Yea their symmetrical depression

pixel skylines

Cosimo Galluzzi

⁂
will byers stan first human second
🩵 avery cochrane 🩵
he wasn't even looking at me and he found me

@theartofmadeline
taylor price

PR's Tumblrdome
Misplaced Lens Cap
Keni

Product Placement
Cosmic Funnies
TVSTRANGERTHINGS
untitled
$LAYYYTER
Game of Thrones Daily

izzy's playlists!
seen from United States

seen from Ecuador
seen from United States
seen from Bolivia
seen from Argentina
seen from China
seen from Chile

seen from South Africa
seen from Italy

seen from Argentina

seen from Uruguay
seen from United States
seen from Tunisia

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@fuckyeahnaturalphilosophy
Yea their symmetrical depression

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Stephen is the roving indoor/outdoor cat of the Surprise. You never really know where he’s been and he comes back smelling weird or in mysterious disarray, but as long as he returns home to his kibble and purrs it’s gauche to look into it too deeply.
He’s also probably not great for native bird and small animal populations
It’s painfully endearing how both of them always automatically assume the other one will delight in anything they themselves enjoy, and how off the mark they always are
what’s your favorite ship?
titanic
hms terror
uss enterprise
ever given (the container ship that blocked the suez canal in 2021)
captain ahab’s whaling vessel
ship of theseus
battleship monopoly token
mclennon
my fave used to be the ship of theseus but lately its just not the same
Um?!?! HMS Surprise?

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Bad News about HMS Surprise
“I am writing to share that the Museum has recently made a difficult long-term decision regarding the vessel’s future.
After extensive professional evaluation and careful consideration by the Board and staff leadership, the Museum has determined that keeping HMS Surprise in our fleet is not financially viable. The cost required to bring the ship up to the standard our visitors, crew, and community deserve is no longer feasible nor responsible.
Earlier this year, the Museum brought in a professional marine surveyor to carefully inspect our historic fleet and the resources required to properly steward them. The cost to sufficiently restore HMS Surprise is estimated to exceed $25,000,000. The Museum simply does not have the resources for this, and it would significantly limit our ability to care for the rest of the collection and advance our educational mission.
Therefore, the decision has been made to permanently close HMS Surprise to the public on August 1, 2027. We will be announcing this to our museum community and the public in the coming month.
Please know that this decision was not made lightly. For more than 20 years, the Museum has devoted considerable resources to maintain HMS Surprise as a vital part of the Museum’s historic vessel collection. She has played an extraordinary role in bringing maritime history to life, inspiring countless visitors, students, and supporters over the years. Before she is closed to the public, the Museum will be appropriately honoring and celebrating her over the next year.
I do want to be clear that this decision is final, and the Museum will not be launching a fundraising campaign to reverse it. The Museum staff is exploring options for her next chapter, including but not limited to potential entertainment industry opportunities, among other solutions. We will share updates when available.
We deeply appreciate the recent support you have shown HMS Surprise. However, I understand that this information may change how you wish to direct your donation. The funds can be redirected to another vessel, our education programs, or to the Museum’s general operating fund. I also understand that you may choose to have your donation refunded and am happy to assist with that as well. My office number is below if you need to reach me via phone.
Thank you again for your support and interest in our work.
Sincerely,
Kate
Kate O’Neill
Director of Development & Membership
Maritime Museum of San Diego”
Source
Albert Bierstadt, The Shore of the Turquoise Sea, 1878, oil/canvas (The Middleton Family Collection, Philadelphia)
Shop gallery quality Art Prints by Lucy Bellwood.
40% off INPRNT sale alert!
You wanna get some SPACE WHALES?
Or perhaps a PICTORIAL GUIDE TO SAILORS' TATTOOS?
Or maybe just some BIG-ASS SHIP PINUPS?
Go right ahead.
Sing me a chanty.
Sing a hymn of Trafalgar.
This female character actually the HMS Victory gijinka I created before, but I was too lazy to polish her up so now she's just an unidentifiable mess.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
”This portrayal of a marginalized group was wrong then and is wrong now” and “This portrayal of a marginalized group was very progressive for the time period and paved the way for more representation while likely limited by factors outside of the creator’s control” are two statements that can and should ABSOLUTELY coexist and be kept in mind when interacting with older media
Great example
it doesn't hurt, Horatio. don't let them say it hurts.
Hornblower: Retribution (2001)
Bark Europa in the Drake Passage
Video by benjaminhardman
Master and Commander vibes with the Bark Europa - Floreana Island, Galapagos - 📸 @joshuavelaf
If one more post will list Ivan Aivazovsky as a russian in my feed I'm gonna start a rant. Another rant about a stolen artist identity. Are we sure we want that right now???
It seems like the world (or more like Tumblr) is pushing me towards ranting about Aivazovsky in the context of him being yet another artist stolen by russian colonialism. And if you know me by now, you know I currently have two obsessions passions: the Silmarillion and russia stealing Ukrainian* artists in the process of colonisation (and I'm not saying just visual artists btw!)
Without further ado:
Ivan Aivazovsky: an Appropriated Ukrainian Armenian Marinist
Let's start with the fact that his name was not Ivan Aivazovsky; his real birth name was Hovhannes Aivazian (Armenian: Հովհաննես Այվազյան), and he was a son of an Armenian merchant from Galicia, a region that has historically had a large Armenian population. Aka, a Galician Armenian. Even that name spelling is Galician, too.
The inside of the Armenian Cathedral of the Assumption of Mary in Lviv (I've been there!)
Then why on earth do we even call him Ivan Aivazovsky, you ask? Good question!
To conform to the Russian-speaking environment of the Russian Empire, of course.
Why did he study in Saint Petersburg, then? Cause everyone and their mother did, since they literally had zero choice. No, seriously. Russian Empire didn't allow an academy of arts to be established in Ukraine, so most prominent Ukrainian artists at the time were forced to study in Saint Petersbourg. That's where he was first called Ivan, btw.
The artist himself didn't want to live in Saint Petersburg at all (a trait that you will actually find common across Ukrainian artists and cultural figures forced to live and study there). He loved Feodosia (Theodosia), Crimea, above all else, and even divorced his first wife due to not wanting to live in so called "cultural capital".
Can't really blame him, personally.
"But he painted russia!" Someone will say.
He was appointed as an official Russian Navy painter. It was his job. And aside from his literal job, he seldom painted russian landscape. You know what landscape and whose traditions he did paint a lot, though?
Uh-huh. Yeah.
Just look at this:
A Wedding in Ukraine. 1892.
You can tell it is a Ukrainian landscape, not even by the name, but by the white houses with thatched roofs and the clothes on the people, but also by the rather symbolic prevalence of blue and yellow (trust me, we'll return to that)
Don't believe me? Okay, here's another one:
Chumaks (Ukrainian salt merchants) in Malorossya (russian imperial name for Ukraine). 1890
You know what, there is one very peculiar painting of russia, though. One that was actually gifted by the artist himself to Emperor Nicholas I and that for some strange reason was only exhibited twice in russia:
Fire in Moscow. 1812 (quite possibly one of my favourite of his paintings for a reason)
The freaking irony? Burning Moscow? Gifted to its emperor?? Blue and yellow?
Oh. My. God!
Add to the fact that, as I've said, the work was exhibited in russia only twice: at the exhibition immediately after its painting and at the Tretyakov Gallery in 2016 at the exhibition dedicated to the 200th anniversary of the artist.
I wonder why.
Not to mention the author criticised russia in other paintings, such as this one, describing a famine in russia that they couldn't stop without the help of the USA:
Food Distribution. 1892
This one and another one, "The Relief Ship" or The Arrival of the Steamer "Missouri", 1892, were actually fully forbidden from being exhibited in russia, probably because they're a reminder of the worthlessness of the monarch who provoked the famine.
But of course, we love Aivazian for his marine paintings. I know you've probably all seen The Ninth Wave, but there are some I would rather introduce you to.
Crimean Tatars on the Seashore. 1850
This one showcases Aivazian's connection to Crimean Tatars, or Qırımtatarlar, the indigenous people of Crimea, Ukraine. Plus, what a breathtaking sunset. I long for the Black Sea just from looking at it, and it's hard for me to even imagine how a displaced Qirimli must feel 🫂
Valley of Mount Ararat. 1882
This one is not of the sea, but there's something so profound in how he paints his historical homeland. Look at these colours. They're soft, gentle, almost.
I am not Armenian, but that's probably how I'd paint the homeland I miss. Speaking of that:
Reeds on the Dnieper near the town of Oleshki. 1857
Dnipro. My sweet, sweet Dnipro. I live next to this river, and God, how much I miss it all the time studying abroad. There's nothing quite like that river to me in he whole wide world. (Notice the blue and yellow again btw?)
Last but not least, to feed into my second obsession:
Battle of Cesme at Night. 1848
Cause I want to and I will make a fanart of the Burning of the Ships from the Silmarillion based on this one, that's why.
So, in conclusion:
1. Hovhannes Aivazian was born into a family of a Ukrainian Armenian.
2. He didn't really have much choice in studying in Saint Petersburg, a city he hated, and changing his own name.
3. His job was painting russian military ships (and we all know where these go), but his own paintings depict lives of Ukrainians (with the whole blue and yellow theme), Qirimli and Armenians, as well as criticism of the Russian Empire (the burning Moscow one is insane).
So now you know why Hovhannes Aivazian is a Ukrainian Armenian painter, or at least no less so than a russian one, if not more.
Hey! Apparently I write articles on decolonising Ukrainian art now, too! You should check this one out, it's about Malevych!
Thanks for reading!
💜

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
La Grace is a traditional tall ship and replica of an 18th-century brig inspired by Augustin Heřman, regarded as the first Czech seafarer. Built in Egypt between 2008 and 2010 by Czech and Slovak volunteers, she now sails as a training ship, keeping the traditions of historic seamanship alive.