Aqua Utopia|海の底で記憶を紡ぐ
Cosimo Galluzzi
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if i look back, i am lost

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"I'm Dorothy Gale from Kansas"
Today's Document

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Origami Around
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@frenchnavyy

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not to be uhhh one of them but my energy is truly unmatched and everyone doesn’t deserve this shit. idk who or what I was in my past life but it’s felt

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desert flower : nei lydia for blvd mag
elixir of the sun
age 11: worry about internet people finding me in real life
now: worry about people in real life finding me on the internet
Dagger with Sheath, Arms and Armor
Medium: Steel, skin (shark), jade, gold, ruby, emerald, sapphire, gemstone, silver
Bequest of George C. Stone, 1935 Metropolitan Museum of Art, New York, NY
http://www.metmuseum.org/art/collection/search/31403

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Quote by unknown
May you NEVER be in a position to not afford your rent!
Sending good vibes to everyone with rent, utilities and more bills than bills! Better days are ahead.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A remarkable Jacobean re-emergence after 200 years of yellowing varnish Courtesy Philip Mould
PAINT RESTORATION OF MESMERIZING
I saw this on Twitter. He’s using acetone, but a cellulose ether has been added to make it into a gel (probably Klucel—this entire gel mixture is sometimes just called Klucel by restorers, but Klucel is specifically the stuff that makes the gel).
Normally, acetone is too volatile for restoration, but when it’s a gel, it becomes very stable and a) stays on top of the porous surface of the painting, and b) won’t evaporate. So it can eat up the varnish.
It looks scary, but acetone has no effect on oils, and jelly acetone is even less interactive with the surface of the paint or canvas.
this is my kind of ASMR
see you again - tyler the creator