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June is also men’s mental health month so I’d like to drop in and say that mine is not so good. It’s also Pride Month so I’m going to be treating the problem with yaoi.
‘relationships are work’ means ‘you have to put effort into loving each other intentionally & learning how to love each other and communicating properly’ not ‘your relationship makes you feel stressed and sad most of the time & the other person disrespects you and treats you bad but you stay anyway’
I saw a bumper sticker and thought “is that seductive Daffy Duck” and then when I looked closer I realized it was actually a fishing bumper sticker but also. also it is still very much seductive Daffy Duck???? somehow????????
odysseus of ithaca rocking a bowl cut wielding a sword from the poetic edda dressed in a gaudy purple gangster outfit raised a japanese girl and has a special skill that allows her to slime out her american coworker who calls her “mama” i love limbus company
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the place where so many haunted house genre stories fall apart is where the writers try to explain why the house is haunted and it completely defangs the story because the explanation is never as scary as the haunting itself. "this house is haunted and bad things happen here" can be so artful and outrageously scary. "this house is haunted because Specified Bad Thing Happened Here" falls flat again and again. i'm not saying it can't be done but i'm almost never satisfied by it and often it ruins the whole story for me.
the thing is, a Haunted House story is not the same as a Ghost story. In a Haunted House story, the Haunted House is a character. Usually a main character. In a Ghost story, the ghost is a character. A Ghost's story may be explained by showing us the Ghost's origin. But a Haunted House story cannot be explained by showing us the origin of one of the House's ghosts. That's just one ghost. We're talking about the House.
i've posted this a million times from youtube before but this time i wanted to post it directly here to see if new people can guess what this is about before it gets to the end
I adore this recent trend (if that's the right word) of letting an orchestra play classical music on a festival. It's magical to see thousands of festival-goers going absolutely wild on Beethoven. Mosh/circlepits, crowd surfing. It's wonderful to see the orchestra and the audience having the time of their lives.
They have to keep it on easy going Beethoven like Ode to Joy here to ensure a more docile response. They cant play In the Hall of the Mountain King cause they were already burning down venues when Grieg dropped that one back in 1875, today there would be a radioactive crater.
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I see your “Rocky swears like a sailor but only in pitches humans can’t hear/refuses to teach Grace what those words mean” and raise you “Rocky swears like a sailor and now has to explain to Grace that ‘bad bad bad’ isn’t actually a sequence you play on your Eridian speech piano in polite company.”
Grace is both horrified and amused to realise that a more accurate translation for what Rocky’s been saying is “shit shit shit”.
i never understood what made steampunk punk. romanticizing georgian era england and industrial revolutions are some of the least punk things ever. youre putting gears on a top hat
i genuinely believe that you can directly blame steampunk directly cribbing from cyberpunk for the fact that solarpunk is an aesthetic and not an ideology. the roots of considering a civilization for its trappings and appearance rather than what it does goes back to that. cyberpunk was punk* because of the stories it told** not because of its aesthetics***
*extremely debatable depending on which punk you ask.
**objectively debatable depending on the game and system
***cyberpunk as a modern franchise not a genre is absolutely a prioritization of aesthetics over punk ideology. you cannot be punk if youre a fuckin franchise of a corporation idk i feel like this should be obvious
Hi hello, Steampunk here: the 19th century was punk as fuck actually, and the active steampunk scene in 2005-2010 was very much aware of and into it. You're citing the Spirit Halloween version.
Way back in November 2013 I made a post about the aestheticization of the subculture that STILL stands:
Steampunk: VICTORIAN LONDON VICTORIAN LONDON TOP HATS CORSETS ARISTOCRACY GLORIOUS BRITISH EMPIRE AIRSHIP PIRATES RAY GUNS APOCALYPSE APOCALYPSE ZOMBIE APOCALYPSE!
Me: …Industrialization, colonialism, imperialism, exploitation of the working class and oppression of POC culminating in violent socialist revolution because fuck yeah the working class and don’t you dare forget it?
Steampunk: ::crickets::
[Steampunk]: THE GREAT GAME COGS GEARS VAMPIRES BUSTLES EXOSKELETON GOGGLES ANGLOPHILIA SUPER CREEPY OBSESSION WITH ORIENTALISM INCLUDING CLOCKWORK GEISHAS MANOR HOUSES TEA!
Me: ::sigh::
^ you are doing exactly this.
The punk ethos is primarily made up of beliefs such as non-conformity, anti-authoritarianism, anti-corporatism, a do-it-yourself ethic, anti-consumerist, anti-corporate greed, direct action, and not "selling out". That is what 'punk' means, in terms of subculture.
When steampunk arose as a subculture, out of Goth mind you, it was entirely a DIY and small business scene.
What steampunk music, fiction, craft groups, or meetups have you been to? Steampunk is, like cyberpunk, about the stories it told/is telling. Often stories of revolution (often violent), the overthrowing of governments and toppling of monarchies, civil rights movements (emancipation from chattel slavery! Indian wars! Rising against colonial powers!), the dawn of first wave feminism and women's suffrage, the original source of communist and socialist thought, workers' rights movements, the fucking enlightenment...
What is more punk than The Communist Manifesto(1848)
What is more punk than The Battle of Greasy Grass(1876)
Who's a more OG Punk than John Brown?
Steampunk literally music and fiction set in and about the Age of Revolution.
Judging Steampunk as a subculture by the part that was heavily commercialized is like judging all of Goth and a subculture by Hot Topic (which is not punk rock).
Go read China Mieville's Bas Lag cycle.
Go read Mortal Engines by Philip Reeve
Go read Boneshaker by Cherie Priest
Go read Leviathan by Scott Westerfeld (crossover with dieselpunk and biopunk!)
Go read Steeplejack by AJ Hartley
Go listen to some The Cog is Dead and some Abney Park and some Rasputina and some Steam Powered Giraffe and, hey, let me link Painless Parker one more time. You will note that that recording is from Occupy Wallstreet.
Also keep in mind that labor/union songs are wildly popular steampunk standards; you will hear Solidarity Forever and other songs from The Little Red Songbook at steampunk song circles. You will hear marching band and orchestral covers of The Sex Pistols' God Save The Queen and The Clash's London Calling. You'll hear songs from Chumbawumba's album English Rebel Songs 1381-1984.
I'm gonna linkspam a bunch of my older writings on this:
#50 Overcoming the Noble Savage & the Sexy Squaw: Native Steampunk–Guest Blog by Monique Poirier
#98 Musing about Native Steampunk-Guest blog by Monique Poirier
Some of you already know Monique Poirier, either from her Beyond Victoriana essay , or from Tumblr , or you know her from cons and stuff. S
Other steampunks of my followers, please reblog with more recommendations about Steampunk stuff that's actually PUNK.
@sapphoandvanzetti , would love to hear you chime in.
Well shit yknow what I retract my statements because I had no idea about any of this! And the fact that the Spirit Halloween version was the only one I'd heard about is actually insulting with how cool a lot of this stuff sounds! Thank you for spending the time to drop all this, it's really appreciated!
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