Movement nudge, for hands and wrists!
X
posting this with every artist tag i can think of, even if you dont do crochet, PLEASE TAKE RESTS FOR YOUR HANDS!!! no matter what medium artist you are, take care of your articulations

gracie abrams
2025 on Tumblr: Trends That Defined the Year
macklin celebrini has autism
Misplaced Lens Cap
taylor price

$LAYYYTER
Show & Tell
occasionally subtle
h
Mike Driver
untitled
Lint Roller? I Barely Know Her
EXPECTATIONS

Discoholic šŖ©
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
Fai_Ryy
The Stonewall Inn
Jules of Nature

seen from United States

seen from Portugal
seen from United States

seen from Mexico
seen from Italy
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from Germany

seen from Malaysia
seen from United States

seen from United States
seen from Germany
seen from Iraq

seen from Canada
@fuzzyclouds
Movement nudge, for hands and wrists!
X
posting this with every artist tag i can think of, even if you dont do crochet, PLEASE TAKE RESTS FOR YOUR HANDS!!! no matter what medium artist you are, take care of your articulations

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Only once before have I seen them from afar in waking life, but I know them and their names
-- The Fellowship of the Ring, Book 2, Chapter 3
day 6 / ???
Only day you can reblog this
Next time you can reblog will be on 26th January 2025
An Old Friend, a short comic about beasts and companions marching through a forest. It's a sequel to a longer story I'd like to work on next year, set in late medieval/early modern western Europe with the same characters. Michel is a young shepherd who got hit by a curse and Olive is a sort of ghost who's been around for a while!
The symbols are referenced from the rock art of the forest of Fontainebleau, an incredible body of work spanning thousands of years. Most of the engravings are geometric petroglyphs from the Mesolithic period, but the recently-discovered Bronze Age signs have a very unique figurative style. There are stunning pieces in the collections of the MusƩe de la PrƩhistoire, but you can also see them onsite as the forest is home to over 2000 engraved shelters!
I thumbnailed this comic last year and put it aside, but catching the unicorn exhibition at the MusƩe de Cluny made me want to dig it out and finish it. Singularly ill-timed (and slightly ominous) though, I had to take a short break in the middle of inking my pages because of our latest European heatwave, during which over a tenth of the forest was destroyed in a fire.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Kingfisher is 1920s occult mystery webcomic that updates weekly, about an amateur scholar and his roommate/bodyguard try to unravel the strange mysteries of the Kingfisher Box. Ā
Update here
Start here
See new pages early here
āDo Dead Malls Go To Heaven?ā
Experimented a bit with a new way of detailing the tiles. Kinda like it? This particular piece took a hell of a lot of work. Iād love if you shared the vibes itās giving off, for research purposes š
@marypsue
thing i did a week ago
wildflowers

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
The best magicians don't reveal their tricks.
Everyone meet just a normal goose :)
Glad you guys like this totally normal goose!
I am making everyone remember normal goose
Well, I can not find the original separate post of this so Iām just going to tack these on here
Thank you @glitterdustcyclops !
"Six weeks into the term, I assigned my rhetoric and writing students a 20-page article. It was the same length I had assigned for five years and the same length I had read without complaint as an undergraduate a decade ago. Not one student finished it.
When I asked why, a student answered honestly: It was too long, and she kept losing track of what the paper was about. This was not a remedial class: These were students who had cleared the admissions process and written essays good enough to get them here. Yet a routine academic reading assignment had defeated them.
Every generation of professors has complained that their students cannot read. The lament is usually overblown, but data have caught up to anecdote, and what I am seeing in my classroom is no longer a hunch. There is a measurable, generational collapse in sustained reading and writing, and the academy is responding to it with improvisation and exhaustion rather than the structural overhaul it requires.
In February 2024, Adam Kotsko, who teaches in the Shimer Great Books School at North Central College, wrote in Slate that students who once handled 30 pages of reading per class meeting now seem āintimidated by anything over 10 pages and seem to walk away from readings of as little as 20 pages with no real understanding.ā Crucially, he added that this is ānot a matter of laziness on the part of the studentsā but of underlying skills they were never given a chance to build.
The Chronicle of Higher Educationās 2024 investigation found the same pattern across institutions as different as the Stevens Institute of Technology and Wellesley College, where the average SAT exceeds 1400. Nicholaus Gutierrez, an assistant professor at Wellesley, told The Chronicle that the baseline for what students consider a reasonable amount of work has dropped so noticeably that he has cut his readings accordingly; a 750-word essay now strikes many students as long. At Stevens, the science and technology studies associate professor Theresa MacPhail described following the mantra of āmeet your students where they areā for so long that she has begun to feel ālike a cruise director organizing games of shuffleboard.ā
Worse, the national data tell the same story in colder language. On the 2011 National Assessment of Educational Progress (NAEP) writing assessment, which is the most recent comprehensive writing benchmark, only 24 percent of 12th graders reached the Proficient level, and just 3 percent reached Advanced; another 21 percent scored below Basic. The reading side of the ledger is worse, and getting worse fast: The 2024 NAEP results released in September 2025 show 12th-grade reading scores at the lowest level recorded since the assessment began in 1992. Thirty-two percent of 12th graders now score below NAEP Basic in reading, meaning that, in the assessmentās own language, they likely ācannot draw general conclusions based on concepts presented explicitly in a text.ā And yet more than half of these same seniors reported being accepted to a four-year college. That last sentence is the whole problem in one line: We are admitting a cohort that cannot read at a college level and are pretending otherwise.
Why is this happening? One reason, of course, is smartphones.
I came into teaching as a skeptic of the anti-smartphone argument: I had a phone in my pocket throughout high school and college in the 2010s, and I read long books anyway. I now think I was wrong, because the neuroscience has caught up. In a 2017 paper, Adrian F. Ward and colleagues at the University of Texas at Austinās McCombs School of Business showed that the mere presence of a participantās smartphone ā whether that be face down, powered off, untouched, or across the desk out of vision ā measurably reduces available working memory and fluid intelligence on cognitive tests, with the largest effects on the most phone-dependent users. A 2022 study by Motoyasu Honma and colleagues at Japanās Showa University used near-infrared spectroscopy to compare reading on a smartphone with reading the same passage on paper, and found that smartphone reading produced overactivity in the prefrontal cortex, suppressed sigh generation, and led to general lower comprehension scores; the authors argued that the sigh inhibition and prefrontal overload were causally linked to the comprehension decline.
So when a student tells me they ākept losing trackā of a 20-page article, I have to acknowledge that they may be describing a measurable neurological condition. The neural pathways that support sustained attention are built by use, and they atrophy without it. Your body is a use-it-or-lose-it system, and the brain is no exception.
Another reason for the decline in student reading capability is increasing reliance on generative AI. In June 2025, Nataliya Kosmyna and colleagues at the MIT Media Lab released a preprint titled āYour Brain on ChatGPT.ā They divided 54 participants into three groups writing SAT-style essays ā one using ChatGPT, the second group using a search engine, the last group using nothing ā and monitored brain activity with a 32-channel EEG. The ChatGPT group showed the lowest neural connectivity of the three, with up to 55 percent reduced connectivity compared with the brain-only group, and āconsistently underperformed at neural, linguistic, and behavioral levels.ā Eighty-three percent of LLM users could not quote a single line from essays they had written minutes earlier. When the LLM group was forced to write without AI in a follow-up session, their brain activity did not bounce back to baseline; the researchers coined the term ācognitive debtā for the lingering deficit.
This is the first neurophysiological evidence that early reliance on LLMs measurably alters the brainās engagement with writing tasks, and it is consistent with what those of us in front of classrooms are watching happen in real time. When I assign analysis, I am not trying to extract a polished product; I am trying to put the studentās mind through resistance in order to make it stronger. Offloading the struggle to a chatbot does not āfree students up for higher-order work.ā It deprives them of building the strength to do any substantial cognitive work at all.
There is a final factor that is contributing to this decline in reading skills, and that is that the students arriving in my classroom today are the first cohort to have experienced Common Core-influenced reading instruction across the entirety of their Kā12 schooling. Whatever the standardsā original intent, the on-the-ground implementation in many districts replaced sustained reading with the practice of pulling āevidenceā from disconnected short passages, the same format used on the standardized tests that increasingly determine school funding. The education scholar Natalie Wexler, among others, has documented this pivot in detail: Students drilled on āfinding the main ideaā in two-paragraph excerpts never build the stamina or background knowledge that longform reading requires. The pandemic then added fuel to a fire that was already burning. NAEP scores for 13-year-olds dropped sharply in 2022 and have not recovered. A 2023 EdWeek survey found that 24 percent of secondary-school administrators described pandemic learning loss in English and language arts as āsevere or very severe.ā
In July 2025, the journalist Mary Harrington argued in The New York Times that āthinking is becoming a luxury good.ā The ability to read deeply and reason at length is fragmenting along class lines as ultra-processed digital media replaces text in everyday life, much as ultra-processed food has replaced cooking. Her longer treatment of the subject in First Things makes the more provocative case that we are witnessing the end of print culture itself, and with it the end of the cognitive substrate on which modern liberal democracy was built.
I see this stratification in the classroom and on the page every week. My students from districts that protected sustained reading through small class sizes, strict phone policies, and faculty who refused to teach to the test all arrive with their attention relatively intact. My students from districts that surrendered to devices and standardized testing arrive cognitively winded. A democracy that requires a literate electorate is now training one fraction of that electorate out of literacy while marketing to the other a ādeep workā lifestyle as a luxury good. The students who cannot read a 20-page article today are the voters who will not be able to read a bill, or the jurors who cannot follow a closing argument, tomorrow.
I do what I can in my own classroom to address the problems. I break 20-page articles into two halves and assign the first half with explicit analytical tasks. I require exploratory writing before formal drafts. I model (visibly, on the board) how to track an argument across pages or distinguish a sourceās claim from my own analysis. I make structured peer review explicit, because the workshop format I used to take for granted now collapses into āthis is goodā and āmaybe add more detailsā the moment I step back.
But I want to be plain about the limits of what an individual instructor can do, and all of these solutions have costs. Scaffolding a 20-page article into halves compromises the integrity of the argument I am asking students to engage, just as modeling note-taking in a credit-bearing rhetoric course is using a college slot to teach a middle-school skill. None of the syllabi I teach are designed to deliver this type of cognitive rehabilitation, and pretending otherwise has produced credential inflation. We cannot keep conferring degrees on students who cannot do what the degree is supposed to certify.
Iām afraid I donāt have answers. I do, however, have some questions that may point us in the right direction. If higher education is going to respond to the reading crisis as a structural problem rather than a private burden carried by composition instructors and adjuncts, it has to stop avoiding the following questions: If a majority of incoming students cannot read at a level the curriculum requires, are we admitting students we cannot serve, or offering a curriculum we cannot provide?
Why are first-year writing and reading-intensive general-education courses still the most adjunctified, lowest-paid, highest-load corner of the university, at the precise moment when their work has become the most important work the institution does? What is the responsible institutional response for AI usage: Is it a syllabus statement, or a sequencing principle that requires students to demonstrate the cognitive work themselves before AI assistance is permitted?
Why are most college classrooms still phone-permissive by default? Kā12 districts from Florida to California are now banning phones bell to bell; higher education has somehow lagged behind the public schools. Universities benefit from a pipeline they did not build and refuse to repair. What would it mean for a university system to invest seriously in the reading instruction happening in the high schools that feed it, rather than treating remediation as something to be quietly outsourced to first-year composition instructors?
The thing I am no longer willing to do is pretend this is a temporary adjustment period, or that āstudents will adapt.ā They will not adapt on their own. The conditions that produced this collapse are still in place: the phones, the algorithmic feeds, the test-prep excerpts, staffing models that load the reading-intensive work onto the most precarious faculty, and now the chatbots that finish studentsā sentences before theyāve even begun to think of them. If we want literate citizens, we will have to rebuild the conditions for literacy deliberately, against the grain of every incentive currently pointed the other way. I know the academy has the will to do that. It also has the obligation."
ā Tyler Jagt, 1 June 2026, "My Students Canāt Read"
The generational collapse in literacy is measurable, persistent, and likely to get worse.
Chris Cyprus (British), Under the Hawthorn Trees, 2026, Oil on canvas
outtakes

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
explain your gender in 10 words or less without using boring words like āmaleā, āfemaleā, ānonbinaryā, āmasculineā, āfeminineā orĀ āandrogynousā.
go!
just so yall know
art block is your brain telling you to do studies.
draw a still life. practice some poses. sketch some naked people. do a color study. try out a different technique on a basic shape.
art block doesnt stop you from drawing, it stops you from making your drawings look the way you want them to. and thats because you need to push your skills to the next level so you can preform at that standard
think of it as level grinding for your next work.
As a scientific illustrator- this is 100% true and going to review your basics will fix it every goddamn time.Ā Not only does it keep your skills sharp, when youāre not emotionally invested in the final product of a piece, you relax and your brain makes more/better art juice for you.Ā So, when you get back to that big/important piece?Ā Youāll know what to do and how to do it.
Nothing in nature blooms all year round.Ā Rest, and take care of yourself.
i want someone to put this into writerās blocks now
Writerās block means you need to relearn the whole alphabet. idiot.
For writers block- same thing. Do Studies.
Write a description of an object. write the weather today. Write a made up characterization of a random photo of an actor from the internet as to the character they are in that picture. Write a little story about your petās day. Write about spilling soup and make it super dramatic and tragic. Write about someoneās day being ruined and make it funny. Write a meetcute coffeeshop AU of two OCs youād never put together- maybe from different stories. Write them breaking up.
Write a bunch of short stuff meant for no audience ever and super duper self indulgent.
@sweetiepie08
@kanerallels
I found out relatively recently that it really helps if I write short fiction surrounding the novels I write. Like oh? Iām stuck for a bit? Ooh there was that section I wanted to explore but doesnāt fit in the plot really. There was that what-if that could never happen in the actual story but would be fun to explore. It keeps me in the charactersā headspace (tho thatās not always what Iām needing) but not right where they are exactly.
Yes! I have gotten past writersā block multiple times by writing drabble collections. Making something coherent happen in just 100 words is a very different challenge from writing a long story and it also lets me get past plot points that I donāt want to explore in-depth.
I am also going to have to start drawing studies nowā¦