[⸮] ⠀ 𝓽ħ𝕖ℝᵉ'𝐒⠀ ⠀ˢᵒᵐᵉᵗʰⁱⁿᵍ⠀⠀ (⠀⠀ꜱᴛʀᴀɴɢᴇ⠀⠀) ⠀about⠀ …⠀𝕹i̶k̶k̶i̶⠀ ⠀⠀,
░ #𝗙𝗥𝗘𝗠𝗔𝗡𝗜𝗔 nikki freeman , by 𝓶𝓸. EST. 6 / 4 / 2026
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KIROKAZE
Misplaced Lens Cap
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@fremania
[⸮] ⠀ 𝓽ħ𝕖ℝᵉ'𝐒⠀ ⠀ˢᵒᵐᵉᵗʰⁱⁿᵍ⠀⠀ (⠀⠀ꜱᴛʀᴀɴɢᴇ⠀⠀) ⠀about⠀ …⠀𝕹i̶k̶k̶i̶⠀ ⠀⠀,
░ #𝗙𝗥𝗘𝗠𝗔𝗡𝗜𝗔 nikki freeman , by 𝓶𝓸. EST. 6 / 4 / 2026

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𝙷auntings contrary to any popular consensus possess some very little interest in [ THE DEAD. ] The dead are, by all available accounts, remarkably cooperative. Given sufficient enough years & uninterrupted soil, they relinquish even their names to weather, surrendering cartilage & confession alike. It is the living who prove troublesome. Outside the meeting, the air has gone soft & strange with that particular thinness that settles over small towns, parking lot having thinned to a scattering of cars & a single overhead lamp making complaints against the dusk. THERE'S DAN: pale beneath the amber wash of the streetlamp, resting there in that loose, weary posture. Nikki occupies the curb some few feet away, with her arms drawn round her knees flush against her chest until she resembles something woodland & underfed. Her thumbnail wanders absently over the denim stretched across one knee. They have both elected, with silent unanimity, to stay here on this curb.
@backlotvideo (DAN): "THAT'S SOMETHING I DON'T FORGET, SOMETHING THAT I WILL NEVER FORGET." , ©
𝚄nderstood all too well. “ I think I'm haunted, too. ” She is present in the most BRUTAL WAYS available to her unanesthetized & aware of every seam in the sidewalk & every crack in the wall. Fingers drift upward, brushing a strand of obsidian hair behind one ear before losing interest halfway through the motion. Eventually she raises one finger & knocks once, twice against her own temple. “ And sometimes I think she's still in there, somewhere. ” Nikki speaks around herself carefully, brushing dirt from fragile bones. 𝗦𝗵𝗲 𝗵𝗮𝘀 𝗯𝗲𝗲𝗻 𝗯𝗶𝘀𝗲𝗰𝘁𝗲𝗱.
There is a Nikki that sits here now, strange & sticky hunger, uncanny & growing teeth in her chest. And a stranger, barred behind it all. There is a comparison to be made here to some starving animal kept too long in a dark, air-tight room, some bloodthirsty & watchful thing, mistaking its own hunger for company. Nikki wears that comparison, in the glossy fixed stare of her pupils, in the crouched ferality.
She shrugs after, a small offhand motion that does very little to lighten the freight of it, then looks up where Dan stands against the dark backdrop of evening. Hopeful is a fragile sort of thing. Yet there it is anyway, lifting its narrow head behind Nikki's eyes. “ If you looked ( ... ) could you find her? Y'know, the before? I think I'd believe whatever you say. ”
......... @puinsh oopshe'sback
⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ⠀ ᴬᵁᵀᵁᴹᴺ˒ [?]
⠀ ⠀ ⠀ ⠀ ⠀ 𝔇̲ⁱ𝚊ʀᵧ ᴱ𝒩𝗍𝚛𝑦...
ℑ have always been 𝔰𝔲𝔰𝔭𝔦𝔰𝔠𝔦𝔬𝔲𝔰 of people who claim... they remember the exact moment a relationship began. It is almost never true. People remember the moment retrospect makes important. The first kiss becomes destiny. 𝚃𝙷𝙴 𝙵𝙸𝚁𝚂𝚃 𝙵𝙸𝙶𝙷𝚃 𝙱𝙴𝙲𝙾𝙼𝙴𝚂 𝙿𝚁𝙾𝙿𝙷𝙴𝙲𝚈. The first time someone says ℑ 𝔏ᵒvₑ ɏøᵾ becomes the point where the trap snaps shut. But real beginnings are smaller than that. A glance. A sentence. A shared joke. 𝒜 𝗴𝗶𝗿𝗹, and a plate of fries.
𝚃here is a 𝖘𝖚𝖇𝖚𝖗𝖇𝖆𝖓 kind of tame to our house, it’s what people imagine when they spend ₃₀-years climbing toward it. The quiet sold in real-estate brochures; THE QUIET BOUGHT BY MY TRUST FUND. Our backyard stretches beyond the kitchen windows in curated agricultural perfection, that can bring 𝓜artha 𝚂tewart to tears. Hydrangeas. Rose bushes. A little stone pathway Nick promised he'd finish himself and never did. Just like Nick to.... Somewhere beyond the manicured hedges, fireflies drift lazily over the lawn, ƀłɨnꝁɨnǥ in the darkness like tiny surveillance cameras. Inside, the grandfather clock ticks. nick is asleep upstairs. One arm thrown over my side of the bed, probably. He always sleeps like he expects me to return. The thought makes me smile, or perhaps it makes me sad. The distinction grows blurrier every year. This year, it's cotton. I sit curled in an armchair with a 𝐇ermès throw draped across my knees, and a glass of Puligny-Montrachet balanced on the armrest. ACROSS THE ROOM IS NIKKI FREEMAN. Cocooned on my couch like an alley cat. The one that curls around your leg, & purrs beneath your touch. Blankets are swallowed around her shoulders. 𝙴𝚇𝙷𝙰𝚄𝚂𝚃𝙸𝙾𝙽 𝚆𝙾𝚅𝙴𝙽 𝚃𝙷𝚁𝙾𝚄𝙶𝙷 𝙴𝚅𝙴𝚁𝚈 𝙻𝙸𝙽𝙴 𝙾𝙵 𝙷𝙴𝚁 𝙱𝙾𝙳𝚈.
@fremania⠀ ⠀ ⠀ ⠀ ── ⠀ ⠀ ⠀ ⠀ [ 03∶11 ], ⠀ ⠀ ⠀ ⠀ THE LIVING ROOM.
𝚆hen I opened the door to her 𝖘𝖎𝖑𝖍𝖔𝖚𝖙𝖙𝖊 outlined in the darkness, glossing over the grime under her fingernails, and the questionable stain decorating the front of her 𝐂herry-red top, There is something strange about Nikki Freeman. ───𝙸 saw a girl with sharp eyes in a bar in Manhattan in the summer. I saw a group of teenagers ᵽɍɇŧɇnđɨnǥ adulthood fit them better than it did. I saw sweat tearing through lined eyes & glossed lips. How fleeting to be young in New York. I remember buying her a plate of fries because she hadn't eaten enough. I remember her sitting across from me in a cracked vinyl booth. Elbows on the table. WATCHING ME. Studying me like she expected an answer to a question she hadn't asked.
𝙸 find my eyes return to her now, the blanket cocoon. Her, nestled in my home like a curator; 𝙲𝙾𝙻𝙻𝙴𝙲𝚃𝙸𝙽𝙶 𝙿𝙴𝙾𝙿𝙻𝙴 𝙻𝙸𝙺𝙴 𝙿𝙴𝙾𝙿𝙻𝙴 𝙲𝙾𝙻𝙻𝙴𝙲𝚃 𝚂𝙾𝚄𝚅𝙴𝙽𝙸𝚁𝚂. And then she speaks, melodious. I laugh softly into my wine. Can you stay? I'd miss you if you don't, I think. 𝓕or a moment.. [something strange] passes through me. A feeling I can't quite name. How odd. Amazing Amy would make sense of this, always one step ahead of me. And as she pats the empty space beside her, I set my wine down. Rise from my chair, & lower myself onto the couch. Close enough that shoulders almost touch. I tip my head back against the ivory cushions, and feel my hair spill across the upholstery like a sheet of 𝔤𝔬𝔩𝔡 𝔰𝔦𝔩ƙ. a smile curls at the corner of my mouth. What game are we playing Nikki? “ Hmm... 𝑌ᵒᵤ seem awfully disappointed by the possibility that ℑ'𝔪 just a 𝒲oman sitting on a couch. ” I turn to look at her, & regard the faint smell of something floral. 𝔉lowers left too long in a vase, sweetness on the verge of decay. Interesting. “ 𝒲hat have you been up to since New York? ”
𝙱y the time Amy comes aside her, Nikki has already appeared to arrange herself low & UNCANNY, cheek pressed against the back of the couch.
[ ɑׁׅ֮ ꩇׁׅ݊ᨮ꫶ׁׅ֮ all pale composure, silk-spill hair, expensive stillness. This cultivated femineity that seems entirely natural & painstakingly engineered, & Nikki turns her face to study this diorama of sovereignty; the curve of her mouth, the geometry of her profile, the minute fluctuations in her expression. Nikki wants to remember her this way, to press Amy into the soft black tar of her mind & leave an imprint there deep enough to survive flood or fire. ]
𝙰 woman sitting on a couch. “ You were nice to me. ” The words are soft as dust shaken from velvet, & yet their softness does nothing quite to lessen the density; if anything, it adds the weight. [ NEW YORK, ₂₀₂₁ ] In that fever-bright little terrarium of summer where the city sweated through makeup & everyone under twenty-five pretended they belonged to themselves Amy looked across the space & seen Nikki as more than a spectacle, more than a delinquent slip of a thing trying on adulthood. A girl with appetite, a girl with little splintered rebellion under the skin. ᵀᴿᵁᵀᴴᶠᵁᴸᴸʸ? Nikki had been trouble then in all those drab, adolescent ways: angry for the endless reasons, restless in the bones, trying to live free with the desperations of someone who did not know freedom. Amy had looked at her just as she was & not with the nurturing recoil of women who can smell volatility on girls. Let her be watchful, strange, hungry, & across the way, Nikki had studied her in return with the grave, unblinking fixation of a girl glimpsing some otherworldly species of womanhood. [ Amy was like that of those grand houses she'd seen by the beach with all the curtains drawn beautiful & everything had a place, but unnerving when one senses what goes into such order. ] What have you been up to since New York ? & Nikki feels something inside react with animal convulsion, bone-deep flinch. How could she left out the correct sequence of horrors & rinse them clean enough for this perfected living space? How could she bring such torture to comprehension? gσ∂, she fucking hates him. A hatred grown like willow roots into riverbank mud drinking the rot, thickening on it. [ HATES WHAT HE MADE OF HER. ] Blood, psychic moral of it all and fury, great vats of it. “ ... Nothin' good. ” Simply said. A bleak reduction, small & absolute. Her gaze slips away from Amy, over the manicured serenity before her. “ Things got a little weird, y'know. Later on. ”
𝙸t's almost funny, as though she was discussing a haircut gone wrong, a brief goth phase, an ill-advised tattoo. [ It's in her nature, ] wrapping her catastrophes in sugar paper. “ I tried being good for a little while. ” / This rehabilitation fantasy, she'd tried to recover in earnest: quit the phases, quit the addictions, quit the need to reinvent every few months to avoid meeting herself in a mirror. Nikki wanted to find her footing. “ ᴵ ʷᵃⁿᵗᵉᵈ ᵗᵒ ᵇᵉ ᵃ ʷʳⁱᵗᵉʳ , ” & There it is, the corpse of the future. A mournfulness so naked in the air, this portrait of a pale little ghost with ink on her fingers. It seemed so close for a second that one could reach out & brush its sleeve. BUT, every time she did, she'd found only this corporeal reflection looking back at her. When she looks back at Amy, Nikki's eyes have gone glossy with distance, as if some part of her has wandered off down a corridor for her eyes only, trailing blood & perfume & static behind her. [ AMY IS MYTHIC ] A willow tree, long-limbed in spirit. And Nikki's psychology has always been less than a straight road more a bramble-path, & she closes the distance between them, resting her head upon Amy's shoulder absently; A longing for closeness. She tilts her face upward from that place, eyes lifting to her again, lucid & empty. “ Are you happy ? ” Do you love your life here in this immaculate home with its sleeping husband & patient clock? Are you happy, a hidden organ Nikki could locate by touch if Amy ... only sat still long enough.

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𝕹ikki, unfortunately or fortunately, depending upon whose side one happens to be standing has become something of a [ SCHOLAR ] in this field of Valerie's; She has seen this specific look aimed at bartenders, promoters, ex-boyfriends. & It always begins the same way.
@ghuliez : "LET ME TALK TO THIS FUCKING GUY" , ©
“ Val, hey HEY, c'mon ... ” Nikki arrives by manifestation, insinuating herself into the narrow, electrically perilous interval between Valerie and this man in particular with the seamlessness of silk being pulled through a ring. One moment there is the brute geometry of thread, [ ᴠᴀʟᴇʀɪᴇ ] all sharpened lacquer and venomous glitters, & The next, there is Nikki, hands set upon Valerie's arms, light at first, then steadying. This is benediction and restrain in the selfsame gesture. Neon unspools its bilious hue over chrome, over glass, over the sticky black surface of the counter; & music pulsing upward from beneath the floorboards like the heartbeat of some subterranean beast. INDECIPHERABLE, as though the very bar has been pushed half a second out of step with reality to accommodate the catastrophe Valerie is so visibly considering. [ AND CONSIDER IT, SHE HAS. ]
And nikki; she knows it. ( ... ) In the way her fingers settle with intimate certainty against her sleeves, tips her face up with that soft, eloquent composure. “ BE NICE. ” She says, & in lesser company, would mean nothing. [ BUT HERE? ] It is low, warm pressure set over a blade. “ He's just drunk. And dumb, it's fine. ” The dismissal is airy, almost blasé, & therefore all the more devastating, reducing the man to ambience, to some sad spill mopped clear of Nikki's mind. Her thumbs make the faintest movement, smoothing & peaceful, then offers a line that glitters like a lure cast into black water. “ I think you're so super, y'know, twenty percent prettier when you'reeeeee .. merciful. ” Coy, blooms to sweeten the air & driving its bright little hook home.
[ THE INSOLENCE OF THIS ] laughing audacity of telling a girl on the very cusp of vivisection that she could be prettier, prettier by percentages and principles. Then, Nikki's hands leave Valerie's arms to clasp beneath her own chin, a gesture so theatrical, so very much please-love-me-please-don't-do-anything-rash. She rocks once upon her heels, smile growing smaller now, less playful, more earnest. The kind reserved for stray cats, & now, sensitive friends. “ Please ? For me ? ” She says, sentence ripening into something tender. [ The funny thing about Nikki Freeman is just this ] : She has never been particularly good at debate nor the art of it. She is, however, exceptionally talented at standing directly in front of them with a smile bright enough to make it feel worthwhile.
Jennifer's Body (2009) Obsession (2026)
@jennifercheck
THE MESS WE SEEM TO MAKE. writing prompts sourced from the album the mess we seem to make (2024) by crawlers. contains implied violence, death, drinking, smoking, drug use, infidelity, and suggestive dialogue. feel free to modify pronouns as needed.
i want you to stay for a while.
i'm laying here in denial.
intimacy scares me a lot.
why can't you see what i see?
if you saw what i see, you wouldn't come when i call.
instead you waste late nights on a screen laying next to me.
can i stay for a little while?
this isn't meaningless sex.
i want to fall in love again.
people pass me on the pavement and they don't seem to make a sound.
when you're away, all my thoughts are fuckin' loud.
is loving just how you fuck? is it just how you get off?
i've seen the way you look at me, and you look at me like you're seeing me.
say i'm not just your pornography, a quick fix and some company.
i need this to stay alive.
can you kiss me?
can you love me how you fuck me?
i'm happy for closeness.
i want you to kiss me.
i don't want this, i want you.
i'm not obsessed with sex, just fucking myself over.
it's been a while since i last checked my bank.
reckless overspending feels better now i've drank.
i know i'm gonna cry when i make it home.
it's fine, i know it's fine, i'm safe.
the buzz keeps me alive.
i'll count to ten, and once it's over, we'll go again.
i wanna pretend.
i only feel alive when i'm not in my head.
i only used to smoke when i got too drunk.
didn't think i'd live this long, didn't think i had the fight.
i don't wanna wake up and feel the same thing.
drugs aren't fun when you do them alone.
i'm so glad that i live out my head now.
i know why i'm like this.
a part of me died when i left you.
we have history, so you're owed all of me.
now i've been smoking a lot with your friends.
i think it's better if i just pretend.
your garden never grows.
i think it's better if i just pretend that we're cool.
friends don't kiss and tell.
does he know about the cheating?
but i didn't tell, is that worse?
would you come to my funeral and mourn the me you never knew?
i can't relate to motherhood. maybe i'm scared they'll turn out like me.
you believed i would never settle down.
there's a seat laid out for you.
i couldn't pass without telling you.
is it why i look forward to sleeping?
i wonder if you're still smoking, just to get a kick out of me.
why'd they always go for someone younger once i begin to step away?
but if i knew i was dying, you'd be the first person i'd call.
i say i never think of you, but i don't know who i'm lying to.
this time last year, i was someone. now i'm jealous of the pictures of my friends.
it hurts to look back.
it's always when i'm scared of being alone.
i sleep with the light on, you used to do that.
my therapist said i look stoned.
i said i'd rather do it alone.
you can't fake it; that's telling.
tell your dad that it's weed he's smelling.
you're too young to know her.
i think i'll go to sleep.
i won't think about you.
come over again.
i see how you used to be before you knew me.
i'm just so sick, i can't even look at myself.
take her name out of your mouth.
you don't deserve to mourn.
you just love the attention.
you like the power you have.
do you think that you're happy?
i woke up alone and i looked at my phone.
you called me four times, but i still felt alone.
i can't tell you i'm not thinking of you anymore
i travelled six hours for the sake of distraction.
i know it would be easier just to settle.
i don't think of you like i used to do.
your body knows before your mind.
i got too used to you.
missing you isn't enough. wanting you isn't enough.
we were too young to call it what it was.
hate being alone, so stay the night.
you don't love me. you just need me to stay alive.
it kills me to be kind.
but i fear the suburban life.
now i'm in new york because i couldn't wait any longer.
i don't think of you like you want me to.
i heard you fucked somebody else.
need somebody in your bed to drown that noise in your head.
you could give it all up for us and it won't be enough.
you'd give it all up for us, but that doesn't mean it was love.
i wanna kiss you while standing in the cold without a jacket.
there's a part of me that needs to think for myself.
you're the best night i ever had.
but i love you, and i love you 'cause you're my home.
i'm in love, i'm in love, until i think too much.
if it's love, why does it hurt so much?
we're at the same party with a different dealer.
how much would you do to feel wanted?
i'm the other apartment.
i'd do anything for this though.
a rented house isn't a home.
i know that you dream of a townhouse.
i know my head is self-aware of its problems, but the child in me can't stop them. maybe it's something i got from my mother.
i bet you're thinking of me while you're pulling off her jeans.
i'll do anything for you to see me, for you to wake up and want me.
i've built this house i'm now alone in.
maybe i'm better off alone.
this is love isn't it?
call it love, call it anything you like.
i think it's best if i stay.
my money's telling me no, but that's all just in my head.
now i'd rather not have loved at all.
i know that you'll leave me.
everyone can see the way you look at me.
can you please love me gently?
they're wearing your clothes.
they're starting to get loud.
there's comfort in the sadness and the mess i seem to make.
no one's gonna know you like i do.
you're always on my mind.
sold my morals for a smoke.
you know my body more than most.
i think i'm all the things i hate.
no one tell you drugs can kill you?
it isn't where i thought my life would be.
don't tell me how to get better.
you know that they love it when i'm getting sadder.
the people won't like me if i'm any louder.
i'm the one who's insecure.
not healthy but at least i got a way to cope.
i want you to hold me.
i'll be your poltergeist.
i thought you were pretty until my sight was fixed.
if no one was watching, would you still call me a friend?
are you smoking weed again?
i've seen how you touch her, and it's the way you used to touch me.
you said you loved me, you said you'd want me.
it was the last time i was loved innocently, but i know it's because we were young.
but if it was now, i would've held on to you longer.
i want you to notice how much that i've moved on.
i think i'm a liar.
i've been lonely since you left me.
did you treat her well tonight?
it's like when my parents fight.
she treated you as a son.
BLACK SWAN 2010, dir. Darren Aronofsky
we ought to hijack an oil tanker, there's a lot of money in oil.
𝓢omewhere deep within JD's terrifying cerebrum there exists a spreadsheet dedicated to all his acquisitions. & Nikki, for what matters, does not react as such. Instead, she remains as is, stretched out opposite him on the floor, their heads occupying neighboring territory. TWO ROADS BEGINNING FROM THE SAME ORIGINS. Above them, water stained and old plaster. A stress ball flicks from her hand, a lazy parabola through the air, before returning to her palm. UP, DOWN, UP AGAIN.
⠀⠀⠀⠀⠀⠀⠀⠀⠀╵╵ [ She'll bite. ]
“ God, you say just ... the sweetest things. ” Sarcasm, of course. ⠀“ Interested. But, I have some notes. ” Naturally. There exists a very specific category of person who responds to such conspiracy with administrative feedback & Nikki Freeman, regrettably, serves as such. Nikki entertains the prospect with light casualties. ⠀“ We'd have to start caring about, like, the rigs and things like that. ”
YES, THE INFASTRUCTURE IS OF MOST CONSIDERATION. She stares upward as though the old plaster ceiling itself may provide clarification. A fate arguably worse than prison. The stress ball lands in her hand once more & she catches it, rests upon her chest. ⠀“ I don't know anything about rigs, JD ! ” / [⸮] ⋆

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like for smth from freaky!nikki.
fuck a bitch named bear tbh
Tenebre (1982) dir. Dario Argento
say it to my face, if you're gonna do this.
𝒮ee, the thing about Nikki [ and there are, regrettably, many things about nikki ] is that she has never learned the respectable art of leaving well enough alone. Most individuals arrive into this world furnished with boundaries, property lines, sensible little hedgerows separating one person's interior from another's. NIKKI DID NOT POSSESS SUCH EQUIPMENT. Whether by defect or design shall remain anybody's guess, but she encounter these walls with a little pickaxe.
⠀⠀⠀⠀⠀⠀⠀⠀⠀╵╵ [ today was one of those days. ]
They'd argued for the better part of an hour. Nikki pushes because this is what she does best, Taissa refuses because this is what she does best. TWO UNSTOPPABLE FORCES, both discovering that much to their collective irritation, that they have once again chosen the same narrow highway. That is, until, Taissa had firmly planted herself & her tongue, speaks. & suddenly the room changes shape. For once, Nikki stops. WHICH OUGHT TO BE CLASSIFIED AS SUPERNATURAL ON ITS OWN. she's stood with the backpack strap dangling from one shoulder, fingers curled around the strap. you can practically see it, thought colliding behind her eyes. THE TRULY MISERABLE FACT: Nikki likes Taissa enough to be angry, to be pushy, to notice. Finally, ⠀“ Y'know what ? Fine. You really wanna know ? ” She turns, steps closer. Close enough now that this has stopped being an argument and has transformed into autopsy.
The backpack slips from her shoulder and lands at her boot with a soft, defeated thud. Her attention has moved elsewhere, fixed now upon the other with the particular intensity Nikki reserves for very specific places. ⠀“ I think you're, like, trying so hard to be good at pretending shit just doesn't get to you. Like ... ” she continues, words gathering a momentum now, emphasizing the syllables with her hands. ⠀
⠀⠀“ So good at it, that you think everybody else should do the same thing. ⠀⠀And maybe that's just so great, and so super awesome and maybe you're ⠀⠀so super really good at it. ”
PERHAPS SHE IS A HYPOCRITE. [ pot, meet kettle. ] Nikki searches her eyes once more, then offers her a shrug. ⠀“ I think it sucks. That's what I think. ” The funny thing about trying to study people so deeply, is that Nikki is forced to then confront the possibility that she recognizes the behavior so quickly is because she's spent years performing her own version of it. IN SIMPLER TERMS, Nikki enjoys hanging fairy lights over sinkholes. / [⸮] ⋆
Obsession (2026)

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will you fucking stop that?
𝓣HERE IS SOMETHING STRANGE ABOUT NIKKI LATELY. & See, that sounds simple enough when said plainly, but simple things are often the ones that are left to rot longest under the floor. STRANGE IS A GENEROUS WORD. Girls who used to talk too much & now, do not talk nearly enough. Strange means she forgets to answer texts, that she stares too long at the wallpaper, that she'll pick at it until she touches insulation, that she laughs three seconds after the joke had already died.
⠀⠀⠀⠀⠀⠀⠀⠀⠀╵╵ [ and veronica had proved to be awfully observant. ]
And here is nikki, sitting there on the rooftop of some old warehouse at the sour edge of town, knees drawn up beneath her chin & fingers worrying at the laces of her shoes. THIS WAS SOMETHING ELSE, something with no proper room in the house or placement at the table. Somewhere, a sign buzzes itself toward extinction & Somewhere, a siren blares.
⠀⠀⠀⠀“ I dun'no. I'm not trying to be weird. ” THAT IS THE TROUBLE THING, AFTER ALL. For what is helplessness ? Her fingers dip again to the laces, tightening it into a lazy knot & undoing her work immediately after. People do such mindless things when there is an animal pacing inside their chest. ⠀⠀⠀⠀“ It's just, lately, I feel like something's ˓ ... ˒ weird. ” She continues to stare forward, past the water towers & bruised-black architecture. Then, speaks once more. ⠀⠀“ hey, uhh .. vee ? ” It's soft & casual, almost disturbingly so. ⠀⠀“ If somebody looked a lot like you, had the same voice as you. ” The pause that follows has teeth. Nikki, sweet & odd, who used to fill silences with glittering nonsense & half-baked conspiracies, now sits very still beneath the dismal city lights, carrying some question up from the bottom of the sea. SHE IS DROWNING. ⠀⠀“ But it wasn't you. ” She allows the moment to sit there between them, & breathe. Finally, she looks over & makes eye contact. DIRECT AND AWFUL. ⠀“ Do you think you'd notice ? ” / [⸮] ⋆
a closer look at the shrine from the end of obsession - photos/props by luke cull