reading early Queenâs Thief, whispering to myself âthe Eddisians had tattoos this whole timeâ
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taylor price
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we're not kids anymore.

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@francesderwent
reading early Queenâs Thief, whispering to myself âthe Eddisians had tattoos this whole timeâ

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We gather stones, never knowing what they'll mean
it is you i love. (insp)
Wild how putting the two worst groups of people ever (league of legends players, the French) together made one of the best TV shows ever (Arcane)

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NEW GIRL (2011-2018) 2.19, âQuick Hardening Caulkâ
ââŚthe people of Eddis had very little to do all winter beyond develop superior artisan skills and train for war. â
Community â 1.24: English as a Second Language
LOGAN x VERONICA in Veronica Mars S01E21

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Iâve been on a real Fearless kick lately and it always makes me feel some kinda way about Olivia Rodrigoâs body of work. and not even primarily about her and her talent and her songwriting, just about how different an experience it seems to be growing up as a young millennial woman versus growing up as a young gen z woman. take the total absence of any jealousy/self-image song on Taylorâs debut album or Fearlessâbecause social media wasnât this omnipresent perfect image factory and so the insecurity of growing up looked more like âPlace In This Worldâ or âThe Outsideâ, fundamental experiences of questioning and longing that are deeply connected to our humanity, as opposed to âjealousy jealousyâ, âpretty isnât prettyâ, or âlacyâ which are founded on an obsession spiral that is literally only possible on that level because of the invention of the smartphone.
look at âTell Me Whyâ or âOther Side of the Doorâ as opposed to âvampireâ or âlogicalââTaylorâs approach was a very straightforward âyou acted this way and this is how it made me feel." it wasnât until later that she started to make statements about patterns of behavior, because she simply couldnât see them except in hindsight! she couldnât say âthis is what kind of man you areâ or âthis is what sort of relationship we hadâ until she had fully processed what happenedâwhich is when we get songs like âFifteenâ and âWouldâve Couldâve Shouldâveâ and âThe Manuscriptâ. but because the younger generation breathes the air of pop psychology buzzwords, Olivia is diagnosing her exes and labeling her relationships right away. and you might say this is a good thing, that young women are armed with terms like âgaslightingâ and taught to be suspicious of age gaps because of the power differential. but having the knowledge doesnât seem to have protected Olivia at all. she still makes all the same mistakes, thereâs literally a whole song all about knowing something is a bad idea and doing it anyway. she still dates the older guy, but then she has so many labels readymade to explain why it didnât feel good that she doesnât ever actually get down to saying how it feltâbecause I donât think she knows. the younger generation acts like processing an experience means figuring out what tiktokified sound bite applies to it and then slapping the label on and moving forward. âmy parents were emotionally abusiveâ âmy ex was a narcissistâ âmy ex best friend gaslit meâ etc. but it seems to me thatâs skipping some necessary stages of actually processing your shit. âvampireâ is Olivia trying to write âWouldâve Couldâve Shouldâveâ before sheâs ever written (or felt) âTell Me Whyâ. itâs the difference between âhereâs to you and your temper, yes I remember what you said last night / and I know that you see what youâre doing to me, tell me whyâ on the one hand and âwent for me and not her âcause girls your age know betterâ or âmaster manipulator, youâre so good at what you doâ or âyou convinced me it was all in my mindâ on the other hand.
and another side effect of this, the big names in this younger generation of artists arenât really writing love songs, and I donât think thatâs accidental. they literally do not have the vocabulary to do so. the psychology buzzwords that go around are all about toxic relationships and red flags. and so, deprived of a way of thinking about being in love, the love songs either fall flat (âIâll go anywhere he goes and he says Iâm so Americanâ) or they simply donât exist. the open-hearted sincerity of a âHey Stephenâ or âJump Then Fallâ is nowhere to be found.
you seem pretty sad for a girl so in loveâfirst listen first impressions
drop dead. the production does absolutely nothing for me. I truly hate the melody-less-ness of the second verse and the bridge. WHEN will astrology girl nonsense die.
stupid song. the prechorus (or first half of the chorus?) is good. melody of the chorus feels a little flat. bridge, again, in this talky style that is just very boring to me.Â
honeybee. something about this album so far is nooooot leaning into Oliviaâs vocal strengths. this song could have really used a break-in-the-clouds bridge moment.
maggots for brains. I haaaate this song and I couldnât tell you specifically why. just ugly for uglyâs sake.
u + me = <3. I was enjoying this one more but omg this bridge style AGAIN kill me
my way. an absolute nothing of a song. not even tongue in cheek enough to be a little funny so instead it lands on genuinely repulsive. and my least favorite bridge style rears its hideous head AGAIN my ears are bleeeeeeeding
purple. some of the better writing on the album but some of it still feels disjointed. donât care for the production. but FINALLY a bridge that does, emotionally, what a bridge needs to do!!!!!
the cure. definitely one of the strongest songs on the album.Â
begged. is it just me or does the chorus straight up not rhyme or scan in any way????
whatâs wrong with me. reminds me of a musically boring version of âNahâ by Shania TwainÂ
less. good hook. more emotionally clear than a lot of the album. she sounds good on it. but this song either desperately needed a bridge that could break out of the polished formula, or it needed to take us on more of a journeyâmaybe start with a verse that somehow uses the hook to talk about how good things were in the beginning, and then develops the meaning of it over the course of the song.Â
expectations. great first verse, great chorus!! but Olivia is apparently allergic to giving me a whole song without omitting or talking through one of the elements. or BOTH
cigarette smoke. âtell me something honest so the memories turn darkâ is a good line. but there is no unifying concept here.Â
this album is showcasing a love that exists totally in one personâs emotions. the reality of the beloved as a person is absentâI donât feel like I meet this guy, ever. and the dynamic of the real relationship also isnât there; Olivia spends the whole time in her own head, equally when sheâs happy as when it starts to fall apart. I think that is what she intended to portray, but because it never touches down, it gives the album a shallowness. look at âthe cureââitâs genuinely a pretty good song, but itâs missing the thing that would make it great: itâs still describing an abstract realization that Olivia had rather than the moment of realization, and so it still has that persistent Gen Z instagram self-awareness which has haunted Oliviaâs ballads since GUTS, the specter of what she feels she ought to say. âlessâ and âcigarette smokeâ give us the briefest glimpses into a real life but then jump back like sheâs been burned. Iâm left feeling like someone flashed a fake ID at me, too quick for me to see the lack of detail, and then snatched it away. and then, we know from interviews that Olivia went back through some of these songs to add the self-awareness after the fact as a little taste of foreshadowing, which I find so off-putting, and I think accounts for some of the weird disjointedness that crops up again and again. sheâs neither sharing the reality of how it felt in the momentâa vulnerable thing to admit!ânor the way it looks to her with the clarity of hindsight. itâs some muddled mix of the two, and what gets lost in the middle is a sense of unique, personal perspective. itâs paradoxically all emotion and yet it doesnât resonate. Iâm once again left wondering if Olivia would know how she felt if she didnât have social media to tell her.Â
gravity falls textposts part 2
albatross is very irenides
something something be careful my friend I am an exceedingly effective scythe
Sometimes you gotta stop worrying about being the smartest and funniest person in the room and just enjoy being in a room with smart and funny people

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Eugenides succumbed to temptation?? how long had he been wanting to do that???
QoA is always asking, who are you becoming? do you have a choice? and Attolia has always had so few choices so itâs so awful to watch her maneuvered by the gods into this one last cruelty, to watch her ask herself âwhen did I start torturing boysâ and wake up from nightmares haunted by Genâs weeping and know that it wasnât circumstances hemming her in but the gods themselves. the gods themselves want her to become the worst version of herself, to disappear behind the mask of the stone-faced queen.
except, of course, they donât.