Fuck Yeah Tera Melos

Christer Lunnan-Reitan, Vladimir Necovski, and myself came together to put together a international split EP featuring SLVDR - Instrumental from Brazil and MOMA from Japan. Feels good being apart of this sort of project where you can bring 4 different countries together to put out a kick ass record! Thanks to SLVDR, MOMA, Delayed Gratification Records, Kakusan Records(Norway),anyone who had something to do with this release!

There is a link below where you can stream entire split below. With the purchase of the record you will receive a DL card which features the download of a unreleased song from the EP. From now until tomorrow you can grab the record still for $5! Seriously, if you truly love the music you are hearing on this release. Please support smaller diy labels on the come up.

Buy Vinyl: http://tightwolfrecs.storenvy.com/…/13399866-slvdr-moma-spl… Stream: https://www.youtube.com/watch?v=faQHhF_MrgU FFO: Post Rock/ Emo/ Math Rock/ Experimental

Pressing Info: 100 Opaque Violet (TWR) 100 Transparent Blue (DGR) 100 Coke Bottle Clear (KSR)

The Go-Betweens -  Liberty Belle and the Black Diamond Express Jean (1986)

Jean-Paul Sartre Experience -  The Size of Food (1989)

Tera Melos -  Drugs to the Dear Youth (2007)

Tera Melos - Drugs / Complex (Full Album)

If you are wondering whence the next generation of Adrian Belews and Nels Clines will come, wonder no more. As is the case with Belew and Cline, effects are not an adjunct to Nick Reinhart’s playing but an integral part of it. Watching Reinhart dance on his pedals during a Tera Melos performance, you might be reminded of a classic hoofer tapping out complicated rhythms. But be careful, lest the choreography cause you to miss the high level of technical facility that lets him finger complex chords, whip through rapid atonal lines, and tap out figures and riffs on the fretboard—all while handling the lead singing chores.

“I’m really into combining cool sounds and complex ideas with melodic parts,” Reinhart says. “There can be crazy stuff happening with the guitar that perhaps only musically trained people might understand, but then I sneak in a melody that anybody would be able to follow.”