Please Enjoy postcard of Soviet , DPR Korea friendship, from user "Soviet Visual"

Janaina Medeiros

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"I'm Dorothy Gale from Kansas"
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@folklifedprk
Please Enjoy postcard of Soviet , DPR Korea friendship, from user "Soviet Visual"

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Please Enjoy old Funfair seen by website owner "Retro DPRK"
Pyongyang, North Korea
Children at a model kindergarten in Pyongyang, North Korea, 1979. Hiroji Kubota

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Please Enjoy scenes of Kimchaek, by Flickr User "Frühtau "
Meine Brüder und Schwestern im Norden [Dir. Sung-Hyung Cho 2016]
Chewing gum wrappers of the Demoratic People’s Republic of Korea, mostly 1980s (via gww.su)
By " Raymond Cunningham "

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고려청자 Goryeo Celadon
Korea, Goryeo period (918–1392)
The Goryeo Dynasty lasted from 918 CE to 1392. The most famous art produced by Goryeo artisans was Korean celadon pottery which was produced from circa 1050 CE to 1250 CE. While celadon originated in China, Korean potters created their own unique style of pottery that was so valued that the Chinese considered it “first under heaven” and one of the “twelve best things in the world.” The Korean celadon had a unique glaze known as “king-fisher” color, an iron based blue-green glaze created by reducing oxygen in the kiln. Korean celadon displayed organic shapes and free-flowing style, such as pieces that were made to look like fish, melons, and other animals. Koreans invented an inlaid technique known as sanggam, where potters would engrave semi-dried pottery with designs and place materials within the decorations with black or white clay. (source)
청자 어룡형 주전자 (靑磁 魚龍形 注子) [National Treasure 61] Celadon Ewer in the Shape of a Fish-dragon This pitcher is shaped like a mythical creature with the head of a dragon and the body of a fish, which appears to be dramatically leaping out of the water. The dragon head forms the spout of the pitcher, while the body features a pair of fins that are energetically spread, as well as a raised tail fin. The vessel is reminiscent of traditional images of dragons that show them bursting out of water into flight. This is one of the most representative celadon wares of the 12th century, the peak of Korean celadon, given its aesthetic dynamism and extraordinary jade-colored glaze. This pitcher greatly exemplifies a sanghyeong (象形) celadon, which was a type of celadon modeled after the physical shape of a person, plant, or animal. Sanghyeong celadon are meant to visually illustrate the most essential characteristics of their model, so they often exaggerate the features of the original for greater impact. 청자 구룡형 주전자 (靑磁 龜龍形 注子) [National Treasure 96] Celadon Ewer in the Shape of a Turtle-dragon This ewer is shaped like a tortoise seated on a lotus flower. The face and the neck of the tortoise appear to resemble those of the sculpted tortoises that used as platforms for stone statues dating back to the Goryeo period. The beard, mane, teeth, scales, and horn on the forehead are all exquisitely portrayed. Particles of metal pigment were used to create the eyes. The Chinese character 王 (meaning “king”) is inscribed on the hexagonal patterns on the back of the tortoise, presumably referring to the social status of the user. 청자 백조(白鳥) 모양 주전자 Bird Shaped Ewer with Crowned Rider Holding a Bowl The technical refinement and stylistic naiveté of this intricately constructed bird-shaped ewer exemplify a distinctively Korean aesthetic. Whereas the creature’s plump body resembles a duck’s, its head is crowned with a cockscomb. Disproportionately small wings project out as if in flight, while the tail swoops upward to form a reticulated handle that supports a man who stands atop the bird’s back, holding a bowl. His elaborate headdress and long, flowing robe suggest that this figure represents an immortal. Details of his garments, as well as of the bird’s overlapping scales and layered feathers, were finely carved and incised into the clay body before glazing and firing; these areas appear a slightly deeper green where the glaze naturally pooled. As a final touch, dots of underglaze iron brown accent the eyes. Although wine or other liquids could be poured into the figure’s bowl and out through the bird’s smiling beak, this vessel may have been designed purely as an ingeniously whimsical work of art.
Please Enjoy view of street vendors, by "Moravius" and "Reuben Teo"
By "stevetranv"
내시 [naesi] - Korean Palace Eunuch.
“Historically, eunuchs have been employed as guards and servants in harems across the Middle East and Asia. The Imperial court of the Korean Chosun Dynasty (1392-1910) also had eunuchs. Eunuchs of the Chosun Dynasty lived with privileges: Korean eunuchs were conferred with official ranks and were legally allowed to marry, a practice that was officially banned in the Chinese Empire. In addition, married couples were also entitled to have children by adopting castrated boys or normal girls. The boys lost their reproductive organs in accidents, or they underwent deliberate castration to gain access to the palace before becoming a teenager.” (The lifespan of Korean eunuchs. Kyung-Jin Min, Cheol-Koo Lee, Han-Nam Park)
“Joseon palace consisted of 400 eunuchs. The only ‘male’ staff allowed to live inside the palaces, eunuchs (내시; naesi) were privy to all the secrets of the state and had considerable influence because they waited upon the king and were around the royal family 24 hours a day. All access to the king was through them, as they were the royal bodyguards and responsible for the safety of their master. This was an easy way to earn money and they usually exploited it to the full. These bodyguard eunuchs, toughened by a harsh training regime of martial arts, were also personal servants to the king and even nursemaids to the royal children. Eunuchs were in charge of the king’s health, and were supposed to serve the king with total devotion, like monks serving the Buddha, never thinking about mundane matters like money or status.” (Source: lonelyplanet. com Asia>South Korea>History)
Another interesting fact that during the rule of Ming dynasty in China (1368-1644), many eunuchs at the court were Korean.
“Other Korean-born eunuchs were entrusted with such important assignments as managing fiscal and monetary affairs for the emperor’s inner court. Between 1370 and 1634, the Ming government sent a total of twenty-eight eunuch-led missions to Seoul, primarily for the purpose of installing new Korean kings. More than half of the eunuch-ambassadors were Korean-born.” (The Eunuchs in the Ming Dynasty. Shih-shan Henry Tsai)
Eunuchs were usually young and handsome boys, often very feminine in appearance, this was one of the reason why they were favored by the kings. I translated some information from Korean source: Korean Cultural History. Volume 23 Countries and Kings Seen in Various Culture. Chapter 3: 4. Eunuchs (한국문화사. 23권 다양한 문화로 본 국가와 국왕. 제3장 궁궐과 그곳에 사는 사람들. 4. 내시. 내시들은 어떻게 살았 을까).
“Eunuchs were favored by the king, it is no exaggeration to say that they spent 24 hours a day with the king. They enjoyed wealth, rose to the high ranking officials and played important roles in government. Most of eunuchs lived lived collectively in the towns”.
“Naesi were castrated officials during Joseon Dynasty, responsible for different tasks in the Great Palace: the supervision of food and beverages, guarding gates and cleaning. They were an elite group close to the king’s secretary”. (Also translated from Korean article: 환관과 내시)
I found a really small mention of late Korean eunuchs in 19 century from the correspondence of John Mahelm Berry Sill’s the American Minister to Korea (1894-1897):
“At one end of the room were several eunuchs, dressed in long black gowns, these were all large and stout and rather good looking” (“Letters from Joseon”, Robert Neff)
Also eunuchs were closely connected to Buddhism, thus during the times of “Goryeo”/“Koryŏ” kingdom (918-1392) korean eunuchs founded Buddhist temples (Empire’s Twilight: Northeast Asia Under the Mongols. David M. Robinson)
“Originally, naesi officials came from prominent families with outstanding appearance and artistic talent. These emasculated civil officials, who were well versed in letters and classics, served as guards and waited on royalty in the Koryo Dynasty (918-1392). After King Uijong’s reign (11461170), however, they were replaced by court eunuchs”. (Korea News review, Volume 18, Issues 26-52)
During the Mongol invasion of North East Asia, Korean eunuchs became spies fluent in different languages:
“The Koryo eunuch Yi (Lee) and men of the Mongols, Turkestani, and various other groups come on the pretext of trade [but actually] to spy. Eunuch Yi has come two or three times. When he meets Mongols, he speaks the Mongol language. When he meets ordinary eunuchs, he speaks the Koryo language. When he meets men of Han, he speaks the language of the men of Han”. (Rulers from the steppe: state formation on the Eurasian periphery. Gary Seaman, Daniel Marks)
I collected neutral and positive information on eunuchs and of course I cannot ignore the “dark” side:
“Tradition in Korean jokes, naesi, which is generally understood to mean “eunuch,” is used to describe impotency or lethargy in a man. On the other hand, the naesi or “inside attendance” rank is often portrayed by Koreans as the villain of court intrigues. Like their counterparts in ancient Assyria, China, Achaemenid Persia, Rome and Byzantium, the naesi officials had convenient access to the men in power” (Korea News review, Volume 18, Issues 26-52)
So, eventually getting to the part of my depiction of a Korean eunuch… I think it’s really unfair and sad that most people show and describe eunuchs as ugly repulsive creatures, while in fact, eunuchs deserve to be seen as human beings - and they are human. Lacking genitals doesn’t make them less human in any way. Unfortunately in a society where sex plays the most important role, anyone with different gender or sexless will be judged or ignored. Some people are disgusted by eunuchs, some fetishize them, but they, as everyone else have feelings, emotions, attachments and dreams. In the eyes of most people reviewing history, eunuchs appear only in caricatures and comedy, they looked upon as pitiful, miserable, obnoxious old men with problems. I wonder is it actually true? We must remember that LGBT people were and still are seen the same way, in Asia and most parts of the World. Just remember all the exaggerated and ridiculed characters and you’ll understand what I mean. For the majority it’s hard to understand anything beyond bipolar standards of male and female sex. But the diversity of gender identity was defined in the ancient times, the notion of “third gender"or "two gender” almost in any human civilization can fall to the category of Transgender/Transsexual, Queer and Intersex in the LGBTQIA community.
I don’t mind eunuchs depicted as “not so handsome” or old, because outward appearance is not something that defines a persons heart, yet, should be there a problem depicting them beautifully and gracefully? Of course not.
The naesi in my drawing is a handsome young man, gracious and fragile like ice, his eyes are thoughtful and kind. He is standing behind a branch of pine - the symbol of longevity on the East, and the winter landscape around him, like a reflection of his cold beauty; a reminder that every season is beautiful and necessary even if does not give flowers and fruits.
By "Thomas Paddle"

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By Flickr User "Edwin van den Bergh "
Illustration of the White Tiger (symbolising West)
Great tomb of Kangso
Goguryeo kingdom (7th century AD)