«A Patchwork of Hope» 👎

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@flowersforlaila
«A Patchwork of Hope» 👎

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parker ellis are you free on saturday when i am free
go watch (and read) project hail mary right now. this instant. go go go . go. go.
making peace with it
Very messy doodles from da plane

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here’s some project hail mary studies i did recently in heavypaint
I'm so normal about this movie that I did this in 3 days with a total of 10 hours of sleep. If you know this song you know it s time to bring out the tissues.
Song is The Cave by Mumford and Sons
ily
Actually, you know what? Related to my Shadowhunter Chronicles reread, I've got to get something off my chest about the end of the Mortal Instruments that has bothered me since literally 2014.
I really really hate that Simon becomes a Shadowhunter in the end. Not just because I liked him as a vampire but because I think that it undermines a lot of narrative weight and themes for both him as a character and the story world in general.
This series is very focused on how authoritarian and bigoted and corrupt the Shadowhunter society is. This race of angelic demon hunters are actually a bunch of corrupt bigoted assholes. And one of the major ways that this is portrayed is basically by having every Shadowhunter (including protagonists like Jace and Alec) continuously subject Simon (and the other non-Shadowhunter characters, but Magnus and Luke are afforded a certain level of societal respect that Simon certainly isn't) to microagressions and sometimes outright hate crimes for the simple crime of not being one of them. And the messaging is meant to be that this bigotry is deep-seated and wrong and the other characters need to work through their prejudices and that he doesn't deserve to be treated like this.
He deals with hatred not just from outside sources, but also self hatred and repression of his vampire identity (clinging tightly to any sense of human normalcy as a way to cope with how utterly fucked his life has become) to the point of basically developing the vampire equivalent of an eating disorder and starving himself on purpose because he hates having to drink blood. He loses access to his religion (now weaponized against him because of his vampirism), his mother rejects him, and tons of people are trying to kill him because he's the only daywalker in existence. And he gets kidnapped every book because he's the resident damsel in distress despite literally being unkillable for like two books lol. His life fucking suuuuuucks. Simon, as a human and then as a vampire, basically is the Other in the series (funny, because he's also like the normalest guy ever). His storyline over the six books is basically figuring out who he is in this supernatural world he followed his best friend into and finding some self respect despite the hatred (internalized and externalized) he faces.
So, with this framework in mind, having the series end with him not only magically forgetting all of the events of the series and becoming human again (ugh), but eventually going on to become a Shadowhunter himself (something that he never would've chosen if he could remember how they treated him, in my opinion) is not only character-breaking, but world-breaking. This is treated as a reward for him and as him reclaiming the excellence he once had (but lost when he forgot everything) and becoming a hero again. The oppressed joins the ranks of his oppressors as part of his happy ending. Odd messaging, considering how much the story tries to hammer home how wrong all of the Shadowhunters are for treating him as lesser. And he eventually becomes a recruiter for the Shadowhunters, bringing other normal kids into the supernatural world to live short, violent lives where, until they Ascend to become Shadowhunters, they are guaranteed to face some degree of prejudice that they otherwise could have lived their lives avoiding. Not to mention that him getting to rejoin the supernatural world and regaining his memories of it completely takes the punch of him sacrificing his immortality and his memories in the first place and renders the main loss at the end of the series moot and completely undermines the threat of a PRINCE OF HELL but whatever. Simon my love you deserved better than this <3 Reverse his lobotomy and put him back in the torture nexus please!
Achilles -> Paris Alexander -> Diomedes
Paris stop doing that

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On a stroll
When I think of you, I want to be alone together. I want to strive against and for. I want to live in contact. I want to be a context for you, and you for me.
step 1. buy hades 2
step 2. 10 wips of melnem fanarts started

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I got some new brushes I needed to try out so the melnem propaganda machine is back on
penelope didn't have to turn the tree bed into a riddle. she could have asked odysseus to prove his identity, to tell her something only he would know — which she actually did a few books earlier, when she asked the beggar to describe odysseus, and odysseus told her about a purple cloak with a particular golden brooch that she fastened herself twenty years ago. when penelope tells telemachus they have signs by which they'll know each other, you sort of expect more of the same. and instead, she decides to trap him. like a bug in a cup.
and it's delightful to me, idk, how odysseus has been trapped and cornered in various way throughout the odyssey, but arguably never so that he has to tell the truth to get out. (with the phaeacians, maybe? the omniscient narrator corroborates some of what he tells them, but do we really know everything?) and in fact he is not trying to get free of penelope. he wants something from her, wants to convince her, wants to be welcomed home, but until this point he's lied to her, revealed himself to other people before her, and been distant with her (though also patient! he doesn't try to strongarm or rush her into accepting him; it's his idea to sleep elsewhere).
except penelope isn't looking for him to be distant and patient. penelope lies in a way that requires odysseus to stop playing along — not only to prove that he knows what odysseus knows, but that he's willing to tell the truth about himself.
(tags from @finelythreadedsky )
#and the thing is he has a scar. a physical identifier. but that one he only shows servants to prove his identity#repeatedly flashing a scar on his thigh is MORE impersonal and less revealing. to him#he must do something far more exposing and vulnerable and revealing with penelope. he must drop the act via @ilions-end