Mike Driver
Not today Justin

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Lint Roller? I Barely Know Her
Cosimo Galluzzi
RMH

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Andulka
DEAR READER
Cosmic Funnies
Claire Keane
we're not kids anymore.
Game of Thrones Daily
taylor price
YOU ARE THE REASON
2025 on Tumblr: Trends That Defined the Year

Discoholic 🪩
TVSTRANGERTHINGS
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@flora-flauna

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Almée Couture | Whisper of the Earth
I enjoy reading the work of swifties because its fruitful 2 explore mindsets and experiences different from my own. For example: i think both of those lines are dogshit
Fantasy novel about a group of photogenic young Chosen Ones who all have oddly specific and faintly culturally anachronistic queer microlabels in a way that initially seems crassly pandering, except over the course of the story it becomes increasingly clear whatever is doing the choosing is trying to circumvent one of those "neither X or Y" prophecies with respect to the principal villain's putative immortality.

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Art in the Age of Digital Puritanism (2022) by Iness Rychlik The artist reposted it in 2024 "because it feels relevant in social media today".
Handkerchief I. Kit Paulson. Glass.
Got inspired by this incredible little manuscript guy
MANON BANNERMAN
KATSEYE on the GRAMMYs 2026 Red Carpet | February 1, 2026
Aleksandar Duravcevic, Another Winter, (2006/2007).

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Your maladaptive behaviors did at one point do something useful for you -- keep you safe(r), make you temporarily feel better in an untenable situation, meet a need you couldn't find a way to fulfill otherwise. If you find it hard to stop doing them now, even though they hurt you in some way, that probably means they were at some point important and useful tactics, even if they were just the least damaging option in an impossible situation.
So if you struggle with perfectionism, perhaps perfectionism did, in fact, protect you from harm or neglect during childhood, to the degree that anything you did could. As children we have very little agency, but we do learn from the way people treat us. If being "good" meant we got our needs met more often, or it partly shielded us from harm, it makes sense that we'd keep trying to behave that way.
Being mistreated or abused by adults is not a child's fault. Trying to be perfect was not going to save us. But it may have been one of the only tools for survival we could build and use at the time, flawed as it was.
We can recognize that our old tools don't work well or indeed hurt us, and we can decide to learn how to do something instead, but it's not helpful to put down our past selves for doing their best, even if the best they could do seems stupid or ineffective or self-sabotaging with the wisdom of hindsight. (Putting ourselves down was probably also a tactic that felt like it helped at some point.)
Eyvind Earle - "Path in the Snow"
Yorkshire decay
violent nature
Exciting and topical BirdNews(TM) for you: a European robin has somehow ended up in Montreal. Nobody knows how. This is apparently the first time we've had one visit Canada, hopefully it will be okay in our winter!
Canada's first European Robin has caused a stir after its discovery in Montreal. The bird was found close to the banks of the St Lawrence Ri
I love that people came running to Stare
This is quite funny because right now in France we have a Belted Kingfisher, the very first time we've had this iconic North American species visit the country. No one really know how it got here either (got lost during migration? hitched a ride on a boat?). People are coming from all of western Europe to watch it
Maybe they just switched places with the robin
Exchange students

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does anyone else remember grass. the warmth of the sun
winter makes me feel like the guys at the of the lotr. do you remember the taste of strawberries mr. frodo
I want to summarize what I’ve been reading about in the library. hhhhhh how do I do that
I’ve been reading (and have read) a lot about trauma and anxiety, and also literature, literary theory, literary criticism, things like that. I feel like I’m comprehending something vast about human nature and my own nature that makes me want to vibrate at the speed of light.
It’s something to do with picking up a book in the literature section that was a survey of woundedness, or scars and wounds as motifs in classic literature, and picking up a book in the psych section about feeling safe and healing from fear, and realizing the books’ prefaces talked about essentially the same things in essentially the same language
sufficiently advanced psychology, that is, compassionate and human centered, is indistinguishable from literary studies
This book is about coping with real life horror, but it also is just one fantastic insight after another on how to write about horror, probably more so than anything I’ve read actually for the purpose of showing how to write horror.
I literally cannot stop returning to these lines in my head, especially “And only two processes are strong enough to reduce and contain fear. Those two processes are: knowing and loving.”
Does this writer know what a searing artistic insight they have happened upon? That a horror story, a story that delves in fear, must also be a love story, not in the sense of a story about falling in love or that centers the feeling of love, but in the sense that wherever love and understanding is absent, there true horror is, and whatever loves or is loved or must be loved, whatever understands or is understood or demands to be understood, that is what lets us fight back.
Like there are all these thinkpieces on what the core of the horror story is, what is the fundamental human fear that drives it, and I think this is it. It’s right here