for the first time she’s allowed herself to slump down in his chair, one leg extended, the other bent, keeping her whole weight from leaning back against the finely carved wood. this is different, sevika tells herself, from touching the glorified throne in his office, where the light of zaun filters in through the window, green-tinted and hazy. here, surrounded by greenery and the last gasps of natural sun until it sets on piltover (and subsequently, them) — here, it can feel different.
margot bodily slides her weight into her lap. sevika tenses, mouth drawn into a hard frown. she doesn’t know why she lets her do this: touch her like she has no real control over whether or not she does. she’s pulling in a sharp breath (the way she had when smeech had gotten in just as close, for a less pleasant purpose) as margot draws her head back and kisses at the line of her throat. she expects a searing pain, afterwards — something to hurt. there’s always the aftershock, with margot. it doesn’t come.
her hand flexes. ❛ i don’t want to hear it. ❜ she doesn’t get any joy out of lectures like these. for the most part she’s still in shock, she thinks, and has been for hours — days — weeks. silco, dead. all of them, fucked. and the council… she knows why the barons don’t look up at what is going to inevitably follow. zaun will suffer. it’s happened before, on the bridge, and it will happen again. and why should they care — when they let silco deal them their hand and only came away with profit?
she is filled with self-loathing, more than profound, as she reaches up — wraps a hand around margot’s wrist. for all her other faults, she’s also a physical woman, and she hasn’t blown off steam on the rapture walk or any other pleasure house in days; the mild buzz she’s had going (from the drinking, or the shimmer) doesn’t make her nerves any less responsive, to her disappointment.
the socket at her shoulder has been thrumming, a regular and frequent pain. she’s struggling to scrape her thoughts together, after such a disappointment. ❛ they’re all dogs. ❜ she thinks, idly, of vander, who abided some of this, but not all of it. then, looking up at margot, the sharp lines of her nose and the smeared lipstick at her mouth: ❛ could’ve left with the rest of them. why’d you stay? ❜