Mason & Painter, London | Siobhan Ferguson
he wasn't even looking at me and he found me

roma★

Origami Around
2025 on Tumblr: Trends That Defined the Year

Kaledo Art

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Product Placement
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almost home

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@franticallydivided
Mason & Painter, London | Siobhan Ferguson

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It’s 2020 and I think the CGI is advanced enough to make a killer film trilogy of the Divine Comedy.
Like can you fucking imagine.
More Eaze - Articulate Ridge #16
Personal Archives
2017

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smth happened to a friend of mine that i have to describe in greentext form bc i feel like it’s the best medium for the story give me a minute
>be me
>gay
>recently out
>at my first pride
>having a good time
>someone throws a rainbow rubber ball into the crowd
>i catch it
>hear a girl behind me go “damn my dog’s gonna be so disappointed you caught that”
>turn around
>she’s holding a leash
>theres a guy with a dog collar and a puppy mask on the end of the leash
>he says “i really wanted that ball”
Heartbroken

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The Panic in Needle Park (1971)
Ashford-in-the-Water
the cure to self-sabotage is to anchor yourself to the universal truth that you are worth it. you are worth the effort. you are worth the difficulty, you are worth the time, you are worth the consideration. there is never a point in your life, in time itself, that you are not worth it. return to this truth when you feel yourself slipping. do not let it go.
“It’s funny how she’s scared of things in advance — quite frantically so — but then absorbs them. She’s scared of herself in a way: scared precisely of her life being reconstructed in a different way — scared of the future she knows she’d like to have.”
— Simone de Beauvoir, Letters to Sartre

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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‘When the restless, isolated, bored, and insecure housewife fled the Feminine Mystique for the workplace, advertisers faced the loss of their primary consumer. How to make sure that busy, stimulated working women would keep consuming at the levels they had done when they had all day to do so and little else of interest to occupy them? A new ideology was necessary that would compel the same insecure consumerism; that ideology must be, unlike that of the Feminine Mystique, a briefcase-sized neurosis that the working woman could take with her to the office. (…) Somehow, somewhere, someone must have figured out that [women] will buy more things if they are kept in the self hating, ever-failing, hungry, and sexually insecure state of being aspiring “beauties.”’
The Beauty Myth, Naomi Wolf