don’t think i can call it a hyperfixation anymore fam im afraid im just long term insane about this piece of media

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@free-watson
don’t think i can call it a hyperfixation anymore fam im afraid im just long term insane about this piece of media

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Neil could break into my house and move everything two inches to the left and slowly take a few inches off my jeans every day to make me think I’m growing taller and he still couldn’t do the mind games stephen moffat was capable of with zero effort. He didn’t even think about it, he opened his mouth and dealt psychic damage to everyone that wouldn’t even become clear until like years later
can't believe the end of episode 3 is just like in sherlock when- *sniper takes me out*
Poetry Resources for Study?
Question ... for anyone who may have been tortured by poetry in school, work, or a past life ... ?
I've been trying to find a good textbook (study book, workbook) to learn/understand how to break down poetry and understand what makes it tick, how to create different types of poetry, etc. Does anyone know of a good (old or new) resource or have any suggestions??
Asking professor Google has turned up such helpful results as 'read poetry out loud' and 'ask questions of the poem' and 'sign up for this insanely expensive scam course on writing which will obv make u better noob'.
*sigh* I have a sinking feeling it would be merely a chapter in someone's old college course book somewhere?? and not a full book just on this particular subject. But I would take it. Anything. Any little scrap or article, or recommendations. Or even a snapshot of a book spine or a page.
Who knew wanting to study poetry would be this hard?
@totallysilvergirl @victorianpining @sarahthecoat @7-percent @gaylilsherlock @shelleysprometheus @fluffbyday-smutbynight
Definitely try Mary Oliver's A poetry handbook (i have a pdf if you want it!)
you believed that I could be somebody [x]

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–Arthur Conan Doyle
Quotes from The Sign of Four and The Complete Casebook of Sherlock Holmes
A Sort of Frantic Gaiety
One thing that has always bothered me about The Abominable Bride is Sherlock’s gleeful expression as he launches himself over the falls.
Sherlock’s swan dive in The Abominable Bride
Within just a few minutes, we go from Moriarty being shoved off the precipice, presumably to his death, to Sherlock taking exactly the same route, as he grins wildly, decidedly out of character.
Why should he be smiling? And should we be smiling, too?
A long-awaited trip to Niagara, under the cut.
Keep reading
Sherlock: It’s not a pleasant thought, John. But I have this terrible feeling from time to time that we might all just be human.
John: Even you?
Sherlock: No. Even you.
i, personally, love to straddle that fine line between “fandom blog” and “record of complete psychological breakdown”

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I’m watching ASiP right now, and something (finally) hit me. After Mike and John meet up in the park and they start talking about John staying in London but not being able to afford it on his pension, Mike tells him, “Ah, that’s not the John Watson I know.” John says, “Yeah, well I’m not the John Watson–” with the retort quickly dying on his tongue as he flexes the fingers of his left hand.
I can only think he meant to say one of two things: “Well I’m not the John Watson anyone knows,” including himself, or, “Well I’m not the John Watson I know.”
His distress and depression at being shot then invalided out of his Life’s Work and the feeling that he has no meaningful place in society (being back and staying in London, as Mike says John couldn’t bear to be anywhere else) is still so palpable and real for him.
So it’s all the more wonderful, isn’t it, that Sherlock whirls into his life soon after and very bluntly states “I know you’re an army doctor-” upon meeting him. And he says it again the following day. “You’re a doctor. In fact, you’re an army doctor.” Present tense, not past. “You are.” He’s not looking at John like John looks at himself: as a has-been, a nobody. He sees John as very capable, skilled, strong, worthy.
But then there’s the way John immediately stands up, clears his throat, and faces Sherlock back-straight and head-on, and answers his “Any Good?” with “Yes. Very good.” Oh man. OH MAN. This is when John finally realizes he may still have a meaningful place in the world after all. That he’s not washed up just because he’s been invalided.
I’d put all my money on this moment as the beginning of the rest of John Watson’s life.
I can’t believe I wrote this. I just read this and I have no memory of writing this fucking banger of a post.
Sherlock's gayest moment:
"Girlfriends? Not really my area"
"A date? That's exactly what I meant"
Knowing what underwear is most popular among the gays
Freezing up in shock at Irene's bewbs
"I prefer my doctors clean-shaven"
"All the nice girls like a soldier" (aka Military Kink™)
That thirsty look when he realized John has a huge cock
Wedding planning (specifically, napkin folding)
Hey does anyone remember this one quote. I think it was Mark Gatiss that said it. Something about showing gay relationships in tv as normal like a detective going through a whole episode and coming home and his partner asks how did his day go and the detective says something like fine. Something about how simple that is. No grand declaration of HEY THEY’RE GAY just a normal representation of a relationship? Please I need it for science.
"I always thought that what Russell [T. Davies] did in Doctor Who was extremely ground breaking in a slightly more subversive way than what it looked like. It never occurred to me that it was too on the nose, what he did brilliantly was introduce incidentally gay characters obviously as well as some more in your face ones. One of my favourite stories is Gridlock, there’s an elderly couple of ladies who are together and it just sort of passes by and that’s the way - softly, softly. That’s how the revolution happens as it were, you just become aware that people are incidentally gay. I think when the day comes that you have a big detective show where the first half hour was this man at work and he’s a maverick and all the usual things and then we went home and his boyfriend says, “Are you alright?” it was just a thing, then something would have genuinely changed. I think the problem still is it becomes the issue. I think the thing with gay characters is that it has to be an issue as opposed to being part of everyday life, which of course we all know is what it is."
Mark Gatiss on an interview for Gay Times Magazine [x]
respectfully, shows about queer middle-aged characters who do wild nonsensical shit>>>>shows about high schoolers that focus on the exploration of sexuality
watson the vibes

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Twin Peaks / Alejandro Zambra, from ‘This is Like a Story by Alejandra Costamagna’, Not to Read (trans. Megan McDowell) / Dracula / H.D., from Helen in Egypt / Sherlock / Richard Siken, War of the Foxes / Gregory Orr, from Poetry as Survival / Black Sails / Nadia Owusu / Murdoch Mysteries / Rosanna Warren, The Twelfth Day / Jonthan Gottschall, The Storytelling Animal: How Stories Make Us Human / Alberto Manguel, Into the Looking-Glass Wood: Essays on Books, Reading, and the World. / Philip Pullman, The Amber Spyglass / Kaveh Akbar / Deathless by Catherynne M. Valente / Doctor Who / Frank Herbert