the past isn’t behind you it coils inside your body that’s why some years you feel closer and more nostalgic for certain ages than others just fyi
for visual learners

ellievsbear
I'd rather be in outer space 🛸
official daine visual archive

roma★
let's talk about Bridgerton tea, my ask is open

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Claire Keane
The Stonewall Inn
todays bird
taylor price

#extradirty

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TVSTRANGERTHINGS
hello vonnie
$LAYYYTER
noise dept.
trying on a metaphor
Keni
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@frankensteindessert
the past isn’t behind you it coils inside your body that’s why some years you feel closer and more nostalgic for certain ages than others just fyi
for visual learners

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“I know a place” and I take you to Lowe’s self check out to watch Saw (2004)
Sewing machine girls, ca. 1917 - by Lewis W. Hine (1874 - 1940), American
been stewing on an analytical approach to fiction which I call "is this book afraid of me?" and in order to answer this question you determine how hard the book is trying to make sure you don't come after the writer on twitter
Tags via @deadpanwalking, editor and ass-kicker extraordinaire
Please keep making art. Please make it for yourself. Please don’t let everything become even more of the same flat general appeal nonsense that doesn’t seem to have anything to say
the world needs more lang and cravat fancams
TINAAA

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you know the ship is good when the story’s main conflict is caused by them making their divorce everyone else’s problem
Paul came across in 1963 as a fun-loving, footloose bachelor who turned on his charm to devastating effect when he wanted to manipulate rivals, colleagues or women he fancied. (...) He had enormous powers of persuasion within The Beatles. He would get his own way by subtlety and suaveness where John resorted to shouting and bullying. John may have been the loudest Beatle but Paul was the shrewdest. I watched him twist the others round to his point of view in all sorts of contentious situations, some trivial, some more significant, some administrative, some creative. George told me that when he joined Paul and John in the line-up of The Quarry Men in 1958, Paul was already acting as though he was the decision-maker in the group. According to George: "I knew perfectly well that this was John's band and John was my hero, my idol, but from the way Paul talked he gave every indication that he was the real leader, the one who dictated what The Quarry Men would do and where they should be going as a group." This made sense to me because, from what I saw for myself in 1963 and later, Paul's opinions and ideas tended to prevail with The Beatles, particularly on matters of musical policy such as whether a new number was worth recording or whether the running order for the group's stage show needed altering slightly. I didn't see any of the others resist him. They seemed to welcome Paul getting his way by winning arguments with John. When Paul wanted something badly enough from Brian Epstein he would speak softly, wooing the man rather than intimidating him. Epstein's defences would melt away as Paul looked him straight in the eye. In terms of song lyrics, Paul's idea of romantic was 'Michelle', John's was 'Norwegian Wood'.
John, Paul, George, Ringo & Me: The Real Beatles Story, Tony Barrow (2005)
I had actually fired this a very long time ago (one year ago maybe?) but forgotten to photograph it. It has been thoroughly remedied, as you can see.
It was my first time making so many animals together in one piece. It's also pretty big (for me) (45-50cm in the longest dimension, so 17-ish inches).
The interesting thing there was to try to have some horses with not enough supports to stand, but they'd lean on the others for the whole piece to be stable. I may try to make more airborne-ish flocks later (with some fully airborne! no support but friends!) Anyway. I like it a lot. Also it took forever to make.
Daniel Santangelo (Ethiopian-Eritrean-Italian, 2004) - Beher & Ashtar (2023)
Nikki

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"Hermia and Lysander" (1870) by John Simmons, from Shakespeare’s A Midsummer Night's Dream
Revolutionaries in Africa understood that the question of African liberation was not just a question of race, that even if they managed to get rid of the white colonialists, if they didn’t rid themselves of the capitalistic economic structure, the white colonialists would simply be replaced by Black neocolonialists. There was not a single liberation movement in Africa that was not fighting for socialism. In fact, there was not a single liberation movement in the whole world that was fighting for capitalism. The whole thing boiled down to a simple equation: anything that has any kind of value is made, mined, grown, produced, and processed by working people. So why shouldn’t working people collectively own that wealth? Why shouldn’t working people own and control their own resources? Capitalism meant that rich businessmen owned the wealth, while socialism meant that the people who made the wealth owned it.
—Assata Shakur, Assata: An Autobiography
Where do you think we'd be if everyone went around making up their own steps?
STRICTLY BALLROOM (1992) dir. Baz Luhrmann
Come to the library. We will laminate your penis for free.
I have to go to the library so that they can laminate my penis for free
OBSESSION (2026) dir. Curry Barker

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Billie Holiday, New York City, 1958
photo: Burt Goldblatt
by tucker