The Fall of Gondolin is weird, because all these big fantasy novels and stories and animes have the Big Epic Fight climax where all the heroes fight so hard and barely pull through and it’s so badass and the audience loves it. Then we have Gondolin….and it’s….not. You read and they’re doing badass things and shouting about hopes and valor and dreams and youre like!! fuck yeah!! and they kill SO many balrogs and orcs and its going EXACTLY like one of those big climax battles. Then….it doesn’t. It just, goes downhill. Your favorite characters start dying, losing their little feats of valor. It gets less badass and more unsettling horror. The descriptions shift from awesome swords to wow, there’s a body in the street, wow this dude is dying next to his friend. Hey, someone’s daughter is out there sobbing and screaming and she watches her dad die. Another one of your favs dies. The room full of civilians gets attacked. You’ve lost the fuck-yeah mood and now you’re sitting there with a concerned expression because this is not the emotion you intended and it’s not sexy, badass action flick it’s just a cold nameless corpse in the streets and families committing mass suicide to avoid being taken into slavery, someone’s cousin trying to murder her family and rape her, there’s dragons in the street but they’re not cool and fuck-yeah, they’re burning people to death as they cower against walls they can’t escape from, and the battle is lost, and everyone dies, except for a tiny handful of people who run out a tunnel, way less than there should of been, and you’re like. Oh. That wasn’t the “cool fantasy battle” I was thinking it would be. That was a lot. I need to sit down. I just got destroyed by thirty pages of prose.
there’s “cool fantasy battles” and then there’s “realism in a fantasy setting”
Gondolin was the latter
This is why I don’t believe people when they say that George R.R. Martin is the “edgy” fantasy author and all J.R.R. Tolkien ever wrote were kiddie books.
George R. R. Martin books are about 100% more uplifting and hopeful than anything Tolkien ever wrote :\
The thing about GRRM’s books is that shit was fucked up in the first place so when shit gets more fucked up you’re not much surprised. Tolkien creates beautiful worlds full of Nice Things So then when shit gets fucked up it hurts like a punch in the gut.
And there’s nothing you can do about it unless Eru decides to intervene (in some form or another. I argue he did at the end of LotR).
I think that’s actual canon. He arranged for Bilbo to get the ring, for Gollum to be in the right place and time at the end, to both get the ring and fall.
But I can’t remember where it’s written, help, guys?
I feel like another part of Tolkien is that there aren’t “happy ending” there are “happy moments.” Like, there are big victories, but even the end of lotr showed that killing sauron didn’t fix it all. The shire still got fucked up. Later on, people still died. Friends still got seperated.
In Silm, we see little happy bits like some of Beren and Luthien, or there’s a few festivals, or a few characters have some years of relative peace, but there is no ULTIMATE “good ending” we see in a lot of fantasy stories. I mean for goodness sake, Silmarillion ends with the suicide of one of the main characters.
I actually kinda like this because, like, it feels more realistic? There is no ultimate fix-it-all ending for real life, like we got to see in harry potter or star wars. There’s no “kill all the bad guys and party, the end.” There are victories, and times that are better than others, like how it’s better to live in Europe currently than WW2 Europe. And even in times of horror, there are moments of joy. The only “happy endings” there are in Middle Earth ARE those pockets of joy. Not a single character has a perfect, wholesome, untouched life but almost every charachter is able to, via friends and whatnot, find themselves a smile in the darkness.
I really like this style of ending books, it feels very real and sticks with me longer. It makes the happiness mean more while it lasts, and it makes the fight for it more potent to read about.
It’s not a fight to save the world forever, it’s a fight to keep the world a little better
I think this is why we are still analyzing and obsessing over Tolkien’s works decades later. This is where the Fanfiction and the art and the headcanons and the endless analysis stem from. I think to some extent we don’t WANT it to end that way. We want a happy ending because Tolkien did such a good job of making us love his world and his characters, and in a world where we’re so used to reading about fantasies where everything turns out alright and everyone is satisfied, it almost feels wrong for the story of Middle Earth to end so woefully. It’s like sure, this story takes place with gods and dragons and elves and magic, but it’s real. It doesn’t work out perfectly, it doesn’t really have a happy ending, not everything that we wanted to happen does happen. It’s almost TOO real, but that’s also why I love it so much. Because it feels like it could actually be our history, like these events could actually have happened.
It’s also why A Song Of Ice And Fire has had the cultural impact of a moist towlette to the face






















