I tap My Bong for two and cast Cough which will give me a +1/+1 counter on my commander, Delivery Driver, who generates a food token every time I cast an instant. Also now I will also cast "Second Hit" which will now double that food token.

oozey mess
YOU ARE THE REASON

blake kathryn

tannertan36
we're not kids anymore.

@theartofmadeline
Today's Document
Jules of Nature
he wasn't even looking at me and he found me
RMH

pixel skylines
Sweet Seals For You, Always

Origami Around
Mike Driver
One Nice Bug Per Day

Kaledo Art

titsay
KIROKAZE

let's talk about Bridgerton tea, my ask is open

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@frost-advisory
I tap My Bong for two and cast Cough which will give me a +1/+1 counter on my commander, Delivery Driver, who generates a food token every time I cast an instant. Also now I will also cast "Second Hit" which will now double that food token.

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Mieko Shiomi, Spatial Poem, Osaka Kikaku Center, Osaka, 1976 [Fondazione Bonotto, Colceresa (VI). Librería El Astillero, Cantabria. Walker Art Center, Minneapolis, MN]
Richard Wells, “Tarrant’s Field”
illustration to “The Blood on Satan’s Claw” by Robert Wynne-Simmons
linocut on paper, 2021
old timer going back to work

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Rafael Well Zao new work May 2026
type of shit that happens to me when im just trying to update my nvidia drivers
*
joy sullivan

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A ROMAN LIMESTONE RELIEF
CIRCA 3RD CENTURY A.D.
Sculpted in high relief with an offering scene to a pantheistic Abraxas within an aedicula, the triangular pediment with a shell-form niche framing the god's head, acanthus and palmettes for the acroteria, the syncretistic anguipede deity depicted with a wolf head crowned with sheaves of wheat, a human body clad in an animal skin, a marine-like fringe at the hips and snake legs, the head in profile to the right, the ears erect, the mouth open revealing fangs, holding a key in his raised right hand, poppies, a caduceus and sheaves of wheat in his extended left, the snake-heads of his legs slithering toward his attributes, a table to the left with a ram head, a diminutive bearded man kneeling at the right, presenting a loaf of bread on an offering table, its support with a lion head and a feline paw.
CIRCA 3RD CENTURY A.D.
Chance Encounters #044
https://www.mixcloud.com/thomasmartinnutt/
Marina Cyrino, Mário Del Nunzio, Matthias Koole, Gordon Ashworth, Ian William Craig, Adam Matschulat, Aleister Crowley, Viv Corringham, Susan Howe, Geneva Skeen, Robert Creeley, Mess Noir, Andrew Bernstein, Jacqueline Humbert, Charbel Haber, Herbert Distel, Laraaji, Bonjintan, Marija Kovačević & Theo Gowans, Jérôme Bouve & Arthur James, M.C. Schmidt, Valentina Goncharova, Jake Muir, Barbara Guest
Photography by Xuebing Du
2026 May 23
Messier 2 Image Credit: ESA/Hubble & NASA, G. Piotto et al.
Explanation: After the Crab Nebula, this giant star cluster is the second entry in 18th century astronomer Charles Messier’s famous list of things that are not comets. M2 is one of the largest globular star clusters now known to roam the halo of our Milky Way galaxy. Though Messier originally described it as a nebula without stars, this stunning Hubble image resolves stars across the cluster’s central 40 light-years. Its population of stars numbers close to 150,000, concentrated within a total diameter of around 175 light-years. About 55,000 light-years distant toward the constellation Aquarius, this ancient denizen of the Milky Way, also known as NGC 7089, is 13 billion years old. An extended stellar debris stream, a signature of past gravitational tidal disruption, was recently found to be associated with Messier 2.
∞ Source: apod.nasa.gov/apod/ap260523.html
"Városi firkák", Eszter Bornemisza, 2017. Mixed media. [bornemisza.com]

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I'm afraid of the walls, of the furniture, of familiar objects, which seem to me to take on a kind of animal life. Above all, I am afraid of the horrible confusion of my thoughts, of the way my reason becomes blurred and elusive, scattered by a mysterious, invisible anguish. At first I feel a vague uneasiness which enters my soul and sends shivers all over my skin. I look all round me. There's nothing there. And yet I wish there were something there to be seen—something I could understand. The only reason I'm frightened is that I don't understand the cause of my fear. I happen to say something aloud—and I'm frightened by the sound of my own voice! I walk about my room—and I'm afraid there might be something strange behind the door, behind the curtains, in the cupboard, under my bed. And yet I know very well that there is nothing there at all.
Guy de Maupassant, "He?"
Pierre Soulages. Lithographie N° 37, 1974