I WANNA LOVE YOU LOUD. ♡ sapphic/wlw in kpop
youtube // twitter

@theartofmadeline

Love Begins

#extradirty
YOU ARE THE REASON
PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always
𓃗
noise dept.
Three Goblin Art

Kaledo Art
$LAYYYTER

titsay

Janaina Medeiros
he wasn't even looking at me and he found me

★
Not today Justin
cherry valley forever
wallacepolsom

Product Placement
we're not kids anymore.
seen from Netherlands
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@folieanoot
I WANNA LOVE YOU LOUD. ♡ sapphic/wlw in kpop
youtube // twitter

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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these were so fun to make! (: probably gonna make more...
Credit @kennykatxx on ig
You don't like New Yawk? 🗽? Bada Bing?
no 🛩️
anotha one🛩️

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Heated Rivalry incorrect quotes 2/?
Bonus:
Happy And It’s Only Tuesday
Wish Nikki being unintentionally hilarious OBSESSION (2026) Dir. Curry Barker
you wished for this.
Obsession (2026) dir. Curry Baker

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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one of the things i admire most about obsession is the deliberate denial of any kind of optimistic ending, as well as the method by which that is executed. i’m thinking, specifically, of how the musical cues are utilized to pull multiple bait-and-switches on the audience: the way the music swells when bear is explaining the wish to ian and asking for his help; when bear puts the gun in his mouth; and when he takes the oxycodone.
obviously, if ian wishes away bear’s initial wish, that’s a happy ending! if bear dies in the bathroom and we cut to black, the audience can hold onto the hope that the wish breaking allows nikki to go back to her life before!
but those endings, especially the latter, would be dishonest. i appreciate that the film makes us sit in nikki’s anguish instead, bc i appreciate that it understands that she was equally affected by this, if not more so! an ending that bleak is honest to the concept and to the consequences inherent to the concept and i think it shows a great deal of respect for nikki. it’s an acknowledgement that nikki experienced something deeply violating and now has to somehow learn how to cope with it.
"Preparing [for the role of Nikki] was really fun. We got to watch a lot of fun movies, and kind of pick and choose, like a puzzle, what we wanted in the film. Moments that we took inspiration from, and made them our own." — Inde Navarrette for Fandango "We watched Get Out, and focused on a lot of the moments where characters are showing an emotion underneath but saying something completely different [on the surface], and how horrific that is. There's a scene where [Nikki] is saying, "no", and there is a [similar] scene in Get Out [which we took inspiration from]." — Inde Navarrette for A Shot Magazine Obsession (2026) Dir. Curry Barker Get Out (2017) Dir. Jordan Peele
phil’s completely deadpan delivery of ‘would you have stalked his youtube channel’ is killing me off
And here is the final version.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
personal favourite starvid touch request by anon | 🎥 ohomc
[35] weeks until hoshi is back ↳ vogue korea 2022