女孩 / Girls
todays bird

oozey mess
Lint Roller? I Barely Know Her
One Nice Bug Per Day
Not today Justin

Kiana Khansmith
d e v o n
Cosimo Galluzzi

blake kathryn
Mike Driver
cherry valley forever

gracie abrams

EXPECTATIONS

❣ Chile in a Photography ❣
Xuebing Du
Sweet Seals For You, Always
KIROKAZE
seen from Brazil
seen from Spain

seen from Panama
seen from Philippines
seen from Pakistan
seen from United States
seen from Ecuador

seen from Ukraine
seen from United States
seen from United Kingdom

seen from Brazil
seen from India

seen from Singapore
seen from United States

seen from Kenya
seen from Qatar
seen from Spain

seen from Germany
seen from South Korea
seen from Syria
@galateafernandez
女孩 / Girls

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“My Yemeni great-grandmother had tattoos on her face, which always seemed extraordinary to me. It was very common for women her age to have tattoos, but no one ever spoke about it. They would just tell me that the tattoos were from the old times,” says London-based photographer Yumna Al-Arashi. But Yumna’s curiosity was not satisfied with this vague response. Her series, _Face,_ captures the last generation of tattooed Middle Eastern women and reflects on the gradual disappearance of this age-old tradition.
“My Yemeni great-grandmother had tattoos on her face, which always seemed extraordinary to me. It was very common for women her age to have tattoos, but no one ever spoke about it. They would just tell me that the tattoos were from the old times,” says London-based photographer Yumna Al-Arashi. But Yumna’s curiosity was not satisfied with this vague response. Her series, _Face,_ captures the last generation of tattooed Middle Eastern women and reflects on the gradual disappearance of this age-old tradition.
Isosceles - A close encounter with the male gaze during a film shoot is proof of the fine line women must walk between agency and objectification
Drama - Director Saam Farahmand orchestrates a raucous noise performance piece first exhibited during Frieze featuring clothes by Simone Rocha
For someone who makes photographs for a living, Hassan Hajjaj is remarkably shifty when the lens is turned on him. We’re gathered on the street outside his shop in Shoreditch trying to snatch seconds of sunlight from clouds overhead. “Look into the camera,” photographer Nina Manandhar says. Hassan obeys, eyes sliding hesitantly to meet the camera. He blinks, and his gaze shifts up to the flats which circle around us in red brick.
For someone who makes photographs for a living, Hassan Hajjaj is remarkably shifty when the lens is turned on him. We’re gathered on the street outside his shop in Shoreditch trying to snatch seconds of sunlight from clouds overhead. “Look into the camera,” photographer Nina Manandhar says. Hassan obeys, eyes sliding hesitantly to meet the camera. He blinks, and his gaze shifts up to the flats which circle around us in red brick.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
{{ ($root.post && $root.post.id) ? $root.post.translations[$root.lang].socialSubtitle : $root.seo.metaDescription | translate }}
Where are the African Gods?
Midori Takada _KENZO - Le Renard Bleu by Partel Oliva
Ready-to-Wear - Spring 2019
Lemaire
Maddie Wiliams <3
London-based textiles designer Maddie Williams works as ethically and sustainably as possible, for instance using old Royal Mail sacks in her renewable designs. Her garments are mainly made up of reclaimed and repurposed materials as well as organic and ethically sourced, natural fibres. Speaking to It’s Nice That, Maddie tells us “I have a love of texture, I’m always trying to find ways to create new fabrics that make people wonder what they’re made of, or want to touch”. Maddie’s collections repurpose materials such as bicycle tyres, army surplice parachutes, tarpaulin and carpet underlay. The designer creatively finds uses for any found material which informs the structure and ideas of the beautifully, vibrant garments.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
What Do You Really Hear When Asked ‘Where Are You Really From?’
Dans une Afrique du Sud hétéronormative qui peine à effacer les cicatrices de l’apartheid, la photographe Kristin-Lee Moolman développe une imagerie fantasque où des modèles queer redéfinissent la notion d’identité et mettent à mal l’ordre social.
Nataal Gallery Talks
Kali Uchis - Dead To Me (Acoustic)
The German-Ghanaian artist powerfully meshes photography and fabric to investigate the connections between codes of dress and culture

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
(via Simran Randhawa is the sustainably minded voice fashion needs right now)
Fashion favourite Charlotte Wales is no stranger to the pages of British _Vogue_ but after a string of portraits, front of book and beauty stories, the September issue marks her first main fashion shoot – and she’s off with a bang. Collaborating with the publication’s senior fashion editor, Poppy Kain, the images have Charlotte’s signature high-gloss, high-octane touch. The model's porcelain skin and red hair hint at the renaissance but Poppy's styling, with elements of 20s flapper girl, 90s ruffles and noughties body-con, combined with statement make-up by Hiromi Ueda bring it firmly into the modern-day.
Fashion favourite Charlotte Wales is no stranger to the pages of British _Vogue_ but after a string of portraits, front of book and beauty stories, the September issue marks her first main fashion shoot – and she’s off with a bang. Collaborating with the publication’s senior fashion editor, Poppy Kain, the images have Charlotte’s signature high-gloss, high-octane touch. The model's porcelain skin and red hair hint at the renaissance but Poppy's styling, with elements of 20s flapper girl, 90s ruffles and noughties body-con, combined with statement make-up by Hiromi Ueda bring it firmly into the modern-day.