Rev ▪︎ over 25 ▪︎ white ▪︎ transmasc nonbinary guything ▪︎ they/them ▪︎ tme and afaik perisex ▪︎ bi/pan ▪︎ nontheistic satanist and norse pagan/heathen
Definitely autistic, probably adhd, potentially OCD, there's some other shit going on in here (gestures to my head) but I don't have the time or inclination to sort it all out.
Dm for discord!
Art blog: @tenebris-metallum
Capitalism is the root of all evil. Long live the new flesh!
I have a lot of other sideblogs:
@h-medicinalis is my plague doc blog
@machinespirited is my warhammer 40k blog
@voidtongued is my warframe blog
I have a NSFW blog that I will dm the url to you on request
Mostly defunct kin blog url also available on request (don't really post there anymore)
There's a bunch of other semi defunct roleplay sideblogs that I'm hanging on to out of nostalgia.
Things I am going to be annoying about:
History, particularly World War One, the 1920s, and into the 40s.
The Cthulhu Mythos
Video games (currently: Bloodborne)
Horror as a broader topic
Diseases and disease ecology
Comics books and superheroes in general
Bugs :]
Metal (favs are symphonic, power, and folk metal)
Im gonna do that thing where I reblog something like 12 times in a row.
Things tagged for easy searching because im lazyyy and tumblr made their ui worse:
#revs thoughts - my bullshit tag
#revs pics - celled phone photography
#best of - my bullshit tag but the posts are good
#trenchposting - tranches <3
#r'lyeh #carcosa or #yharnam - aesthetics tags named after the fucked up city that inspired them
#norse - paganism/heathenry stuff
#my me - selfies
If i accidentally reblog from a terf, cryptofascist, pedo/pedo apologist, zionist, please let me know so I can delete it, i don't always check URLs and may miss a dogwhistle
I no longer have a stance on "shipping discourse" I have a degree and am working on my second.
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many people will tell you that taking testosterone will turn you into a scary horny fat hairy wolfman. what they don’t tell you is that being a scary horny fat hairy wolfman fucking whips ass and you’ll love it
Since I’ve seen a few asks on your page discussing the folkloric origins of the zombie, I wanted to share a bit of slightly related film history that suits this page.
I don’t know how up on film history you are but what’s widely considered the first zombie movie (albeit it never uses the word zombie), Night of the Living Dead, has the heroic lead Ben played by a Black actor, Duane Jones. It came out in 1968 and Ben wasn’t written to be Black, but George Romero just ended up casting him because Jones gave the best audition (and he is really incredible, this is a favorite film of mine and his performance is a big reason). Obviously though, because of the casting choice of Ben (in addition to the era in which the film was made) the lenses you can analyze it through increase (with the way the other characters treat him despite the fact that he’s the only one actively thinking and planning and being competent, and also the ending hits in a different way as examples). One of my favorite horror heroes honestly.
I've never got to see this one, but from I've heard it's absolutely a great example of what happens when you cast a Black person in a role that wasn't meant to be "Black", and how that can change the dynamic of that character and of the meaning of a story.
Duane Jones actually had a huge part in the development of Ben's characterization. Originally Ben was supposed to be an uneducated truck driver sort of guy, that would shout crude remarks and demands. Jones revised his lines to create a more sophisticated character that could be seen as the rational, competent leader.
He also decided how the movie would end for his character.
Spoilers for the end of Night of the Living Dead:
Duane Jones himself also insisted that his character needed to die at the end
“I convinced George that the Black community would rather see me dead than saved, after all that had gone on, in a corny and symbolically confusing way,” Jones said. “The heroes never die in American movies. The jolt of that, and the double jolt of the hero being Black seemed like a double-barreled whammy.”.
Without Duane Jones in the lead, “Night” would still have been an innovative shocker but wouldn’t have hit the cultural nerves it did
OP did a lovely job with this piece. The pose they picked is a difficult one to do correctly and dynamically- the doubling over is hard to illustrate without making it look weird or poorly drawn, the low seat of the “pelvis” making the figure dip down lower (to emphasize the clutching motion of the hands) is a hard perspective to imagine without a reference. I liked the way OP chose to draw the shoulders, evoking both the hunching of shoulders that would be present in a fleshier painting and drawing out the strong, dynamic curve of the body.
The blood, the desperate clutch, the crying and the pose all suggest something religious, making the post all the more impactful with its drawing- The caramel frappe does not answer the subject, just as God does not answer the subjects of paintings who depicted the same theme.
It’s also intriguing where OP chose to put details. In amostly minimalist creation, the (relatively) detailed frappe, hands, and face guides your eyes in a a dynamic way- from the frappe to the face, then follows the line of the body out to the end of the legs- making the art more interesting to the eye.
I have a theory about the colors that I’m not sure is true, but I think the subject being black and white separates it from the frappe, which is fully colored. The blood, neither frappe nor person colored, acts as a connector between the two– the only ways the two subjects can connect are through touch and sight, both of which causes the human subject pain. Then again, I may be reading into things too much idk
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You are one of the top Problem Sleuths in the city. Solicitations for your service are numerous in quantity. Compensation, adequate. It is a balmy summer evening. You are feeling particularly hard boiled tonight.
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One popular take on "deconstructions" of children's media I'll push back on is the idea that talking about how fucked up it is that a bunch of kids have to save the world is inherently pandering to adult audiences. Kids love it when kids' media is about how fucked up it is to be a kid who has to save the world – you've just gotta not be condescending about it.
for real tho it feels exhausting that ive seen this whole "woman should be allowed to abstain from X beauty standard" -> "i perform X beauty standard, am i evil? do you think im evil? please forgive me i came up with a dozen excuses 🥺" since like 2015 (and i know its been going on longer than that) like girl thats not the poiiiiint
look me in the eyes. repeat after me. "i face societal pressure to perform this beauty standard. i should not face that pressure. i conform to this standard. i am rewarded for performing to this standard. i need to respect women who do not perform this standard. this is not about whether or not i am a sinner for wearing makeup."
like how is it so often that the operative word "HAVE" is missed. like.
not want to.
HAVE to.
as in, society compels us to. under penalty of... anything from social pariahship to death.
it should be a choice. for everyone. you want to wear make-up, or wear flower patterns, or do your hair a certain way, or bake, or whatever else? great!! you should still have that option!
but we should all have the option NOT to without fear.
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oh so the gif where she cocks the gun with her mouth got the most heinous and depraved notes, but now yall are being modest with a render of her Bottomless with her Bush showing . cant have SHIT