prejudice they weaponize. And that’s the issue acknowledging that Rhaenyra suffered misogyny does not mean she couldn’t also direct prejudice toward someone with less power than herself. Being oppressed in one context doesn’t prevent a person from upholding other oppressive hierarchies.
Too often, criticism of Rhaenyra’s treatment of Nettles gets brushed aside because fans are reluctant to see a white beloved female character as an antagonist in that specific conflict. But recognizing misogyny against Rhaenyra and recognizing the classism, blood-purity thinking, and misogynoir-adjacent elements in her treatment of Nettles are not mutually exclusive. Both discussions can exist at the same time.
HoTD critics:
The Rhaena/Nettles situation is similar to the Sansa/Jeyne Poole situation because both involve taking a storyline away from one lowborn girl and giving it to a more important/privilege or popular character.
In the books, Jeyne Poole is the victim of Ramsay Bolton. Sansa never goes to Winterfell and instead begins learning actual political survival and diplomacy in the Vale. The show erased Jeyne, gave her suffering to Sansa, and in the process cut off a major part of Sansa’s political development.
Nettles is a unique character in Fire & Blood. She’s a poor brown dragonseed of uncertain ancestry who challenges Targaryen blood-purity assumptions simply by existing. Her story is about much more than riding a dragon she’s living proof that dragonriding may not be restricted to the Valyrian blood.
When that story gets folded into Rhaena, a noble-born Targaryen princess, the meaning changes. The entire point of Nettles as an outsider is weakened because Rhaena already belongs to the house. She doesn’t challenge the system in the same way Nettles does.
The criticism isn’t just “the books changed.” It’s that a poor, marginalized girl with one of the most subversive storylines in the Dance gets removed, while her narrative function is handed to someone who already has status and a place within the ruling family. Yeah… you don’t have to believe the writers personally hate Black women to argue that removing Nettles was a bad and racist decision.
bugs when you lift up a rock
Fabien calling out ryan condal and sara hess for the poor way they handled his character is so cathartic. He is DONE fr and who can blame him? Not me. Go off king, you are so valid for this. 🗣️🫂🫂🫂

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hotd alicent hightower not being sexually punished and denigrated each season = challenge unaccepted by condal and hess. rest in eternal peace in pages of fire & blood alicent we hardly knew you.
It's so interesting because the sexuality of the all the Greens is punished and denigrated by the narrative, and it's the opposite for the Blacks, which means something for Alicent this season, I think, unfortunately.
The show's biggest goal, first and foremost, is to make sure you see Rhaenyra as a hero and her cause as the just one. They've decided that their take on the show is the correct and superior one: Rhaenyra was one of those women in history, just like in our real world, who was misremembered and discounted because she was a woman who tried to claim power and the world, especially in the past, was so sexist. The system was against her, and she lost, despite her best efforts and doing everything "right." Isn't misogyny terrible and hasn't it destroyed so many lives? How would the world be - theirs and ours - if women had been allowed to rule? Could we have prevented certain conflicts from happening, or could we have shaped the world differently if this system of inequality hadn't existed? It's not a bad concept for a story on its own. This really did happen in history. It still happens today. The story here is one of right and wrong, justice and injustice. Rhaenyra was wronged, denied rule solely based on her gender, and history wrongly misremembered her, as our real history has wronged and misremembered countless women who reached for power in the past and who do it in the present.
The problem is, though, that the story of The Dance of the Dragons in Fire and Blood is not that story. The characters and their motivations, the themes, and the plot points all tell a different story, one of a larger sociopolitical story of rival claimants from the same family, where both sides own beasts capable of significant death and destruction, and the devastating civil war that was fought because both sides fought tooth and nail to take power and crush their rivals. And the point of this story is that war is never justified, that it can destroy indiscriminately, that any side in a war can be capable of extreme violence, injustice, and death. It's a story about power, the history of succession and the wars fought over it, and it's also about a family being torn apart over it. After a father dies, a siblings fight to the death, killing thousands in the process, a cycle that has happened countless times in our own real history. Succession wars - their destruction, the motivations for it, the real human impact on those involved, including the monarchs themselves, their families, lords on their side, and everyday people in the realm - this is the story that the Dance of the Dragons is telling in Fire and Blood, as it is written with an outline of indisputable plot points and character motivations that exist throughout. It's a rich political story with morally gray characters, something that the world of A Song of Ice and Fire is particularly known for.
The story that the show wants to tell, then, is incongruent with the actual source material. And so detail after detail of the source material is adjusted, tweaked, erased, added, and there are ripple effects across the entire narrative. Rhaenyra is the one who was wronged in this story. If she or any of the characters on her side (but especially the women, since this show is about historical sexism) did something questionable in the source material, it goes one of a few ways: 1) no they didn't, because it didn't happen 2) no they didn't, because a man actually did it and the women were unnecessarily blamed, or 3) yes they did, but it was for a good reason. The writers think they can do this both because they believe their story is better than the author's and because they think the format of Fire and Blood gives them the creative freedom to completely reinvent it without care. So everything Rhaenyra and the women on her side do is justified and done for the right reasons, and anything truly bad was actually one of the guy's faults, but since they support Rhaenyra, they're ultimately off the hook, because it's to support her in getting justice for how she's been wronged by the system. The war they fight for her and the pain they cause is justified because the Greens and their supporters deserve it for wronging Rhaenyra and denying her the throne.
Essentially, because the writers decided they were telling their own story, not the original, they changed several elements to make sure that Rhaenyra would be seen as the hero of the story, an ultimate victim of the historical system of misogyny that existed in her world (like in ours). In their show Rhaenyra should represent all wronged women in history. We should sympathize with her story and feel that what happened to her was unfair, and we should cheer when she experiences any glimpse at liberation. Her sexuality, her dragon-riding, her big moments where she puts the people around her in their place... We should cheer for her, the power she does have, and her quest to get even more.
By neccessity, then, the reshaping of the Greens must happen. Their side represents the system that Rhaenyra is suffering under, so they can't be sympathized with. Things that happen to them and the things that they do must all happen in the context of this. Alicent now represents all women who worked within and with the patriarchy, something the show sees as unforgivable, despite the reality of the world and the relative powerlessness an individual woman in that time, especially one married into the royal family, and the inability to do anything substantial to change or alter the system (or free themselves from it - more on this point later). The show wants the viewer to believe that Alicent has betrayed her own gender by not supporting Rhaenyra, so anything bad that happens to her is her own fault, and anything good that happens is actually bad. This applies to the portrayal of her sexuality. Alicent is forced into late night sex by her sick old husband? Well she agreed to this! Alicent is taken advantage of and forced to show her feet for a man's sexual pleasure, to her great discomfort? Well that's what she gets! Alicent finds a lover after her husband dies? Well she should have been doing other things - her grandson might still have been alive if she hadn't been getting her rocks off in Rhaenyra's old bedroom with Rhaenyra's ex! The other Greens face this treatment as well: Cole is reduced to a sex object, Aegon II is portrayed as a violent rapist and then his penis gets exploded for comedic effect, Aemond has mommy issues and likes to cuddle older women while he's completely naked and they're fully clothed (milk I think is involved? I'm not rewatching to clarify this point, sorry), Helaena's sexuality and motherhood is completely sidelined even after her own young son is murdered in front of her eyes, Larys has a sexual fetish centered around his disability that he uses Alicent fo fulfill.
The sexuality of the all the Greens is punished and denigrated by the narrative, and it's the opposite for the Blacks. But season 3 marks a big change: Alicent is no longer Team Green. She's given up her sons, the capital, and the war she started to finally "make a sacrifice for the first time in her life" (according to the writers, because they view her not as a character but as a representation of women who support the patriarchy). Alicent is framed at the end of season 2 as having freed herself from the patriarchy but getting rid of her attachment to her male relatives and by supporting a woman ruler, because this is a story about a just woman ruler who was wronged by the system and misremembered in history. Alicent is now finally supporting the right side.
So will she be free from the sexual punishment and denigration that has plagued her character? I wouldn't be surprised if the answer is actually yes, for a time, but I don't think that means that her sexuality will not be explored at all. If some unfortunate "leaks" are true, which could be likely, given how off course the show has veered from the source material and how Rhaenyra's relationships with her female advisors have been portrayed since season 2, I do actually think we may be getting more explicit Rhaenicent this season (nothing too extreme, but I would not bet against the relationship getting more romantic and/or sexual in nature). It makes sense, given what we know about the story that the writers want to tell and the way they've centered the show around that relationship. In this scenario only - one in which Alicent is sexual with Rhaenyra - will Alicent not be sexually punished or denigrated by the narrative. But we know that the relationship can't last forever. I doubt there would be any additional love interests for Alicent after Rhaenyra, but if there are, count on them reverting right back to shaming her for it.
To summarize, the sexuality of the all the Greens is punished and denigrated by the narrative, and it's the opposite for the Blacks, which means Alicent, despite being sexually punished and denigrated the most of all the Greens, may actually escape this portrayal in season 3, due to her having changed sides. This story is fundamentally different from the original story, and the byproduct of trying to force one story into the other is the removal and erasure of characters, themes, motivations, and internal story logic, much to the show's detriment.
Sweet Queen Helaena💙
“I don’t want to.”
Aegon 1x09 | Helaena 2x02 HOUSE OF THE DRAGON (2022-)
I hate the half baked narrative that haters have about Alicent, which is that she was sPreAdIng rUmOurs aBouT Rhaenyra.!
These people need to open a book fr because it was not Alicent who was spreading rumours, it was Rhaenyra's fool Mushroom who was rumour mongering in Fire & Blood and one of his victims was a 15 year old Alicent herself.
Whether she was taking care of 70 y.o. sick king, or rumours about her relationship with Viserys, or linkup with Daemon which was probably spread by Daemon supporters to get back at Otto, most of the rumour mongering was the work of the fool Mushroom, a dear supporter of Rhaenyra.
If Alicent calling out Rhaenyra and Viserys for turning blind eye to Strong boys is sPreAdiNg ruMouRs then bitch so is saying water is wet. Because it is the truth, not a rumour. Rumours are, by definition, falsehoods and exaggerations to besmirch someone. Mushroom spreading lies about Alicent sleeping with Jaehaerys is a rumour; Alicent questioning Strongs parentage based on the striking differences in appearance is not a rumour. It is plain truth.
Even if Alicent did not question their Strong appearance, somebody else in Kings Landing would have. In fact DID. Velaryon relatives of Corlys, for example. Those who did not question, were all TB supporters but otherwise people had eyes and could literally SEE the difference. It was an open secret.
Its real frustrating because some people just want a reason to hate Alicent but haters need to pick a valid reason, at least. Old ones are stupid asf and getting booring.
Check this post about the idea that Alicent is the one “spreading rumors” about Rhaenyra with Criston Cole or Daemon.
THE BASTARDY
Book!Alicent didn’t need to loudly accuse Rhaenyra’s sons of being bastards. The rumors practically spread themselves.
Rhaenyra’s children don’t resemble either her or Laenor in the way people expected, but they do resemble Harwin Strong, a man who was constantly around her. People aren’t blind or stupid. If Cersei’s children had looked unmistakably Stark or Dornish, everyone would have questioned their parentage too. The reason Joffrey, Tommen, and Myrcella escaped scrutiny for so long is because they looked like Cersei, and Jaime was her twin. Likewise, Catelyn’s children largely resemble her, and nobody doubts they’re Ned’s. Even Arya looking like Ned doesn’t make people question the others.
The point is that Alicent didn’t have to say the rumor. The rumor existed because people had eyes. In the show after the birth of Rhaenyra’s third son, Alicent tells Laenor, “Do keep trying, Ser Laenor. Sooner or later, you may get one who looks like you.” That didn’t happened bc it was said by mushroom. As you said, the one who was spreading the rumours is Mushroom, not Alicent. But ofc Alicent being blamed for the men’s actions for the hundredth time. This again reminds me of those Rhaenyra stans who blamed Alicent for Daemon grooming Rhaenyra too.
Again why would bk!Alicent need to say anything? Septons whisper. Lords whisper. Ladies whisper. Servants whisper. Guards whisper. Rhaenyra and Viserys know the rumors are true. The court knows the rumors. Even Daemon, living all the way in Pentos, is aware of them. Even if you completely remove Alicent from the story, do Team Black stans seriously think the rumors wouldn’t spread? Also, Jace was born in the same year as Rhaenyra and Laenor’s marriage. That alone was always going to attract attention. Laenor spent significant amounts of time away, and even before Jace’s birth there were already whispers about whether the marriage had truly been consummated.
The rumors weren’t appearing in a vacuum. They emerged from the circumstances themselves. You have a politically important marriage, questions about whether the couple are actually sleeping together, a husband known to prefer male partners, a man constantly in Rhaenyra’s company who strongly resembles the children, and sons who are expected to inherit both the Iron Throne and Driftmark.
You don’t need Alicent to connect those dots. Most people at court would. That’s why the idea that Alicent somehow invented the entire controversy has never made sense to me. The real question isn’t why people suspected the boys were Harwin’s. The real question is why anyone expects a feudal aristocracy obsessed with legitimacy, and inheritance not to speculate under those circumstances. Even Viserys’s constant insistence that no one discuss the matter suggests how widespread the rumors already were. If nobody believed it, there would be nothing to suppress.
“In fact DID. Velaryon relatives of Corlys, for example. Those who did not question, were all TB supporters but otherwise people had eyes and could literally SEE the difference. It was an open secret.”
You do realize Corlys never actually wanted Luke or Joffrey to inherit Driftmark, right? And you do realize Team Black misogynistic stans blame Alicent for the entire Driftmark succession crisis ? As if she personally created the rumors out of thin air. Instead of blaming Corlys, Rhaenyra, Viserys they blame Alicent.
Once Laenor dies, Corlys refused to name luke or anyone as his heir. Check this post. Corlys did not seem particularly enthusiastic about Luke as his heir.
“the Sea Snake was stricken by a sudden fever. As he took to his bed, surrounded by maesters, the issue arose as to who should succeed him as Lord of the Tides and Master of Driftmark should the sickness claim him. With both his trueborn children dead, by law his lands and titles should pass to his eldest grandson, Jacaerys...but since Jace would presumably ascend the Iron Throne after his mother, Princess Rhaenyra urged her good- father to name instead her second son, Lucerys. Lord Corlys also had half a dozen nephews, however, and the eldest of them, ser Vaemond.”
Nowhere does the text actually say that Corlys named Luke his heir from the start. What we do see is that Rhaenyra is arguing Corlys to name her son as heir and actively pushing the issue and that she was willing to use punishment, and severe consequences against challenges to her sons’ legitimacy. Corlys may have accepted Luke as the practical solution partly because Luke was already betrothed to Rhaena, meaning Velaryon blood would eventually return to Driftmark through the next generation.
But later developments complicate the idea that Corlys fully supported Luke/Joffrey as uncomplicated heirs. Once Luke dies, Joffrey becomes the expected heir to Driftmark while Jace remains heir to the Iron Throne. Yet Corlys is already maneuvering toward placing someone of his own blood in the succession. Joffrey is betrothed to a Manderly girl, and noble betrothals are not casually dissolved, so the “just marry him to Rhaena” solution is no longer simple.
That context matters when Corlys later chooses Addam Velaryon someone he explicitly recognizes as his blood. Fire & Blood is also interesting in how it makes the matter linguistically. Luke is not mentioned or called as heir of driftmark in the text in the same heir-language used for other Driftmark heirs, which may reflect that the arrangement was politically accepted but not necessarily emotionally or ideologically uncomplicated for Corlys himself.
Because if Corlys truly did not care about biological descent or bastardy in this context, there would be much less reason for Addam to be heir instead of Joffrey.
The funniest part is how much agency this interpretation gives Alicent. Apparently she is simultaneously a powerless, irrelevant npc woman who accomplished nothing and also the mastermind behind every succession crisis, every rumor, and every political conflict in the realm.
wow, i can’t wait for season three!! so excited for all the horrors committed in king’s landing by the blacks to be alicent’s fault!!!! super hyped for the continuing humiliation and ““humbling”” of alicent as rhae rhae’s maid!!!!!!

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Emma D'Arcy, Ewan Mitchell and Tom Glynn-Carney for Entertainment Weekly
when the characters never really make peace with it
unholy martyr.
prints + merch + c0mm info pinn3d to prof1le
Seeing hotd biases play out as another season is approaching its quite ridiculous that original characters like dyana, kat, sylvi, certain tb randoms got more character development and screen space than canon daeron targaryen in TWO seasons. The screen time of his dragon tessarion, one of the most important green dragons in the dance, is equivalent to what the tiny dragon of aegon iii got meanwhile useless syrax has piled more time than sunfyre, dreamfyre and tessarion COMBINED. And. For. What? She was painfully irrelevant in canon so naturally ryan condal decided to give Her Yellowness half the space and stolen traits of other dragons, all the while, throwing literal crumbs to canon mvp dragons sunfyre and tessarion.

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Baby Helaena booping Dreamfyre’s shnose
Aemond One Eye